Virginia Burrus – författare

The Life of Saint Helia, a late ancient Latin hagiography of uncertain provenance, is a remarkable and virtually unknown text, of which a critical edition and English translation appear here for the first time, accompanied by an introduction and commentary. Written predominately in dialogue format, the Life records a lengthy and highly polemical debate between a young girl Helia and her mother regarding the relative merits of virginity and marriage, followed by a dialogue between Helia and a bishop and a debate between Helia and a judge. The arguments both for and against virginity are biblically based, and the text is notable for its citational density and exegetical creativity. The dramatic narrative that frames the dialogue appears to have been influenced by the apocryphal Acts of Paul and Thecla, while the speeches suggest familiarity with the virginity apologetics of Ambrose and Jerome; because the Life has is preserved in only two medieval manuscripts, both from northern Spain, a Priscillianist context of composition is possible. This lively work will be of great interest to students of hagiography, asceticism, women's history, and biblical exegesis.

Constantina, daughter of the fourth-century emperor Constantine who so famously converted to Christianity, deserves a place of her own in the history of Christianity. As both poet and church-builder, she was an early patron of the Roman cult of the virgin martyr Agnes and was buried ad sanctam in a sumptuously mosaicked mausoleum that still stands. What has been very nearly forgotten is that the twice-married Constantina also came to be viewed as a virgin saint in her own right, said to have been converted and healed of leprosy by Saint Agnes. This volume publishes for the first time critical editions and English translations of three Latin hagiographies dedicated to the empress, offering an introduction and commentaries to contextualize these virtually unknown works. The earliest and longest of them is the anonymous Life of Saint Constantina likely dating to the mid or late sixth century, reflecting a female monastic setting and featuring both a story of pope Silvester's instruction of Constantina and a striking dialogue between Constantina and twelve virgins who offer speeches in praise of virginity as the summum bonum. A second, slightly later work, On the Feast of Saint Constantia (the misnaming of the saint reflecting common confusion), is a more streamlined account apparently tailored for liturgical use in early seventh-century Rome; this text is reworked and expanded by the twelfth-century Roman scholar Nicolaus Maniacoria in his Life of the Blessed Constantia, including a question-and-answer dialogue between Constantina and her two virginal charges Attica and Artemia. These works will be of great interest to students of late ancient and medieval saints' cults, hagiography, monasticism, and women's history.

The Life of Saint Helia, a late ancient Latin hagiography of uncertain provenance, is a remarkable and virtually unknown text, of which a critical edition and English translation appear here for the first time, accompanied by an introduction and commentary. Written predominately in dialogue format, the Life records a lengthy and highly polemical debate between a young girl Helia and her mother regarding the relative merits of virginity and marriage, followed by a dialogue between Helia and a bishop and a debate between Helia and a judge. The arguments both for and against virginity are biblically based, and the text is notable for its citational density and exegetical creativity. The dramatic narrative that frames the dialogue appears to have been influenced by the apocryphal Acts of Paul and Thecla, while the speeches suggest familiarity with the virginity apologetics of Ambrose and Jerome; because the Life has is preserved in only two medieval manuscripts, both from northern Spain, a Priscillianist context of composition is possible. This lively work will be of great interest to students of hagiography, asceticism, women's history, and biblical exegesis.

Essays about ruination, resilience, reading, and religion generated by a reflection on a fourth-century hagiography.  In Jerome’s Life of Saint Hilarion, a fourth-century saint briefly encounters the ruins of an earthquake-toppled city and a haunted garden in Cyprus. From these two fragmentary passages, Virginia Burrus delivers a series of sweeping meditations on our experience of place and the more-than-human worlds—the earth and its gods—that surround us. Moving between the personal and geological, Earthquakes and Gardens ruminates on destruction and resilience, ruination and resurgence, grief and consolation in times of disaster and loss. Ultimately, Burrus’s close readings reimagine religion as a practice that unsettles certainty and develops mutual flourishing.

Essays about ruination, resilience, reading, and religion generated by a reflection on a fourth-century hagiography.   In Jerome’s Life of Saint Hilarion, a fourth-century saint briefly encounters the ruins of an earthquake-toppled city and a haunted garden in Cyprus. From these two fragmentary passages, Virginia Burrus delivers a series of sweeping meditations on our experience of place and the more-than-human worlds—the earth and its gods—that surround us. Moving between the personal and geological, Earthquakes and Gardens ruminates on destruction and resilience, ruination and resurgence, grief and consolation in times of disaster and loss. Ultimately, Burrus’s close readings reimagine religion as a practice that unsettles certainty and develops mutual flourishing.

