William F. Hansen – författare

This book examines the evolution of classical parody, from its origins in ancient Greece and Rome to its resurgence in modern times. The book explores two key periods: the first from the sixth century BCE to the second century CE, and the second beginning in the 17th century, continuing today. In antiquity, writers like Aristophanes and Lucian parodied their own culture, relying on audiences' deep knowledge of Greek and Roman texts. This “insider” parody faded with the rise of Christianity and changes in language.The second era of classical parody emerged during the Renaissance, as classical texts were rediscovered and studied in schools. Writers like Charles Cotton in England created “outsider” parody, mocking ancient literature learned in the classroom. This book focuses on English-language works, including The Comic Latin Grammar and Victorian burlesque theatre, which drew on classical mythology and history. The book also addresses the social and educational changes that shaped classical parody, such as the invention of the printing press and the influence of Renaissance humanism. It is the first comprehensive study of anglophone classical parody, revealing how authors through the centuries have reimagined and distorted classical texts for humorous effect.

This book examines the evolution of classical parody, from its origins in ancient Greece and Rome to its resurgence in modern times. The book explores two key periods: the first from the sixth century BCE to the second century CE, and the second beginning in the 17th century, continuing today. In antiquity, writers like Aristophanes and Lucian parodied their own culture, relying on audiences' deep knowledge of Greek and Roman texts. This insider parody faded with the rise of Christianity and changes in language. The second era of classical parody emerged during the Renaissance, as classical texts were rediscovered and studied in schools. Writers like Charles Cotton in England created outsider parody, mocking ancient literature learned in the classroom. This book focuses on English-language works, including The Comic Latin Grammar and Victorian burlesque theatre, which drew on classical mythology and history. The book also addresses the social and educational changes that shaped classical parody, such as the invention of the printing press and the influence of Renaissance humanism. It is the first comprehensive study of anglophone classical parody, revealing how authors through the centuries have reimagined and distorted classical texts for humorous effect.

This book examines the evolution of classical parody, from its origins in ancient Greece and Rome to its resurgence in modern times. The book explores two key periods: the first from the sixth century BCE to the second century CE, and the second beginning in the 17th century, continuing today. In antiquity, writers like Aristophanes and Lucian parodied their own culture, relying on audiences' deep knowledge of Greek and Roman texts. This insider parody faded with the rise of Christianity and changes in language. The second era of classical parody emerged during the Renaissance, as classical texts were rediscovered and studied in schools. Writers like Charles Cotton in England created outsider parody, mocking ancient literature learned in the classroom. This book focuses on English-language works, including The Comic Latin Grammar and Victorian burlesque theatre, which drew on classical mythology and history. The book also addresses the social and educational changes that shaped classical parody, such as the invention of the printing press and the influence of Renaissance humanism. It is the first comprehensive study of anglophone classical parody, revealing how authors through the centuries have reimagined and distorted classical texts for humorous effect.

An introduction to the mythological world of the Greeks and the Romans, combined with a chronology of myths and a dictionary of key characters, objects, and events.Handbook of Classical Mythology offers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths. Written by a foremost mythologist, the book begins by exploring the sources and landscapes from which the myths emerged. It then provides a richly detailed timeline of mythic episodes from the creation of the cosmos to the end of the Heroic Age—plus an illustrated mythological dictionary listing every significant character, place, event, and object.Whether exploring the world that gave rise to ancient mythology or researching a specific piece of the whole, the handbook is the best introduction available to the extraordinary cast of these tales (gods, nymphs, satyrs, monsters, heroes) and the natural and supernatural stages upon which their fates are played out.