Ya-Feng Mon holds a doctorate from Goldsmiths, University of London. Her background in film journalism has allowed her unique insights into the complex terrain of film production and consumption. Her recent research interests lie in various embodied experiences of technologies.

• Acknowledgements, Chapter One Through the Nexus of Bodies and Things: Introduction Chapter Two Mediated Knowledge: Methodology Chapter Three Bodily Fantasy: Embodied Spectatorship and Object Intervention Chapter Four Sensory Linkage: The Politics of Genre Film Making Chapter Five Intimacy: Internet Marketing as Collaborative Production Chapter Six Indeterminacy: Control and the (Un)productive Body Chapter Seven Mediation and Connections in a Precarious Age: Conclusion, Bibliography, Index, Notes.

Ya-Feng Mon holds a doctorate from Goldsmiths, University of London. Her background in film journalism has allowed her unique insights into the complex terrain of film production and consumption. Her recent research interests lie in various embodied experiences of technologies.

• Acknowledgements, Chapter One Through the Nexus of Bodies and Things: Introduction Chapter Two Mediated Knowledge: Methodology Chapter Three Bodily Fantasy: Embodied Spectatorship and Object Intervention Chapter Four Sensory Linkage: The Politics of Genre Film Making Chapter Five Intimacy: Internet Marketing as Collaborative Production Chapter Six Indeterminacy: Control and the (Un)productive Body Chapter Seven Mediation and Connections in a Precarious Age: Conclusion, Bibliography, Index, Notes.

Ya-Feng Mon holds a doctorate from Goldsmiths, University of London. Her background in film journalism has allowed her unique insights into the complex terrain of film production and consumption. Her recent research interests lie in various embodied experiences of technologies.

• Acknowledgements, Chapter One Through the Nexus of Bodies and Things: Introduction Chapter Two Mediated Knowledge: Methodology Chapter Three Bodily Fantasy: Embodied Spectatorship and Object Intervention Chapter Four Sensory Linkage: The Politics of Genre Film Making Chapter Five Intimacy: Internet Marketing as Collaborative Production Chapter Six Indeterminacy: Control and the (Un)productive Body Chapter Seven Mediation and Connections in a Precarious Age: Conclusion, Bibliography, Index, Notes.