Wyn Kelley – författare
1 687 kr
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Melville's City
Literary and Urban Form in Nineteenth-Century New York
673 kr
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Melville's City
Literary and Urban Form in Nineteenth-Century New York
1 539 kr
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1 099 kr
Skickas inom 3-6 vardagar
616 kr
Skickas inom 5-8 vardagar
709 kr
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2 166 kr
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2 583 kr
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Discover a fascinating new set of perspectives on the life and work of Herman Melville
A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways.
Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated.
In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hemispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers:
A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville''s treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagementA New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.
2 583 kr
Läs direkt efter köp
Discover a fascinating new set of perspectives on the life and work of Herman Melville
A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways.
Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated.
In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hemispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers:
A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville''s treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagementA New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.
1 449 kr
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538 kr
Skickas inom 5-8 vardagar
3 107 kr
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813 kr
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Essays on Melville and the culture of the Pacific
“Like the young Melville, those who imagine Polynesia from the perspective of Europe or North America tend to envision a tropical garden set in a shining sea. But the Pacific experienced by a runaway American sailor in an earlier century presents a different picture, and the Pacifi c experienced by indigenous peoples of today a different one yet.”— from the Introduction
Herman Melville had a lifelong fascination with the Pacific and with the diverse island cultures that dotted this vast ocean. The essays in this collection articulate the intersection of Western and Pacific perspectives in Melville’s work, from his early writings based on ocean voyages and encounters in the Pacific to Western modes of thought in relation to race and national identity. These essays interrogate familiar themes of Western colonialism while introducing fresh insights, including Melville’s use of Pacific cartography, the art of tattooing, and his interest in evolutionary science.
Using a variety of methodologies and approaches—postcolonial theory, cultural studies, linguistics, performance theory—“Whole Oceans Away” offers a valuable body of criticism for students of nineteenth-century American literature and history, cultural studies, and Pacific Rim studies.
813 kr
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Essays on Melville and the culture of the Pacific
“Like the young Melville, those who imagine Polynesia from the perspective of Europe or North America tend to envision a tropical garden set in a shining sea. But the Pacific experienced by a runaway American sailor in an earlier century presents a different picture, and the Pacifi c experienced by indigenous peoples of today a different one yet.”— from the Introduction
Herman Melville had a lifelong fascination with the Pacific and with the diverse island cultures that dotted this vast ocean. The essays in this collection articulate the intersection of Western and Pacific perspectives in Melville’s work, from his early writings based on ocean voyages and encounters in the Pacific to Western modes of thought in relation to race and national identity. These essays interrogate familiar themes of Western colonialism while introducing fresh insights, including Melville’s use of Pacific cartography, the art of tattooing, and his interest in evolutionary science.
Using a variety of methodologies and approaches—postcolonial theory, cultural studies, linguistics, performance theory—“Whole Oceans Away” offers a valuable body of criticism for students of nineteenth-century American literature and history, cultural studies, and Pacific Rim studies.