Essays about ruination, resilience, reading, and religion generated by a reflection on a fourth-century hagiography.  In Jerome’s Life of Saint Hilarion, a fourth-century saint briefly encounters the ruins of an earthquake-toppled city and a haunted garden in Cyprus. From these two fragmentary passages, Virginia Burrus delivers a series of sweeping meditations on our experience of place and the more-than-human worlds—the earth and its gods—that surround us. Moving between the personal and geological, Earthquakes and Gardens ruminates on destruction and resilience, ruination and resurgence, grief and consolation in times of disaster and loss. Ultimately, Burrus’s close readings reimagine religion as a practice that unsettles certainty and develops mutual flourishing.

Silenced for 1,600 years, the "heretics" speak for themselves in this account of the Priscillianist controversy that began in fourth-century Spain. In a close examination of rediscovered texts, Virginia Burrus provides an unusual opportunity to explore heresy from the point of view of the followers of Priscillian and to reevaluate the reliability of the historical record. Her analysis takes into account the concepts of gender, authority, and public and private space that informed established religion's response to this early Christian movement.Priscillian, who began his career as a lay teacher with particular influence among women, faced charges of heresy along with accusations of sorcery and sexual immorality following his ordination to the episcopacy. He was executed along with several of his followers circa 386. His purportedly "gnostic" doctrines produced controversy and division within the churches of Spain, dissension that continued into the early decades of the fifth century.Burrus's thorough and wide-ranging study enlarges upon previous scholarship, particularly in bringing a feminist perspective to bear on the gendered constructions of religious orthodoxies, making a valuable contribution to the recent commentary that explores new ways of looking at early Christian controversies.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Silenced for 1,600 years, the "heretics" speak for themselves in this account of the Priscillianist controversy that began in fourth-century Spain. In a close examination of rediscovered texts, Virginia Burrus provides an unusual opportunity to explore heresy from the point of view of the followers of Priscillian and to reevaluate the reliability of the historical record. Her analysis takes into account the concepts of gender, authority, and public and private space that informed established religion's response to this early Christian movement. Priscillian, who began his career as a lay teacher with particular influence among women, faced charges of heresy along with accusations of sorcery and sexual immorality following his ordination to the episcopacy. He was executed along with several of his followers circa 386. His purportedly "gnostic" doctrines produced controversy and division within the churches of Spain, dissension that continued into the early decades of the fifth century. Burrus's thorough and wide-ranging study enlarges upon previous scholarship, particularly in bringing a feminist perspective to bear on the gendered constructions of religious orthodoxies, making a valuable contribution to the recent commentary that explores new ways of looking at early Christian controversies.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

Silenced for 1,600 years, the "heretics" speak for themselves in this account of the Priscillianist controversy that began in fourth-century Spain. In a close examination of rediscovered texts, Virginia Burrus provides an unusual opportunity to explore heresy from the point of view of the followers of Priscillian and to reevaluate the reliability of the historical record. Her analysis takes into account the concepts of gender, authority, and public and private space that informed established religion's response to this early Christian movement.Priscillian, who began his career as a lay teacher with particular influence among women, faced charges of heresy along with accusations of sorcery and sexual immorality following his ordination to the episcopacy. He was executed along with several of his followers circa 386. His purportedly "gnostic" doctrines produced controversy and division within the churches of Spain, dissension that continued into the early decades of the fifth century.Burrus's thorough and wide-ranging study enlarges upon previous scholarship, particularly in bringing a feminist perspective to bear on the gendered constructions of religious orthodoxies, making a valuable contribution to the recent commentary that explores new ways of looking at early Christian controversies.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings.In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes.The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings.In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes.The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition.Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries-Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.

Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based and, thus, in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine.Burrus argues that Christianity innovated less by replacing shame with guilt than by embracing shame. Indeed, the ancient Christians sacrificed honor but laid claim to their own shame with great energy, at once intensifying and transforming it. Public spectacles of martyrdom became the most visible means through which vulnerability to shame was converted into a defiant witness of identity; this was also where the sacrificial death of the self exemplified by Christ's crucifixion was most explicitly appropriated by his followers. Shame showed a more private face as well, as Burrus demonstrates. The ambivalent lure of fleshly corruptibility was explored in the theological imaginary of incarnational Christology. It was further embodied in the transgressive disciplines of saints who plumbed the depths of humiliation. Eventually, with the advent of literary and monastic confessional practices, the shame of sin's inexhaustibility made itself heard in the revelations of testimonial discourse.In conversation with an eclectic constellation of theorists, Burrus interweaves her historical argument with theological, psychological, and ethical reflections. She proposes, finally, that early Christian texts may have much to teach us about the secrets of shame that lie at the heart of our capacity for humility, courage, and transformative love.

