Xiaolu Ma – författare

Transpatial Modernity offers the first in-depth account of the triangular relationship among Chinese, Japanese, and Russian literature and culture in the modern era. Drawing on primary sources in all three languages—among others—Xiaolu Ma reveals how Chinese writers translated and appropriated Russian cultural tropes through the intermediary of Japanese writing in the late nineteenth and early twentieth centuries. To trace the global journey of these literatures and ideas, Ma maps four case studies involving leading cultural figures including Leo Tolstoy, Futabatei Shimei, and Lu Xun. Together, they demonstrate the central role of relay transculturation—cultural exchange among at least three cultures, one of which serves primarily as an intermediary—as the key to understanding East Asian modernity. Not limited to a dyadic relationship between source and target culture, Transpatial Modernity explores the implications of cultural brokerage within complex transculturation process, thus establishing the value of a new transpatial framework for understanding literary and cultural exchange in local, regional, and global contexts.

In Lu Xun and World Literature, Xiaolu Ma, Carlos Rojas, and other contributors examine various aspects of Lu Xun, who is known as the father of modern Chinese literature. Essays in this book focus on Lu Xun s works in relation to the notions of world literature and processes of literary worlding. The contributors offer detailed analyses of Lu Xun s own literary oeuvre and of foreign works that engage with his writings.This volume also focuses on many facets of the publication and dissemination of Lu Xun s works ,from printing and binding to the discussions and debates that followed their release in China and abroad. This book not only makes an important contribution to the field of Lu Xun studies, but also proposes a reexamination of the category of world literature.

В своей книге Сяолу Ма предлагает читателю первое подробное исследование трехсторонних отношений между китайской, японской и русской литературами. Автор показывает, как китайские писатели в конце XIX и начале XX веков переводили и присваивали русские культурные тропы через посредничество японской письменности. Ма отслеживает путешествие этих идей на примерах Льва Толстого, Фтабатэя Симэя, Лу Синя и других авторов.