W. N. Herbert – författare

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13 produkter

Writing Poetry
AvW. N. Herbert
Häftad, Engelska, 2009
735 kr
Skickas inom 10-15 vardagar
This volume presents new versions of key chapters from the recent Routledge/Open University textbook, Creative Writing: A Workbook with Readings for writers who are specialising in writing poetry. It offers the novice writer engaging and creative activities, making use of insightful, relevant readings from the work of well-known authors to illustrate the techniques presented.Using his experience and expertise as a teacher as well as a poet, Bill Herbert guides aspiring writers through such key writing skills as: drafting voice imagery rhyme form theme. The volume is further updated to include never-before published dialogues with prominent poets such as Vicki Feaver, Gillian Allnutt, Kathleen Jamie, Linda France, Douglas Dunn, Sean O'Brien and Jo Shapcott. Concise and practical, Writing Poetry offers an inspirational guide to the methods and techniques of this challenging and rewarding genre and is a must-read for aspiring poets.
Sailor's Home
AvLian Yang,Arjen Duinkerm. fl.
Häftad, Engelska, 2005
225 kr
Skickas inom 5-8 vardagar
Sailor's Home is a miscellany (or anthology) of poems by six poets who came together for a private festival in London in October 2005. The poets are Arjen Duinker (Netherlands), W.N. Herbert (UK), Uwe Kolbe (Germany), Peter Laugesen (Denmark), Karine Martel (France) and Yang Lian (China), whose idea the festival was. Each poet takes the phrase "Sailor's Home" and builds a work from it in his or her own language. The festival, featuring the six poets and invited guest, and the book as a record of the event, demonstrate how the poets interact acroos languages and cultures. All the poems are presented in their original languages and in English translation. While the festival was a one-off event, the poems remain, and the book stands testimony to the creative impulse amongst friends whose poetry can cross borders. A fascinating document.
New Boots and Pantisocracies
AvW. N. Herbert
Häftad, Engelska, 2016
122 kr
Skickas
Welcome poets, polemicists and disbelieving masses! New pants for old! The 2015 General Election made manifest changes that have been taking place in UK politics this century. Previous certainties like Labour’s Scottish hegemony are no more. Older patterns like the Conservative dominance of England have reasserted themselves. The idea of the UK as a single country has been replaced by a plurality of national, regional, generational and class identities.
The week after the election Bill Herbert and Andy Jackson decided to chart the responses of those unacknowledged legislators of the world – poets – to the new dispensation. For the first 100 days of the new government they published a poem a day on their New Boots and Pantisocracies blog, recording life under the new unrealpolitik. Now it is a book by over a hundred of the most compelling and distinguished poets of our time, including Sean O’Brien, Sheenagh Pugh, Daljit Nagra, Claudia Daventry, Ian Duhig, Michael Rosen, Polly Clark, Ian McMillan, George Szirtes and Malika Booker.
New Boots and Pantisocracies takes its name from the idealistic plans of Coleridge and Southey for a social utopia or ‘pantisocracy’, and from Ian Dury’s iconic first album, with its ironic and melancholy celebration of working class identity on the eve of the Thatcherite revanche. It is a book of poems and polemics, contraries and resistances, appalled but not entirely despairing.
Writing Poetry
AvW. N. Herbert
Inbunden, Engelska, 2015
3 478 kr
Skickas inom 10-15 vardagar
This volume presents new versions of key chapters from the recent Routledge/Open University textbook, Creative Writing: A Workbook with Readings for writers who are specialising in writing poetry. It offers the novice writer engaging and creative activities, making use of insightful, relevant readings from the work of well-known authors to illustrate the techniques presented.Using his experience and expertise as a teacher as well as a poet, Bill Herbert guides aspiring writers through such key writing skills as: drafting voice imagery rhyme form theme. The volume is further updated to include never-before published dialogues with prominent poets such as Vicki Feaver, Gillian Allnutt, Kathleen Jamie, Linda France, Douglas Dunn, Sean O'Brien and Jo Shapcott. Concise and practical, Writing Poetry offers an inspirational guide to the methods and techniques of this challenging and rewarding genre and is a must-read for aspiring poets.
Unselected Poems
AvW. N. Herbert
Häftad, Engelska, 2024
86 kr
Skickas
For many poets there comes a point in their careers when a Selected Poems seems a logical step. Their style is now established, their subject-matter is their own, and their greatest hits lend themselves to a succinct introduction to their career. But for WN Herbert, that was never what it was all about. The idea that he has had a career, let alone that it was ‘about’ anything, strikes him as extremely unlikely. Instead, he has always enjoyed the opportunity to head off in as many directions as possible. Usually at the same time.

