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4 produkter

  1. Ya-Feng Mon - Film Production and Consumption in Contemporary Taiwan, E-bok. Tillgänglighet: Lägg i varukorg

    Film Production and Consumption in Contemporary Taiwan

    Cinema as a Sensory Circuit

    Av Ya-Feng Mon

    E-bok, 2025

    831 kr

    Lägg i varukorg

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience''s freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with …

  2. Ya-Feng Mon - Film Production and Consumption in Contemporary Taiwan, E-bok. Tillgänglighet: Lägg i varukorg

    Film Production and Consumption in Contemporary Taiwan

    Cinema as a Sensory Circuit

    Av Ya-Feng Mon

    E-bok, 2025

    831 kr

    Lägg i varukorg

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience''s freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with …

  3. Ya-Feng Mon - Film Production and Consumption in Contemporary Taiwan, Häftad. Tillgänglighet: Lägg i varukorg

    Film Production and Consumption in Contemporary Taiwan

    Cinema as a Sensory Circuit

    Av Ya-Feng Mon

    Häftad, 2025

    704 kr

    Lägg i varukorg

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with …

  4. Ya-Feng Mon - Film Production and Consumption in Contemporary Taiwan, Inbunden. Tillgänglighet: Lägg i varukorg

    Film Production and Consumption in Contemporary Taiwan

    Cinema as a Sensory Circuit

    Av Ya-Feng Mon

    Inbunden, 2016

    2190 kr

    Lägg i varukorg

    This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms.