William J. Buxton - Böcker
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7 produkter
7 produkter
Patronizing the Public
American Philanthropy's Transformation of Culture, Communication, and the Humanities
Inbunden, Engelska, 2009
1 572 kr
Skickas inom 10-15 vardagar
Patronizing the Public: American Philanthropy's Transformation of Culture, Communication, and the Humanities is the first detailed and comprehensive examination of how American philanthropic foundations have shaped numerous fields, including dance, drama, education, film, film-music, folklore, journalism, local history, museums, radio, television, as well as the performing arts and the humanities in general. Drawing on an impressive range of archival and secondary sources, the chapters in the volume give particular attention to the period from the late 1920s to the late 1970s, a crucial time for the development of philanthropic practice. To this end, it examines how patterns and directions of funding have been based on complex negotiations involving philanthropic family members, elite networks, foundation trustees and officers, cultural workers, academics, state officials, corporate interests, and the general public. By addressing both the contours of philanthropic power as well as the processes through which that power has been enacted, it is hoped that this collection will reinforce and amplify the critical study of philanthropy's history.
Patronizing the Public
American Philanthropy's Transformation of Culture, Communication, and the Humanities
Häftad, Engelska, 2009
742 kr
Skickas inom 10-15 vardagar
Patronizing the Public: American Philanthropy's Transformation of Culture, Communication, and the Humanities is the first detailed and comprehensive examination of how American philanthropic foundations have shaped numerous fields, including dance, drama, education, film, film-music, folklore, journalism, local history, museums, radio, television, as well as the performing arts and the humanities in general. Drawing on an impressive range of archival and secondary sources, the chapters in the volume give particular attention to the period from the late 1920s to the late 1970s, a crucial time for the development of philanthropic practice. To this end, it examines how patterns and directions of funding have been based on complex negotiations involving philanthropic family members, elite networks, foundation trustees and officers, cultural workers, academics, state officials, corporate interests, and the general public. By addressing both the contours of philanthropic power as well as the processes through which that power has been enacted, it is hoped that this collection will reinforce and amplify the critical study of philanthropy's history.
Harold Innis on Peter Pond
Biography, Cultural Memory, and the Continental Fur Trade
Häftad, Engelska, 2020
505 kr
Skickas inom 10-15 vardagar
Best known for his writings on economic history and communications, Harold Innis also produced a body of biographical work that paid particular attention to cultural memory and how it is enriched by the study of neglected historical figures. In this compelling volume, William Buxton addresses Innis's engagement with the legacy of the fur trader and adventurer Peter Pond. Harold Innis on Peter Pond comprises eight texts by Innis, including his 1930 biography of Pond as well as his writings on the explorer's myriad activities. The book also features a collection of eight letters exchanged between Innis and Florence Cannon, a descendent of Pond with a strong interest in her ancestor's life and times, and an unpublished 1932 article on Pond's 1773-75 activities as a fur trader on the upper Mississippi, written by Innis's former student R. Harvey Fleming. Situating Innis's writings on Pond in relation to his broader body of biographical work, Buxton interprets what these texts tell us about Innis's intellectual practice, historiography, and the writing of biography. The book explores how Innis's perspectives shifted with changing intellectual and political circumstances and shows that his advocacy of Pond as an unrecognized "father of confederation" challenged conventional views of Canadian nation-building. A critical edition of previously overlooked biographical texts, Harold Innis on Peter Pond traces what these writings disclose about the biographer's character and values even as they discuss their subject.
