Yiğit Soncul – författare

Unpacking the affective toll of constant connectivity, this book reframes digital exhaustion as a defining experience of our times. Overflowing inboxes. Back-to-back Zoom meetings. Nonstop notifications.  Daily life in digital culture can be exhausting.  This timely and urgent edited collection introduces ‘digital exhaustion’ as a conceptual lens to critically examine the ever-expanding presence of digital technologies in our personal and professional lives. Drawing on interdisciplinary perspectives, this book  explores how digital exhaustion is experienced, felt, and articulated in our hyper-connected culture – through burnout, brain rot, binge-watching, data extraction, energy consumption, and social media compulsion. Digital exhaustion emerges as a key structure of feeling in an era of constant connectivity and algorithmic demands. Accessible yet theoretically grounded, this collection is an essential resource for scholars in cultural and technology studies, while also speaking to broader debates in anthropology, psychology, digital geography, urban studies, and consumer research. Responsive to the urgent need to engage in sustained dialogue about digital futures, this book offers fresh insights into how we might understand – and rethink – digital wellbeing, social media addiction, and the growing demand for a right to disconnect.

As Digital Cultures becomes the dominant term used by many across a variety of intellectual fields to describe the social, aesthetic, and political impact of digital media, it is necessary to provide a reference volume that specifies and defines the bounds of scholarly debates and curricular outlines for an otherwise amorphous interdisciplinary space. This handbook provides a comprehensive reference for the varied methodologies, historical frames, and theoretical perspectives essential for the study of Digital Cultures today. In outlining these foundations, it serves as a practical guide for educators and students into the broad range of perspectives grouped together for the critical, historical, and social scientific study of digital media. It also looks into the future and outlines an agenda for future research by examining not only the origins of the concept of Digital Culture, but emerging topics and themes still in development, such as the relation between digital technology and climate change, artificial intelligence and knowledge, sensation and aesthetics, and the rise of new infrastructures reinventing not only the built environment, but the boundaries of nations and sovereignty.

As Digital Cultures becomes the dominant term used by many across a variety of intellectual fields to describe the social, aesthetic, and political impact of digital media, it is necessary to provide a reference volume that specifies and defines the bounds of scholarly debates and curricular outlines for an otherwise amorphous interdisciplinary space. This handbook provides a comprehensive reference for the varied methodologies, historical frames, and theoretical perspectives essential for the study of Digital Cultures today. In outlining these foundations, it serves as a practical guide for educators and students into the broad range of perspectives grouped together for the critical, historical, and social scientific study of digital media. It also looks into the future and outlines an agenda for future research by examining not only the origins of the concept of Digital Culture, but emerging topics and themes still in development, such as the relation between digital technology and climate change, artificial intelligence and knowledge, sensation and aesthetics, and the rise of new infrastructures reinventing not only the built environment, but the boundaries of nations and sovereignty.