Wyn Kelley – författare

Melville's City argues that Melville's relationship to the city was considerably more complex than has generally been believed. By placing him in the historical and cultural context of nineteenth-century New York, Kelley presents a Melville who borrowed from the colourful cultural variety of the city while at the same time investigating its darker and more dangerous social aspects. She shows that images both from Melville and from popular sources of the time represented New York variously as Capital, Labyrinth, City of Man and City of God and she goes on the demonstrate that he resisted a generalising or totalising representation of the city by revealing its hybrid identity and giving voice to the poor, the displaced and the racially excluded. Through close examination of works spanning Melville's career, Kelley forges an analysis of connections between urban and literary form.

Melville's City argues that Melville's relationship to the city was considerably more complex than has generally been believed. By placing him in the historical and cultural context of nineteenth-century New York, Kelley presents a Melville who borrowed from the colourful cultural variety of the city while at the same time investigating its darker and more dangerous social aspects. She shows that images both from Melville and from popular sources of the time represented New York variously as Capital, Labyrinth, City of Man and City of God and she goes on the demonstrate that he resisted a generalising or totalising representation of the city by revealing its hybrid identity and giving voice to the poor, the displaced and the racially excluded. Through close examination of works spanning Melville's career, Kelley forges an analysis of connections between urban and literary form.

Herman Melville had a lifelong fascination with the Pacific and with the diverse island cultures that dotted this vast ocean. The essays in this collection articulate the intersection of Western and Pacific perspectives in Melville's work, from his early writings based on ocean voyages and encounters in the Pacific to Western modes of thought in relation to race and national identity. These essays interrogate familiar themes of Western colonialism while introducing fresh insights, including Melville's use of Pacific cartography, the art of tattooing, and his interest in evolutionary science. Using a variety of methodologies and approaches - postcolonial theory, cultural studies, linguistics, performance theory - ""Whole Oceans Away"" offers a valuable body of criticism for students of nineteenth-century American literature and history, cultural studies, and Pacific Rim studies.

In a series of 35 original essays, this companion demonstrates the relevance of Melville’s works in the twenty-first century. Presents 35 original essays by scholars from around the world, representing a range of different approaches to MelvilleConsiders Melville in a global context, and looks at the impact of global economies and technologies on the way people read MelvilleTakes account of the latest and most sophisticated scholarship, including postcolonial and feminist perspectivesLocates Melville in his cultural milieu, revising our views of his politics on race, gender and democracyReveals Melville as a more contemporary writer than his critics have sometimes assumed

Discover a fascinating new set of perspectives on the life and work of Herman MelvilleA New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways.Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated.In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hem­ispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers: A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his workComprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece ClarelPractical discussions of material books, print culture, and digital technologies as applied to MelvilleIn-depth examinations of Melville's treatment of the natural worldTwo symposium sections with concise reflections on art and adaptation, and on teaching and public engagementA New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.

This unique introduction explores Herman Melville as he described himself in Billy Budd-"a writer whom few know." Moving beyond the recurring depiction of Melville as the famous author of Moby-Dick, this book traces his development as a writer while providing the basic tools for successful critical reading of his novels. Offers a brief introduction to Melville, covering all his major works Showcases Melville's writing process through his correspondence with Nathaniel Hawthorne Provides a clear sense of Melville's major themes and preoccupations Focuses on Typee, Moby-Dick, and Billy Budd in individual chapters Includes a biography, summary of key works, interpretation, commentary, and an extensive bibliography.