Zorian Clayton – författare
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Even in the digital age, the printed poster retains an important, much-loved role in connecting with audiences in a way that both entertains and informs. The V&A was one of the first museums to start collecting posters and to recognize the importance of doing so. Far from ephemeral, posters are both a representation of the time in which they were produced and distributed and, in many instances, have shaped the societies in which they were seen. The story of the poster is both one of changing styles and new innovations in design, illustration and printing, and a visually compelling social history. The Poster brings together over 300 examples that tell a comprehensive visual history of poster design and the various ways the poster has been used to tell, to sell, to charm and to spur on change. Organized into seven thematic chapters that tell the story of the poster as a medium, each poster is accompanied by a concise commentary that explains the work in terms of its design, printing, content, message and the commercial, social or political impact it may have had. Featuring works by the masters of poster design that have become popular and highly collectible classics, charting the ebb and flow of styles such as Art Nouveau, Modernism, Art Deco, Psychedelia and Punk and featuring the nostalgic glow of muchloved brands as well as posters that shook and changed the world, The Poster will be an essential visual resource for graphic designers and illustrators – a reference for anyone with an interest in collecting posters and an engaging design and social history for all who appreciate this most popular of art forms.
384 kr
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An accessible, inspirational and engaging introductory survey of LGBTIQ+ photography, as told through the collection of the Victoria and Albert Museum, London. Drawing on one of the oldest and largest photography collections in the world, this book offers an unprecedented view of photographic history through a queer lens. It includes a broad range of global LGBTIQ+ representation from the mid-19th century to now, presenting images from pioneering LGBTIQ+ photographers and subjects alongside work documenting activism and hard-won legal battles, over a century of performance and nightlife and diverse queer communities, collectives and subcultures. Following an introductory essay by Zorian Clayton, images are presented in six thematic chapters: Icons, Staged, Body, Liberty, Making a Scene and Beyond the Frame. Each chapter opens with a short introductory essay, followed by an extended plate section. Expanded captions highlight key images, and ‘artist in focus’ inserts draw on the work of selected photographers to illuminate particularly rich moments in LGBTIQ+ history. Bold proclamations of queer identity and community sit alongside personal explorations of self; documentation of struggle, joy and everyday life is considered side-by-side with performances and photographic fictions that continue to challenge the bounds of gender and sexuality. This vital, accessible volume offers an exciting, expansive appraisal of photography's role in expressing, documenting and celebrating queer life. It will be essential for all with an interest in the history of photography, but especially those with an interest in LGBTIQ+ history.