Matthew Hollis – författare

Winner of the Costa Biography Award, a fascinating exploration of one of the twentieth century's most influential poets.

Edward Thomas was perhaps the most beguiling and influential of First World War poets. Now All Roads Lead to France is an account of his final five years, centred on his extraordinary friendship with Robert Frost and Thomas's fatal decision to fight in the war.The book also evokes an astonishingly creative moment in English literature, when London was a battleground for new, ambitious kinds of writing. A generation that included W. B. Yeats, Ezra Pound, Robert Frost and Rupert Brooke were 'making it new' - vehemently and pugnaciously. These larger-than-life characters surround a central figure, tormented by his work and his marriage. But as his friendship with Frost blossomed, Thomas wrote poem after poem, and his emotional affliction began to lift. In 1914 the two friends formed the ideas that would produce some of the most remarkable verse of the twentieth century. Their writing was far more than just war poetry, but it was World War I that put an ocean between them. Frost returned to the safety of New England while Thomas stayed to fight for the Old.It is these roads taken - and those not taken - that are at the heart of this remarkable book, which culminates in Thomas's tragic death on Easter Monday 1917.

** Chosen as a New Statesman, Financial Times, Observer and Sunday Times Book of the Year **A riveting account of the making of T. S. Eliot's celebrated poem The Waste Land on its centenary.'A rattling good story' Sunday Telegraph'A work of art' Times Literary SupplementThe Waste Land has been called the 'World's Greatest Poem'. It is said to describe the moral decay of a world after war, to find meaning in a meaningless era. It has been labelled the most truthful poem of its time; it has been branded a masterful fake. A century after its publication in 1922, T. S. Eliot's enigmatic masterpiece remains one of the most influential works ever written, and yet one of the most mysterious.In a remarkable feat of biography, Matthew Hollis reconstructs the intellectual creation of the poem and brings the material reality of its charged times vividly to life. Presenting a mosaic of historical fragments, diaries, dynamic literary criticism and illuminating new research, he reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists - of Ezra Pound, who edited it; of Vivien Eliot, who sustained it; and of T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

** Chosen as a New Statesman, Financial Times, Observer and Sunday Times Book of the Year **A riveting account of the making of T. S. Eliot's celebrated poem The Waste Land on its centenary.'A rattling good story' Sunday Telegraph'A work of art' Times Literary SupplementThe Waste Land has been called the 'World's Greatest Poem'. It has been labelled the most truthful poem of its time; it has been branded a masterful fake. More than a century after its publication in 1922, T. S. Eliot's enigmatic masterpiece remains one of the most influential works ever written.In a remarkable feat of biography, Matthew Hollis reconstructs the creation of the poem and brings the material reality of its charged times vividly to life. He reveals the cultural and personal trauma that forged The Waste Land through the lives of its protagonists - Ezra Pound, who edited it; Vivien Eliot, who sustained it; and T. S. Eliot himself, whose private torment is woven into the seams of the work. The result is an unforgettable story of lives passing in opposing directions and the astounding literary legacy they would leave behind.

A Times Literary Supplement , Telegraph and Financial Times Best Book of 2025'The glorious gathering-in of his achievement that is The Poems of Seamus Heaney, edited with meticulous care and luminous clarity. . . allows us for the first time to see his dozen formal collections as only the most visible peaks in a constantly rolling range of creativity.' Fintan O'Toole, Observer'This book is a landmark. [and] lets us see Heaney's work, whose ripples we are still learning to navigate, for the colossal achievement it is, and it reminds us that Heaney is not only a keeper but an enricher of the word-hoard.' Philip Terry, GuardianThis is the long-awaited, definitive edition of Seamus Heaney's poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from Death of a Naturalist (1966) to Human Chain (2010), and those poems published in pamphlets, journals and magazines or with limited circulation. In addition, the book includes a selection of unpublished material chosen by the poet's family.It is a body of work that, in its entirety, resounds with the 'lyrical beauty and ethical depth' cited by the Nobel committee: poems 'which exalt everyday miracles and the living past.'Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaney's work.'Heaney's voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.' Helen Vendler'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey'His is "closeup" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'These poems find - in the dowser's gift and the child's perception of the world - images of the marvellous that are also wonderfully grounded. . . Heaney is a poet who deserves to be read in entirety.' Jamie McKendrick'For Heaney, there were marvels enough in this world, and never mind the next. Ordinary objects and places - a sofa, a wireless, a satchel, a gust of wind, the sound of rain - were sanctified.' Blake Morrison