Has a repressive morality been the primary contribution of Christianity to the history of sexuality? The ascetic concerns that pervade ancient Christian texts would seem to support such a common assumption. Focusing on hagiographical literature, Virginia Burrus pursues a fresh path of interpretation, arguing that the early accounts of the lives of saints are not antierotic but rather convey a sublimely transgressive "countereroticism" that resists the marital, procreative ethic of sexuality found in other strands of Christian tradition.Without reducing the erotics of ancient hagiography to a single formula, The Sex Lives of Saints frames the broad historical, theological, and theoretical issues at stake in such a revisionist interpretation of ascetic eroticism, with particular reference to the work of Michel Foucault and Georges Bataille, David Halperin and Geoffrey Harpham, Leo Bersani and Jean Baudrillard. Burrus subsequently proceeds through close, performative readings of the earliest Lives of Saints, mostly dating to the late fourth and early fifth centuries-Jerome's Lives of Paul, Malchus, Hilarion, and Paula; Gregory of Nyssa's Life of Macrina; Augustine's portrait of Monica; Sulpicius Severus's Life of Martin; and the slightly later Lives of so-called harlot saints. Queer, s/m, and postcolonial theories are among the contemporary discourses that prove intriguingly resonant with an ancient art of "saintly" loving that remains, in Burrus's reading, promisingly mobile, diverse, and open-ended.

Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based and, thus, in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine.Burrus argues that Christianity innovated less by replacing shame with guilt than by embracing shame. Indeed, the ancient Christians sacrificed honor but laid claim to their own shame with great energy, at once intensifying and transforming it. Public spectacles of martyrdom became the most visible means through which vulnerability to shame was converted into a defiant witness of identity; this was also where the sacrificial death of the self exemplified by Christ's crucifixion was most explicitly appropriated by his followers. Shame showed a more private face as well, as Burrus demonstrates. The ambivalent lure of fleshly corruptibility was explored in the theological imaginary of incarnational Christology. It was further embodied in the transgressive disciplines of saints who plumbed the depths of humiliation. Eventually, with the advent of literary and monastic confessional practices, the shame of sin's inexhaustibility made itself heard in the revelations of testimonial discourse.In conversation with an eclectic constellation of theorists, Burrus interweaves her historical argument with theological, psychological, and ethical reflections. She proposes, finally, that early Christian texts may have much to teach us about the secrets of shame that lie at the heart of our capacity for humility, courage, and transformative love.

In our age of ecological crisis, what insights-if any-can we expect to find by looking to our past? Perhaps, suggests Virginia Burrus, early Christianity might yield usable insights. Turning aside from the familiar specter of Christianity's human-centered theology of dominion, Burrus directs our attention to aspects of ancient Christian thought and practice that remain strange and alien. Drawn to excess and transgression, in search of transformation, early Christians creatively reimagined the universe and the human, cultivating relationships with a wide range of other beings-animal, vegetable, and mineral; angelic and demonic; divine and earthly; large and small.In Ancient Christian Ecopoetics, Burrus facilitates a provocative encounter between early Christian theology and contemporary ecological thought. In the first section, she explores how the mysterious figure of khora, drawn from Plato's Timaeus, haunts Christian and Jewish accounts of a creation envisioned as varyingly monstrous, unstable, and unknowable. In the second section, she explores how hagiographical literature queers notions of nature and places the very category of the human into question, in part by foregrounding the saint's animality, in part by writing the saint into the landscape. The third section considers material objects, as small as portable relics and icons, as large as church and monastery complexes. Ancient Christians considered all of these animate beings, simultaneously powerful and vulnerable, protective and in need of protection, lovable and loving. Viewed through the shifting lenses of an ancient ecopoetics, Burrus demonstrates how humans both loomed large and shrank to invisibility, absorbed in the rapture of a strange and animate ecology.

In our age of ecological crisis, what insights-if any-can we expect to find by looking to our past? Perhaps, suggests Virginia Burrus, early Christianity might yield usable insights. Turning aside from the familiar specter of Christianity's human-centered theology of dominion, Burrus directs our attention to aspects of ancient Christian thought and practice that remain strange and alien. Drawn to excess and transgression, in search of transformation, early Christians creatively reimagined the universe and the human, cultivating relationships with a wide range of other beings-animal, vegetable, and mineral; angelic and demonic; divine and earthly; large and small.In Ancient Christian Ecopoetics, Burrus facilitates a provocative encounter between early Christian theology and contemporary ecological thought. In the first section, she explores how the mysterious figure of khora, drawn from Plato's Timaeus, haunts Christian and Jewish accounts of a creation envisioned as varyingly monstrous, unstable, and unknowable. In the second section, she explores how hagiographical literature queers notions of nature and places the very category of the human into question, in part by foregrounding the saint's animality, in part by writing the saint into the landscape. The third section considers material objects, as small as portable relics and icons, as large as church and monastery complexes. Ancient Christians considered all of these animate beings, simultaneously powerful and vulnerable, protective and in need of protection, lovable and loving. Viewed through the shifting lenses of an ancient ecopoetics, Burrus demonstrates how humans both loomed large and shrank to invisibility, absorbed in the rapture of a strange and animate ecology.

