Victor Buchli – författare

Archaeologies of the Contemporary Past turns what is usually seen as a method for investigating the distant past onto the present. In doing so, it reveals fresh ways of looking both at ourselves and modern society as well as the discipline of archaeology.This volume represents the most recent research in this area and examines a variety of contexts including:* Art Deco* landfills* miner strikes* college fraternities* an abandoned council house.

Archaeologies of the Contemporary Past turns what is usually seen as a method for investigating the distant past onto the present. In doing so, it reveals fresh ways of looking both at ourselves and modern society as well as the discipline of archaeology.This volume represents the most recent research in this area and examines a variety of contexts including:* Art Deco* landfills* miner strikes* college fraternities* an abandoned council house.

Capturing a unique historical moment, this book examines the changes in urban life since the collapse of the Soviet Union from an ethnographic perspective, thus addressing significant gaps in the literature on cities, Central Asia and post-socialism.

It encompasses Tashkent, Almaty, Astana and Ulan-Ude: four cities with quite different responses to the fall of the Soviet Union. Each chapter takes a theme of central significance across this huge geographical terrain, addresses it through one city and contextualizes it by reference to the other sites in this volume. The structure of the book moves from nostalgia and memories of the Soviet past to examine how current changes are being experienced and imagined through the shifting materialities, temporalities and political economies of urban life. Privatization is giving rise to new social geographies, while ethnic and religious sensibilities are creating emergent networks of sacred sites. But, however much ideologies are changing, cities also provide a constant lived mnemonic of lost configurations of ideology and practice, acting as signposts to bankrupted futures. Urban Life in Post-Soviet Asia provides a detailed account of the changing nature of urban life in post-Soviet Asia, clearly elucidating the centrality of these urban transformations to citizens’ understandings of their own socio-economic condition.

Capturing a unique historical moment, this book examines the changes in urban life since the collapse of the Soviet Union from an ethnographic perspective, thus addressing significant gaps in the literature on cities, Central Asia and post-socialism.

It encompasses Tashkent, Almaty, Astana and Ulan-Ude: four cities with quite different responses to the fall of the Soviet Union. Each chapter takes a theme of central significance across this huge geographical terrain, addresses it through one city and contextualizes it by reference to the other sites in this volume. The structure of the book moves from nostalgia and memories of the Soviet past to examine how current changes are being experienced and imagined through the shifting materialities, temporalities and political economies of urban life. Privatization is giving rise to new social geographies, while ethnic and religious sensibilities are creating emergent networks of sacred sites. But, however much ideologies are changing, cities also provide a constant lived mnemonic of lost configurations of ideology and practice, acting as signposts to bankrupted futures. Urban Life in Post-Soviet Asia provides a detailed account of the changing nature of urban life in post-Soviet Asia, clearly elucidating the centrality of these urban transformations to citizens’ understandings of their own socio-economic condition.

An Archaeology of the Immaterial examines a highly significant but poorly understood aspect of material culture studies: the active rejection of the material world. Buchli argues that this is evident in a number of cultural projects, including anti-consumerism and asceticism, as well as other attempts to transcend material circumstances. Exploring the cultural work which can be achieved when the material is rejected, and the social effects of these ‘dematerialisations’, this book situates the way some people disengage from the world as a specific kind of physical engagement which has profound implications for our understanding of personhood and materiality.

Using case studies which range widely in time over Western societies and the technologies of materialising the immaterial, from icons to the scanning tunnelling microscope and 3-D printing, Buchli addresses the significance of immateriality for our own economics, cultural perceptions, and emerging forms of social inclusion and exclusion. An Archaeology of the Immaterial is thus an important and innovative contribution to material cultural studies which demonstrates that the making of the immaterial is, like the making of the material, a profoundly powerful operation which works to exert social control and delineate the borders of the imaginable and the enfranchised.

An Archaeology of the Immaterial examines a highly significant but poorly understood aspect of material culture studies: the active rejection of the material world. Buchli argues that this is evident in a number of cultural projects, including anti-consumerism and asceticism, as well as other attempts to transcend material circumstances. Exploring the cultural work which can be achieved when the material is rejected, and the social effects of these ‘dematerialisations’, this book situates the way some people disengage from the world as a specific kind of physical engagement which has profound implications for our understanding of personhood and materiality.

Using case studies which range widely in time over Western societies and the technologies of materialising the immaterial, from icons to the scanning tunnelling microscope and 3-D printing, Buchli addresses the significance of immateriality for our own economics, cultural perceptions, and emerging forms of social inclusion and exclusion. An Archaeology of the Immaterial is thus an important and innovative contribution to material cultural studies which demonstrates that the making of the immaterial is, like the making of the material, a profoundly powerful operation which works to exert social control and delineate the borders of the imaginable and the enfranchised.