In Earth House, Matthew Hollis evokes the landscape, language and ecology of the isles of Britain and Ireland to explore how our most intimate moments have resonance in the wider cycle of life. Beginning in the slate waters of the north, the book revolves around the cardinal points and the ancient elements: through the wide skies of the east and the terrain of a southern city, to the embers of places lost to us, to which we can no longer return.What emerges is a moving meditation on time and the transformative phases of nature that calls many forces into its presence – the wisdoms of Anglo-Saxon verse, the metamorphoses of Norse and Celtic myth, the stoicism of classical thought and the far east – unforgettably phrased by a writer who, in the words of the TLS, ‘makes the language of his poetry an event in itself’. Subtly attuned to the rhythms of the turning world, these poems open with the passing of an old life and culminate in the birth of a new one. They bravely work the seam between the present and the past, between destruction and renewal, humanity and our environment, and make Earth House a timeless exploration of our timed encounter with the remarkable lives of our planet.Longlisted for the Laurel Prize 2023, Earth House was Matthew Hollis’s long awaited follow up to Ground Water (2004), shortlisted for the Guardian First Book Award, the Forward Prize for Best First Collection and the Whitbread Poetry Award. He is the author of Now All Roads Lead to France: The Last Years of Edward Thomas (2011), winner of the Costa Award for Biography and Sunday Times Biography of the Year, and The Waste Land: A Biography of a Poem (2022).‘A quietly magnificent book. Wholly lived. A magnificat in that way. Devoted to the austere and painful truths that poem by poem it discovers and quietly, as ever, magnifies. These poems sound a music like the warming subsong of a blackbird from the bare heart of a winter thorn, a cold cheer, a kindling blues.' – Tim Dee, author of Greenery‘A magical combination of the delicate and the intense.’ – Julia Blackburn, author of Time Song‘Enchanting…what good poems.‘ – Ronald Blythe, author of Akenfield

In Earth House, Matthew Hollis evokes the landscape, language and ecology of the isles of Britain and Ireland to explore how our most intimate moments have resonance in the wider cycle of life. Beginning in the slate waters of the north, the book revolves around the cardinal points and the ancient elements: through the wide skies of the east and the terrain of a southern city, to the embers of places lost to us, to which we can no longer return.What emerges is a moving meditation on time and the transformative phases of nature that calls many forces into its presence – the wisdoms of Anglo-Saxon verse, the metamorphoses of Norse and Celtic myth, the stoicism of classical thought and the far east – unforgettably phrased by a writer who, in the words of the TLS, ‘makes the language of his poetry an event in itself’. Subtly attuned to the rhythms of the turning world, these poems open with the passing of an old life and culminate in the birth of a new one. They bravely work the seam between the present and the past, between destruction and renewal, humanity and our environment, and make Earth House a timeless exploration of our timed encounter with the remarkable lives of our planet.Longlisted for the Laurel Prize 2023, Earth House was Matthew Hollis’s long awaited follow up to Ground Water (2004), shortlisted for the Guardian First Book Award, the Forward Prize for Best First Collection and the Whitbread Poetry Award. He is the author of Now All Roads Lead to France: The Last Years of Edward Thomas (2011), winner of the Costa Award for Biography and Sunday Times Biography of the Year, and The Waste Land: A Biography of a Poem (2022).‘A quietly magnificent book. Wholly lived. A magnificat in that way. Devoted to the austere and painful truths that poem by poem it discovers and quietly, as ever, magnifies. These poems sound a music like the warming subsong of a blackbird from the bare heart of a winter thorn, a cold cheer, a kindling blues.' – Tim Dee, author of Greenery‘A magical combination of the delicate and the intense.’ – Julia Blackburn, author of Time Song‘Enchanting…what good poems.‘ – Ronald Blythe, author of Akenfield

Poetry has never been so rigorous and diverse, nor has its audience been so numerous and engaged. Strong words? Not if the poets are right. As Ezra Pound wrote: 'You would think anyone wanting to know about poetry would go to someone who knew something about it.' That's exactly what Bloodaxe has done with this judicious and comprehensive selection of British, Irish and American manifestos by some of modern poetry's finest practitioners. Opening the 20th century account with Ezra Pound, W.B. Yeats and T.S. Eliot, the book moves through key later figures including W.H. Auden, Ted Hughes, Stevie Smith and Dylan Thomas. America is richly represented too, from Robert Frost and William Carlos Williams to the influential New England poets Robert Lowell, Elizabeth Bishop and Sylvia Plath. Strong Words then brings the issues fully up to date with over 30 specially commissioned statements from contemporary writers including Seamus Heaney, Andrew Motion, Simon Armitage, Selima Hill, Paul Muldoon and Douglas Dunn, amounting to a new overview of the poetry being written at the start of the 21st century. For poets and readers, for critics, teachers and students of creative writing and contemporary poetry, this is essential reading. As well as representing many of the most important poets of the last hundred years, Strong Words also charts many different stances and movements, from Modernism to Postmodernism, from Futurism to the future theories of poetry. This landmark book champions the continuing dialogue of these voices, past and present, exploring the strongest form that words can take: the poem.