Edition Lammerhuber – förlag

"Sensuous details of one of the most beautiful nude portraits in the Louvre." VOGUEThe idea for this book was born in the course of a visit through the Louvre, when Catherine Belanger ventured to call the Louvre 'the biggest brothel in the world'. Jointly with author Jean Galard and photographer Lois Lammerhuber, she selected key paintings spanning five centuries to illustrate the fascinating art of depicting nudity and the artists' struggle for acceptance of the nude in art and society. Lois Lammerhuber detaches the nudity, sensuality and sexuality of the paintings from the context of their artistic intention, conceiving them as 'material' in a fictional photography studio and recreating them in his photographs. He resorts to these 'models' to translate them into the language of fashion, nude and advertising photography, reading their body language and interaction in a way reminiscent of artists like Richard Avedon, Helmut Newton, Horst P. Horst or Herb Ritts - sensual and unexpected. Text in English & French.Also available: The Louvre Nude Sculptures ISBN: 9783901753121

The Ars Electronica Center is the architectural expression of what Ars Electronica is all about: a place of inquiry and discovery, experimentation and exploration, a place that has taken the world of tomorrow as its stage, and that assembles and presents influences from many different ways of thinking and of seeing things. This book pays tribute - not just to architecture and objects displayed but also to all artists and individuals, companies, and institutions that have contributed to this modern artistic synthesis. The photographic concept bears the hallmarks of eminent photographer Lois Lammerhuber, and of Nicolas Ferrando, a multi-media specialist and advertising photographer working on an international scale. In cooperation with Edition Lammerhuber, their work has resulted in a high quality coffee-table book. The camera immerses the readers in the virtual world of the AEC, guiding them on a startling tour with many an unexpected turn.Text in English and German.

Drowning in flowers - with perceptive pictures and quirky texts this award-winning book wants to plant in its readers a longing for beauty, harmony, for the joy of recognition through knowledge. Georg Grabherr, one of the most influential conservation biologists, has created a domestic garden and incorporated key biosphere reserve concepts. Over time, his garden has developed into an ecological gem where the idea of "nature in the garden" has been realised in exemplary manner. He guides us through the phenological seasons that divide the year by the arrival of key species, covers themes dear to the gardener's heart and engages in a dialogue with nature, thoughtfully accepting and using what is wild and spontaneous. He is asking whether the thousands of private gardens can become a Noah's Ark, suitable for rescuing threatened species. Award-winning photographer Lois Lammerhuber has captured this amazing space throughout a whole gardening year and introduces us to an unusual but convincing garden aesthetic.Text in English and German.

On Stage shows everything that must be done before the curtain can be lifted and the prepared decorations of an opera house can be seen on stage so that the performance can start. The words 'stage machinery' describe only very inadequately the interaction of hundreds of people in highly skilled occupations: the flies, sinking, props...On Stage offers not only a glimpse behind the stage but also to mysterious places on, under and next to the stage, a preparatory drama that is as dramatic as the play itself.After Metamorphoses, Creation, ISBN 9783901753077, Celebration, Close-up, ISBN 9783901753190, Passion, Emotion and Glamour, ISBN 9783901753589. On Stage is the 8th volume in an encyclopaedic series about the Vienna Opera House, conceived to grow by one volume per year until 2019, when the opera house celebrates its 125th anniversary.

Thunder rolled across the prairie - and then there was silence...It was probably more than 30 million American bison roaming the plains of the Midwest. Nothing was more powerful in the prairie, neither physically nor spiritually. With the arrival of the European settlers massive slaughter began. The (hi)story of the bison is a parable about globalisation and the interplay of technological progress, capitalism, and a lack of understanding of ecological contexts. The prairie vanished with the bison. Now the bison returns. And this is not nostalgia. The bison is a real existing and socio-cultural phenomenon. It is a current political issue in the dispute between cattle breeders and the bison lobby. The photographers travelled through the centre of the bison country, from North and South Dakota, Wyoming, Colorado, to Montana. The magical black-and-white photographs of the bison translate the vision into reality. Buffalo Ballad is an homage to the American soul, with captivating images that are like the bison itself: unique, powerful and magical.

The 25th anniversary of the UN Convention on the Rights of the Child is a good reason to put the topic emphatically into the public focus. UNICEF Germany and GEO with the support of the world's best photographers and Edition Lammerhuber do exactly that in this joint pro-bono project. In 40 photographic reports from 15 years, a selection of particularly striking pictures from the UNICEF Photo of the Year competition forms a fervent appeal to respect the rights of the child and to guarantee every girl and boy in the world a childhood in dignity. The volume is edited by Jürgen Heraeus, the Chairman of the German Committee of UNICEF, and Peter-Matthias Gaede, long-serving Editor-in-Chief of GEO. We the Children draws attention to the suffering and hardships, but also to the wishes and dreams of today's children. We the Children is a book full of hope for a child-oriented world.Text in English and German.