What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren's influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle.Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility.The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.

What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren's influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle.Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility.The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.

Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text.Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes—secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theologicalvision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction.In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy.They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

Augustine's Confessions is a text that seduces. But how often do its readers respond in kind? Here three scholars who share a longstanding fascination with sexuality and Christian discourse attempt to do just that. Where prior interpreters have been inclined either to defend or to criticize Augustine's views, Virginia Burrus, Mark Jordan, and Karmen MacKendrick set out both to seduce and to be seduced by his text.Often ambivalent but always passionately engaged, their readings of the Confessions center on four sets of intertwined themes—secrecy and confession, asceticism and eroticism, constraint and freedom, and time and eternity. Rather than expose Augustine's sexual history, they explore how the Confessions conjoins the erotic with the hidden, the imaginary, and the fictional. Rather than bemoan the repressiveness of his text, they uncover the complex relationship between seductive flesh and persuasive words that pervades all of its books. Rather than struggle to escape the control of the author, they embrace the painful pleasure of willed submission that lies at the erotic heart not only of the Confessions but also of Augustine's broader understanding of sin and salvation. Rather than mourn the fateful otherworldliness of his theologicalvision, they plumb the bottomless depths of beauty that Augustine discovers within creation, thereby extending desire precisely by refusing satisfaction.In unfolding their readings, the authors draw upon other works in Augustine's corpus while building on prior Augustinian scholarship in their own overlapping fields of history, theology, and philosophy.They also press well beyond the conventional boundaries of scholarly disciplines, conversing with such wide-ranging theorists of eroticism as Barthes, Baudrillard, Klossowski, Foucault, and Harpham. In the end, they offer not only a fresh interpretation of Augustine's famous work but also a multivocal literary-philosophical meditation on the seductive elusiveness of desire, bodies, language, and God.

'Witness' is not merely an etymological trace but central to late ancient Christian understandings of martyrdom. Drawing on dual traditions of elite parrhesia, or free speech, and the torture of enslaved witnesses, martyrs testified through their suffering and deaths to their own worthiness, the tyrannical violence inflicted upon them, and the possibility of a more just world. Literature became the medium of this threefold witness. This study offers close readings of well-known martyrdom accounts from the period before the Great Persecution, including Acts of the Scillitan Martyrs, Acts of Justin, Letter of the Martyrs of Vienne and Lyons, Passion of Perpetua and Felicitas, Martyrdom of Polycarp, and Acts of Thecla. It highlights recurring themes of interrogation, torture, contest, sacrifice, and sexual violence, showing how these texts reflect on questions of power and agency, and concludes with an exploration of their contemporary relevance through the art of Kehinde Wiley.

'Witness' is not merely an etymological trace but central to late ancient Christian understandings of martyrdom. Drawing on dual traditions of elite parrhesia, or free speech, and the torture of enslaved witnesses, martyrs testified through their suffering and deaths to their own worthiness, the tyrannical violence inflicted upon them, and the possibility of a more just world. Literature became the medium of this threefold witness. This study offers close readings of well-known martyrdom accounts from the period before the Great Persecution, including Acts of the Scillitan Martyrs, Acts of Justin, Letter of the Martyrs of Vienne and Lyons, Passion of Perpetua and Felicitas, Martyrdom of Polycarp, and Acts of Thecla. It highlights recurring themes of interrogation, torture, contest, sacrifice, and sexual violence, showing how these texts reflect on questions of power and agency, and concludes with an exploration of their contemporary relevance through the art of Kehinde Wiley.

This book examines the many ways Byzantines lived with their trees. It takes seriously theological and hagiographic tree engagement as expressions of that culture’s deep involvement—and even fascination—with the arboreal. These pages tap into the current attention paid to plants in a wide range of scholarship, an attention that involves the philosophy of plant life as well as scientific discoveries of how communicative trees may be, and how they defend themselves. Considering writings on and images of trees from Late Antiquity and medieval Byzantium sympathetically, the book argues for an arboreal imagination at the root of human aspirations to know and draw close to the divine.

This book examines the many ways Byzantines lived with their trees. It takes seriously theological and hagiographic tree engagement as expressions of that culture’s deep involvement—and even fascination—with the arboreal. These pages tap into the current attention paid to plants in a wide range of scholarship, an attention that involves the philosophy of plant life as well as scientific discoveries of how communicative trees may be, and how they defend themselves. Considering writings on and images of trees from Late Antiquity and medieval Byzantium sympathetically, the book argues for an arboreal imagination at the root of human aspirations to know and draw close to the divine.