'The absorbing story of an uncompromising genius of the dance.' Salman Rushdie'Candid, compelling. . . I loved every word of insight into the mind of a master.' Sunday TimesMark Morris was nineteen when he moved to New York to become a professional dancer. Flat broke, he found a group of like-minded artists that danced together, travelled together, slept together - a collective which became the Mark Morris Group.Suddenly, Morris was on a fast ascent, and with success also came controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop on Broadway history. But through the Reagan-Bush era and the worst of the AIDS epidemic, Morris emerged as one of the great visionaries of modern dance, an artist as joyful as he is provocative.

Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. . Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group.Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative.Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant misfit who found his home in the collective and liberating world of music and dance.

By George is the utterly original story of a flawed but formidable family - and of two very different boys. One is an eleven-year-old schoolboy, the other a ventriloquist's dummy. With no voice of his own but plenty to say, the dummy tells his life story; from his humble beginnings in the 1930s to his rise in fame as force's favourite during the war and the horrible secret he's been made to keep.Years later, his self-possessed but vulnerable namesake finds himself packed off to boarding school, far from his mother Frankie, dynamic actress and Principal Boy; his grandma Queenie, children's party entertainer extraordinaire; and his bed-ridden but redoubtable great-grandmother. While the dummy lies dusty, silent and forgotten, his young counterpart sets out to learn about his dead grandfather's past as a world-famous ventriloquist, his magical powers and their family's curious history.

The night before brilliant but erratic composer Charles Jessold's opera - about a betrayed husband who murders his wife and her lover - is due to open, Jessold is found dead, having apparently murdered his wife and her lover. Leslie Shepherd, music critic and Jessold's collaborator on the opera, reflects on the scandalous affair in a dazzling, passionate and witty novel about the dangerous relationship between artist and critic.

Lord Loveall, heretofore heirless lord of the sprawling Love Hall, is the richest man in England. He arrives home one morning with a most unusual package - a baby that he presents as the inheritor to the family name and fortune. In honor of his beloved sister, who died young, Loveall names the baby Rose. The household, relieved at the continuation of the Loveall line, ignores the fact that this Rose has a thorn...that she is, in fact, a boy. Rose grows up with the two servant children who are her only friends, blissfully unaware of her own gender, casually hitting boundaries at Love Hall's yearly cricket game and learning to shave even as she continues to wear more and more elaborate dresses. Until, of course, the fateful day when Rose's world comes crashing down around her, and she is banished from Love Hall as an impostor by those who would claim her place as heir.

'The absorbing story of an uncompromising genius of the dance.' Salman Rushdie'Candid, compelling. . . I loved every word of insight into the mind of a master.' Sunday TimesMark Morris was nineteen when he moved to New York to become a professional dancer. Flat broke, he found a group of like-minded artists that danced together, travelled together, slept together - a collective which became the Mark Morris Group.Suddenly, Morris was on a fast ascent, and with success also came controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop on Broadway history. But through the Reagan-Bush era and the worst of the AIDS epidemic, Morris emerged as one of the great visionaries of modern dance, an artist as joyful as he is provocative.

Before Mark Morris became "the most successful and influential choreographer alive" (The New York Times), he was a six year-old in Seattle cramming his feet into Tupperware glasses so that he could practice walking on pointe. Moving to New York at nineteen, he arrived to one of the great booms of dance in America. . Morris was flat broke but found a group of likeminded artists that danced together, travelled together, slept together. This collective, led by Morris's fiercely original vision, became the famed Mark Morris Dance Group.Suddenly, Morris was making a fast ascent. Celebrated by The New Yorker's critic as one of the great young talents, an androgynous beauty in the vein of Michelangelo's David, he and his company had arrived. Collaborations with the likes of Mikhail Baryshnikov, Yo-Yo Ma, Lou Harrison, and Howard Hodgkin followed. And so did controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop in Broadway history. But through the Reagan-Bush era, the worst of the AIDS epidemic, through rehearsal squabbles and backstage intrigues, Morris emerged as one of the great visionaries of modern dance, a force of nature with a dedication to beauty and a love of the body, an artist as joyful as he is provocative.Out Loud is the bighearted and outspoken story of a man as formidable on the page as he is on the boards. With unusual candor and disarming wit, Morris's memoir captures the life of a performer who broke the mold, a brilliant misfit who found his home in the collective and liberating world of music and dance.

By George is the utterly original story of a flawed but formidable family - and of two very different boys. One is an eleven-year-old schoolboy, the other a ventriloquist's dummy. With no voice of his own but plenty to say, the dummy tells his life story; from his humble beginnings in the 1930s to his rise in fame as force's favourite during the war and the horrible secret he's been made to keep.Years later, his self-possessed but vulnerable namesake finds himself packed off to boarding school, far from his mother Frankie, dynamic actress and Principal Boy; his grandma Queenie, children's party entertainer extraordinaire; and his bed-ridden but redoubtable great-grandmother. While the dummy lies dusty, silent and forgotten, his young counterpart sets out to learn about his dead grandfather's past as a world-famous ventriloquist, his magical powers and their family's curious history.

The night before brilliant but erratic composer Charles Jessold's opera - about a betrayed husband who murders his wife and her lover - is due to open, Jessold is found dead, having apparently murdered his wife and her lover. Leslie Shepherd, music critic and Jessold's collaborator on the opera, reflects on the scandalous affair in a dazzling, passionate and witty novel about the dangerous relationship between artist and critic.

Lord Loveall, heretofore heirless lord of the sprawling Love Hall, is the richest man in England. He arrives home one morning with a most unusual package - a baby that he presents as the inheritor to the family name and fortune. In honor of his beloved sister, who died young, Loveall names the baby Rose. The household, relieved at the continuation of the Loveall line, ignores the fact that this Rose has a thorn...that she is, in fact, a boy. Rose grows up with the two servant children who are her only friends, blissfully unaware of her own gender, casually hitting boundaries at Love Hall's yearly cricket game and learning to shave even as she continues to wear more and more elaborate dresses. Until, of course, the fateful day when Rose's world comes crashing down around her, and she is banished from Love Hall as an impostor by those who would claim her place as heir.