Harold Innis's History of Communications
Paper and Printing—Antiquity to Early Modernity
Inbunden, Engelska, 2014
1 177 kr
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For decades, media historians have heard of Harold Innis’s unpublished manuscript exploring the history of communications—but very few have had an opportunity to see it. In this volume, editors and Innis scholars William J. Buxton, Michael R. Cheney, and Paul Heyer make widely accessible, for the first time, three core chapters from the legendary Innis manuscript.Here, Innis (1894-1952) examines the development of paper and printing from antiquity in Asia through to 16th century Europe. He demonstrates how the paper/printing nexus intersected with a broad range of other phenomena, including administrative structures, geopolitics, militarism, public opinion, aesthetics, cultural diffusion, religion, education, reception, production processes, technology, labor relations, and commerce, as well as the lives of visionary figures.Buxton, Cheney, and Heyer knit the chapters into a cohesive narrative and help readers navigate Innis’s observations by summarizing the heavily detailed factual material that peppered the unpublished manuscript. They provide further context for Innis’s arguments by adding annotations, references, and pertinent citations to his other writings. The end result is both a testament to Innis’s status as a canonical figure in the study of communication and a surprisingly relevant contribution to how we might think about the current sea change in all aspects of social, cultural, political, and economic life stemming from the global shift to digital communication.
1 425 kr
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Offering fresh insight into the early life of Harold Adams Innis (1894-1952), this volume makes available a number of previously unpublished writings from the renowned Canadian economic historian and media scholar.Part I, Innis’s autobiographical memoir, chronicles his farm-based family background, early education, military service during World War I, and the beginnings of what would become a distinguished academic career. Part II features a selection of correspondence during his military service, revealing both the pain and perceptions derived from that experience, and other war-related writings. It also includes “The Returned Soldier,” a detailed piece of research and a compassionate plea to recognize how the aftermath of the Great War would affect those who served as well as the individuals and institutions on the home front. Years before the term “post-traumatic stress disorder” was coined, Innis was acutely aware of the condition and suggested ways in which it might be treated. Other war-related items included are Innis’s first published article (dealing with the economics of the solider) and a draft speech composed in the fall of 1918. All original materials have been extensively annotated to provide context for the contemporary reader and researcher.
377 kr
Skickas inom 7-10 vardagar
Originally published in 1950, Harold A. Innis’s Empire and Communications is considered to be one of the classic works in media studies, yet its origins have received little attention. Ambitious in its scope, the book spans five millennia, tracing a path of development around the globe from 2900 BCE to the twentieth century and revealing the cyclical interplay between communications and power structures across space and time.In this new edition, William J. Buxton pays close attention to handwritten glosses that Innis added to a copy of the original edition and the revisions undertaken by his widow, Mary Q. Innis. A new introduction provides a detailed account of how the book emerged from lectures that Innis delivered at Oxford University in 1948, as well as how it related to other presentations Innis made in Britain during the same period. It explores how Innis sought to enrich his analysis by incorporating material related to phenomena such as war, education, religion, culture, geography, and finance. An insightful foreword by Marshall McLuhan is included, as well as bibliographical references and a revised index.By providing a narrative based on extensive notes from Innis, this edition makes Empire and Communications more accessible and contributes to the broad efforts to shape Innis’s legacy.
Museum as Large-Room Pinball Machine
A 1967 New York City Seminar Featuring Marshall McLuhan, Harley Parker, and Museum Professionals
Häftad, Engelska, 2026
309 kr
Kommande
This new book recovers an innovative venture in museology from the late 1960s that has largely gone unnoticed. In 1967, media theorist Marshall McLuhan and his collaborator Harley Parker, pioneer of museum exhibit design, were invited by the Museum of the City of New York to moderate a two-day seminar on museum communication attended by leading museum officials from around the state and further afield. The seminar report, originally published in 1969, captures the extent to which the audacious views of McLuhan and Parker on rethinking the museum were greeted with puzzlement, scepticism, and consternation by those in attendance. Drawing on extensive archival sources, William J. Buxton sheds light on the context of the seminar, its main participants and organizers, its funding, and its reception. Also included is an essay on Parker and his close working relationship with McLuhan by Gary Genosko, and another on multi-sensory museology and the overall significance of the seminar today by David Howes. Charting connections to the Our World TV broadcast of June 1967, Expo 67, and the contemporaneous Electric Circus in Manhattan, this exciting work demonstrates the importance of this period of McLuhan’s thought, his collaborations with Parker, and the cluster of work published between 1967 and 1972. The Museum as Large-Room Pinball Machine makes a unique contribution to McLuhan scholarship, cultural history, and museum history in the late 1960s. With essays by Gary Genosko and David Howes.