In addition to his main collections, WN Herbert has been involved in many collaborative side projects, arising from travel, dialogue, translation and the challenge of a new sequence or form. This book contains the best of his ‘unselected’ poems, including On Your Nerve: A Wake for Frank O’Hara, Don Juan’s Pilgrimage and his award-winning pamphlet, Murder Bear. Unselected Poems is an invitation to consider the less-travelled tracks we might have taken and could yet follow, whether as writers or readers. Set off, if you would – follow that bear!
Third Shore
Chinese and English-language Poets in Mutual Translation
AvLian Yang,W. N. Herbert
Häftad, Engelska, 2013
257 kr
Skickas inom 5-8 vardagar
Walter Benjamin called translation "The Third Language", because a translation is neither the same as the original, nor the same as the normal foreign-language of other texts, for it is something unique, something set apart from either, just as bronze forged from copper and tin overcomes the brittleness of copper and the softness of tin to become both hard and pliable, as if it has become a new element. In this volume, Chinese poets and English-language poets come together to translate each other's work. The Chinese poets involved are: Jiang Tao, Leng Shuang, Tang Xiaodu, Wang Xaoni, Xiao Kaiyu, Xi Chuan, Yan Li, Yang Lian, Yang Xiaobin, Yu Jian, Zang Di, Zhai Yongming, Zhang Wei and Zhou Zan, while the Western representatives are: Nicholas Admussen, Tony Barnstone, Polly Clark, Jennifer Crawford, Antony Dunn, W.N. Herbert, Sean O'Brien, Pascale Petit, Fiona Sampson, Arthur Sze, George Szirtes and Joshua Weiner.
Cabaret McGonagall
AvW. N. Herbert
Häftad, Engelska, 1996
116 kr
Skickas inom 7-10 vardagar
Shortlisted for the Forward Prize for Best Collection. Come to the Cabaret - on tour somewhat erratically in the North. Sample its impassioned ballads, phantasmata, and despairing satires. The cast includes a suicidal Pict from Galloway, Morayshire's unsavoury Third Corbie, and the demented Edinburgh surgeon, Scrapie Powrie. Appearing now at the House of Fear, King Shit-Click's Palace and Bede's World. In this new collection from W.N. Herbert, the verse veers from the Whitmanic to Dunbar-like flytings, and the language lurches from Scots to English through all half-way houses. The result is a big bad anxious trip through the Information Age with one of the most various of contemporary poets. W.N. Herbert is a highly versatile poet who writes both in Scots and English. Sean O'Brien has called him 'outstanding - a poet whom nothing - including what he terms "the Anchises of the Scots Style Sheet" - will intimidate'. For Douglas Dunn, his was 'the best writing in Scots - thoughtful, studied, clever - I've seen in years'. Jamie McKendrick admired his 'vibrant' poetry, his 'ear for the sensuous music of Scots' and his 'ability to effect sudden shifts of scale that bring the human and the cosmic face to face'.
Laurelude
AvW. N. Herbert
Häftad, Engelska, 1998
131 kr
Skickas inom 7-10 vardagar
For nearly three hundred years Scotland and England were the Laurel and Hardy of nations. For nearly two hundred years The Prelude was a poem by Wordsworth. Something had to give. As Britain begins to resemble a cut-up by William Burroughs, and the heritage of Robert Burns is flushed down a lavvie in Leith, one verse-monger steps forward to do battle with (or possibly for) cultural chaos. Bill Herbert’s Laurelude is in three sections: The Laurelude is a blank verse myth about Ulverston’s Idiot Boy, Stan Laurel. Othermoor depicts a cubist version of the North where the Wild Boy himself, the late Bill Burroughs, rewrites the rules. And The Madmen of Elgin squashes both Lost Boys and Solitary Reapers into Middle Scots verse forms for a pre-millennial song-and-dance. Like Oliver Hardy this volume refuses to be slim: it bursts all borders, literary and political, creating a zone where the Hollywood musical meets the Jolly Beggars, where lament bumps into love lyric, where the dictionaries go to die. Poetry Book Society Recommendation.
Strong Words
AvW. N. Herbert,Matthew Hollism. fl.
Häftad, Engelska, 2000
175 kr
Skickas
Poetry has never been so rigorous and diverse, nor has its audience been so numerous and engaged. Strong words? Not if the poets are right. As Ezra Pound wrote: 'You would think anyone wanting to know about poetry would go to someone who knew something about it.' That's exactly what Bloodaxe has done with this judicious and comprehensive selection of British, Irish and American manifestos by some of modern poetry's finest practitioners. Opening the 20th century account with Ezra Pound, W.B. Yeats and T.S. Eliot, the book moves through key later figures including W.H. Auden, Ted Hughes, Stevie Smith and Dylan Thomas. America is richly represented too, from Robert Frost and William Carlos Williams to the influential New England poets Robert Lowell, Elizabeth Bishop and Sylvia Plath. Strong Words then brings the issues fully up to date with over 30 specially commissioned statements from contemporary writers including Seamus Heaney, Andrew Motion, Simon Armitage, Selima Hill, Paul Muldoon and Douglas Dunn, amounting to a new overview of the poetry being written at the start of the 21st century. For poets and readers, for critics, teachers and students of creative writing and contemporary poetry, this is essential reading. As well as representing many of the most important poets of the last hundred years, Strong Words also charts many different stances and movements, from Modernism to Postmodernism, from Futurism to the future theories of poetry. This landmark book champions the continuing dialogue of these voices, past and present, exploring the strongest form that words can take: the poem.