"Most sessions are shockingly harmless. What the people whose stories are shown in my pictures have in common is a meaningful quest for elementary human needs, such as freedom, warmth and comfort, maybe even happiness," Florian Müller recounts. He photographs fetishists; people who dress up as dogs or let themselves be bound and hung from the ceiling. It is their way of relaxing and achieving fulfilment. At first sight what you see is masquerade, Kafkaesque scenes, danses macabres, transformations into animals, into slaves, into a shrink-wrapped maggot. Behind the masquerade lurks stories of people and their needs. Of desires, wounds and dreams and the pictures tell us these stories. Florian Müller worked on fetishism in Germany for several years. Sometimes it took weeks before the people trusted him and let him in on their sessions. He did not abuse their trust. His pictures are not revolting, but close, almost tender.Contents:"It's the most intimate embrace that you can imagine"; "What is Jesus to think of you sick people?"; "I do not inflict pain for the sake of it. But to spank someone who really likes it, that's amazingly liberating."; "Someone lies in a hammock and imagines he is on Hawaii. One of my guests sits in an iron cage and imagines he is a pig. That happens to be his dream, his film. Like Hawaii, just different, you see?"; "From head to toe in rubber, what can be finer?"; "Lisa is how I have always imagined my dream woman. Long, black hair, large breasts. At some point I realized that I would never get this woman. Then I constructed her myself."; "I tried not to think of latex. It was torture."; "I love dressing up as a dog. And Max loves me."; "As a horse I take a vacation from my own personality."Text in English and German.

"The creativity of some photographers astounds me. Just when you think you've seen every creative, strange and unique photo idea, another comes along. These fascinating images by award-winning photographer Alice Smeets transform the mysterious cards into real-life scenes captured in the ghetto of Haiti." Photo blogger DL Cade, 500px. In this book multi-award winning artist Alice Smeets interprets traditional tarot cards through the art of photography. The scenes are inspired by the Rider Waite Tarot Deck, designed in 1919, and were recreated with a group of Haitian artists, the Atis Rezistans collective, in the ghettos of Haiti. The traditional symbolism of 78 tarot cards is transformed into timeless images. "Taking ordinary pictures of the scenes seemed too simple, my aim was to create a very personal deck without losing the spirit of the cards. I combined my passions: the spiritual world, the Haitian culture, the philosophical reflections about the dualities in our world and, of course, photography," says Alice Smeets. Atis Rezistans played a special part in the realisation. They acted as models in front of the camera and constructed the objects needed.Smeets doesn't show the expected image of despair in the slums, instead she presents life in the ghetto full of power, joy and creativity.

From its foundation in 1948, the state of Israel has felt isolated and under threat from enemies. This collective siege mentality manifests itself with over 1 million public and private shelters. The Israelis have integrated these 'Doomsday spaces' into their everyday life and transformed them into spaces that look like normal dance studios, bars or temples. For many people in Israel who live with a personal history of exile and persecution, these shelters are the architecture of an existential threat both real and perceived. Adam Reynolds shot the images in this book over the course of three years, from 2013 to 2015. The photographs offer a broad cultural and geographical typology of the shelter spaces by documenting them on either side of the Green Line, throughout Israel and the Occupied Territories, in an effort to offer the broadest survey possible. They straddle the distinct worlds of fine art and reportage. "Working in a country like Israel, it is difficult, if not impossible, to separate art from social reality," says Adam Reynolds.

Don Rosa is one of the world's most popular cartoonists. For over 20 years he kept up the duck universe of his idol Carl Barks with his stories about Scrooge McDuck, Donald Duck and the Beagle Boys Inc. He is adored for his detailed duck adventures. His biography The Life and Times of Scrooge McDuck earned him immortality and an Eisner Award. But who is the man behind the ducks? Don Rosa - I Still Get Chills! has the answers. It is published in honour of Don Rosa's 66th and Scrooge McDuck's 70th birthday. And what's more, Don Rosa himself lent a hand with this book, commenting on photos and drawings, creating typical Don Rosa quotes and turning it into a unique Don Rosa work.Text in English and German

In the evening of 6 August 1908, Josef Szombathy boarded a boat from Vienna to Aggsbach to take a carriage to Willendorf on the following day. He never suspected for one minute that he was about to make one of the greatest archaeological finds in human history - the Venus of Willendorf. Created 25,000 years ago, it is one of the most famous female figures in the history of mankind. