William A. Dyrness – författare

With the growing awareness of cultural diversity, evangelicals are beginning to realize that "growing up into Christ in all things" (Eph. 4:15) is a corporate enterprise. Due to involvement in mission and international travel, many Westerners are beginning to realize how much they have to learn from different cultural traditions. LEARNING ABOUT THEOLOGY FROM THE THIRD WORLD is designed to introduce western Christians to discussions about theology going on in the Third World. The assumption is that western thinking about theology has not taken third world perspectives into account, and the day has come for us to bring these brothers and sisters into our conversations about Christianity. For the churches in this part of the world are rapidly becoming a significant force in the world and their leaders are becoming increasingly articulate about their faith (and about distortions the feel missionaries have introduced!). It is Dyrness' thesis that if we approach these sometimes unsettling writings as learners rather than teachers, we will find our own perspectives significantly altered. The maturity of the whole church demands this kind of inter-change. After an introductory chapter on the nature and problems of contextualization, the book gives major overviews of the theology of Africa, Latin America, and Asia. Issues are presented in such a way as to show that each area of the world has developed a unique approach to theological issues, and that each perspective has something to contribute to the development of theology. To illustrate this a final chapter discusses Christology form this cross-cultural perspective and the conclusion sketches out ways in which both western and non-western traditions may interact to enrich theology.

Invitation to Cross-Cultural Theology seeks to extend the study of theology to the way in which lay communities of Christians endeavor to shape their world by their faith. Using narratives of experiences with God as source material, Dyrness sets out to discover the framework, both explicit as well as implicit, that guides their lives as Christians. Testimonies are heard from five very different communities around the world. In the final chapter, the author discusses the various ways in which Christ and salvation are being addressed in these communities today.

With the walls of their churches bereft of imagery and colour and their worship centered around sermons with carefully constructed outlines (as opposed to movement and drama), Reformed Protestants have often been accused of being dour and unimaginative. Here, William Dyrness explores the roots of Reformed theology in an attempt to counteract these prevailing notions. Studying sixteenth-century Geneva and England, seventeenth-century England and Holland and seventeenth and eighteenth-century Puritan New England, Dyrness argues that, though this tradition impeded development of particular visual forms, it encouraged others, especially in areas of popular culture and the ordering of family and community. Exploring the theology of John Calvin, William Ames, John Cotton and Jonathan Edwards, Dyrness shows how this tradition created a new aesthetic of simplicity, inwardness and order to express underlying theological commitments. With over forty illustrations, this book will prove invaluable to those interested in the Reformed tradition.

With the walls of their churches bereft of imagery and colour and their worship centered around sermons with carefully constructed outlines (as opposed to movement and drama), Reformed Protestants have often been accused of being dour and unimaginative. Here, William Dyrness explores the roots of Reformed theology in an attempt to counteract these prevailing notions. Studying sixteenth-century Geneva and England, seventeenth-century England and Holland and seventeenth and eighteenth-century Puritan New England, Dyrness argues that, though this tradition impeded development of particular visual forms, it encouraged others, especially in areas of popular culture and the ordering of family and community. Exploring the theology of John Calvin, William Ames, John Cotton and Jonathan Edwards, Dyrness shows how this tradition created a new aesthetic of simplicity, inwardness and order to express underlying theological commitments. With over forty illustrations, this book will prove invaluable to those interested in the Reformed tradition.

How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art.Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God's perfect order; likewise, early Christians used art to teach and inspire. However, the Protestant church abandoned visual arts and imagery during the Reformation in favor of the written word and has only recently begun to reexamine art's role in Christianity and worship. Dyrness affirms this renewal and argues that art, if reflecting the order and wholeness of the world God created, can and should play an important role in modern Christianity.

In this book, Craig Detweiler examines forty-five films from the twenty-first century that resonate theologically--from the Lord of the Rings trilogy to Little Miss Sunshine--offering groundbreaking insight into their scriptural connections and theological applications.Detweiler writes with the eye of a filmmaker, leads Hollywood and religion initiatives at Fuller Seminary, and even came to faith through cinema. In this book, he unpacks the "theology of everyday life," exploring the Spirit of God in creation, redemption, and "general revelation" through sometimes unlikely filmmakers. It's the first authoritative book that dissects up-to-date movies selected by the popular Internet Movie Database. This book is recommended for teachers, students, pastors, film fans, and those interested in the intersection of Christianity and culture.

Evaluating Current Approaches to LeadershipThis book offers a comprehensive evaluation of current approaches to leadership from a discerning Christian perspective. Combining expertise in leadership, theology, and ministry, the authors take a historical look at leadership and how it is viewed and used in today's context. The book is informed by both biblical and leadership studies scholarship and interacts with a number of popular marketplace writings on leadership. It also evaluates exemplary role models of Christian leadership. The second edition has been updated and revised throughout.

Outreach Magazine's 2012 Resource of the Year Award Winner2012 Book of the Year Award, Foreword MagazineThe entire material world can be divided between the Natural Environment and the Built Environment. Over the past forty years, the Natural Environment has received more attention of the two, but that is beginning to change. With a renewed interest in "place" within various academic disciplines and the practical issues of rising fuel costs and scarcity of land, the Built Environment has emerged as a coherent and engaging subject for academic and popular consideration.While there is a growing body of work on the Built Environment, very little approaches it from a distinctly Christian perspective. This major new work represents a comprehensive and grounded approach. Employing tools from the field of theology and culture, it demonstrates how looking at the Built Environment through a theological lens provides a unique perspective on questions of beauty, justice, and human flourishing.

2018 Clifford G. Christians Ethics Research AwardThis informed theology of communication and media analyzes how we consume new media and technologies and discusses the impact on our social and religious lives. Combining expertise in religion online, theology, and technology, the authors synthesize scholarly work on religion and the internet for a nonspecialist audience. They show that both media studies and theology offer important resources for helping Christians engage in a thoughtful and faith-based critical evaluation of the effect of new media technologies on society, our lives, and the church.

Global theology represents one of the most important trends in theology today. What does it mean to do theology in a global context? How can Christian theology be understood as a conversation between different parts of the world and various streams of Christian history? This concise introduction explores the major issues involved in rethinking theology in light of the explosion of world Christianity. Combining the voices of a Western and a non-Western theologian, it integrates Western theological tradition with emerging global perspectives. This work will be of interest to theology and missiology students as well as church leaders and readers interested in the changing face of world Christianity.

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

Singing Theology from the Ground: Indigenous Hymnody and Global Christianity amplifies the voices from the ground by listening attentively to indigenous songs in local tongues from the Global South and those of indigenous people around the globe. Across the disciplines of ethnography, history and missiology, the book presents and analyzes these songs followed by theological and missiological reflections. It looks into the role of indigenous patterns in order to learn what these might mean for missiology/evangelism but also for their role in spiritual formation as a part of worship. It examines hymns, especially sung prayers, as an expression of 'primary theology' which is foundational for any possible developing contextual theology.

Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.