Big Bumper Book of Troy
AvW. N. Herbert
Häftad, Engelska, 2002
136 kr
Skickas
The northern word for hometown, ‘toon’, flickers in meaning between ‘tune’ and ‘cartoon’. In Bill Herbert’s big bumper book, the title toon is Troy: the first lost home. Exiled to a lighthouse on the River Tyne, the wily Scots maestro has written a book in love with lost and difficult things. Sometimes reflective, sometimes subversively mischievous, he registers or rails against displacement and resettlement, lamenting the passing of relatives, cities, furniture, and the odd lemur.Plugged in to the poetry zeitgeist as ever, Herbert has revived a medieval publishing craze: the Troybook. Painstaking excavation of old comics establishes that the original site of Troytoon is Dundee. Or Madrid. Or possibly St Petersburg. The search for traces of Troy leads to Donegal, Crete, and, at the heart of his grand tour, a vivid verse journal set in post-perestroika Moscow. Dust off your highest brow and fasten your seatbelt, we’re flying Economy to Byzantium.The Big Bumper Book of Troy is driven by sudden shifts of register – English to Scots, free verse to antique stanza, page to performance, narrative to lyric. Everything has become a dialect, yet – cheekily borrowing the Russian composer Schnittke’s term – Herbert aims at a disrespectful polystylist unity. It is his most unorthodox rebellion yet against the dictatorship of the slim volume. A riot of colourful humour, a revolution in poetic taste.
Jade Ladder
Contemporary Chinese Poetry
AvW. N. Herbert,W. N. Herbertm. fl.
Häftad, Engelska, 2012
162 kr
Skickas
This anthology is the record of a revolution in Chinese poetry. As the Cultural Revolution gave way to the post-Mao era - years of political turmoil, economic boom and the return of Hong Kong - the present period has been one of extraordinary and deeply problematic growth. Chinese poets, driven by alienation, trauma and exile, have responded with one of the most thorough and exciting experiments in world poetry. Jade Ladder shows authoritatively for the first time in English the diversity of Chinese poetry as it renegotiates its relationship with Western modernist and postmodernist poetry, and re-engages with its Classical heritage. Misty, post-Misty, Fourth Generation; publication in samizdat, publication in exile, publication on the internet - in a nation of billions, it sometimes seems that there are a million ways to write poetry. This selection provides a concise series of perspectives on a proliferating scene. It focusses on key figures and key poems. It moves beyond the lyric to showcase an astonishing diversity of genres including narrative poetry, neo-Classical writing, the sequence, experimental poetry and the long poem. Through detailed introductions, it examines how contemporary poetry grew from both the fertile Classical tradition and the stony ground of the Communist period, only to rewrite that tradition, and resist that regime. Jade Ladder is the most comprehensive single volume guide to what has been happening and what is happening now in a culture of undeniably global significance. It is indispensable reading for anyone with an interest in the future not just of China, but of poetry.
Omnesia (alternative text)
AvW. N. Herbert
Häftad, Engelska, 2013
145 kr
Skickas inom 7-10 vardagar
'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading?
Omnesia (remix)
AvW. N. Herbert
Häftad, Engelska, 2013
145 kr
Skickas inom 7-10 vardagar
'Omnesia' is Bill Herbert's melding of omniscience and amnesia, the modern condition of thinking we can know everything about our world but, in actuality, retaining dangerously little. This doubly impressive new collection - published in twin editions, the alternative text and the remix - approaches and evades such flawed totality. Neither the alternative text nor the remix is the primary text. They are two variations, doppelgangers haunted by the idea of a whole neither can embody or know. Readers can read either or both versions. Booksellers can stock either or both. Only the literary prize judges will have to read both in order to shortlist either or both as one. For the past seven years Herbert has wandered from the Turkic west of China to the barrios of Venezuela; from Tomsk, the 'Athens of Siberia', to the heat of Hargeisa, capital of Somaliland, an unacknowledged country. These are travels to translate and, in more than one sense, to be translated; brief encounters with poets and poetics outside the Eurocentric norm; looking-glass meetings, omnesiac pilgrimage. Along the fracture lines between east and west in the Balkans, Greece, and in Jerusalem, across the cultural gaps that mark the north and south of the British Isles, Herbert teases out, through tensions between lyric and satire, English and Scots, formalism and experiment, what it is we hope to mean by home, integrity, or authenticity. Herbert's Omnesia is riven by the anxiety of incompletion: it is two variations desiring to be one theme; doppelgangers haunted by the idea of a whole neither can embody or know. Which one are you reading?

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W. N. Herbert – författare

Writing Poetry

Sailor's Home

New Boots and Pantisocracies

Writing Poetry

Unselected Poems

Third Shore

Cabaret McGonagall

Laurelude

Strong Words

Big Bumper Book of Troy

Jade Ladder

Omnesia (alternative text)

Omnesia (remix)

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Mina sidor

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Hjälp

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Om Bokus

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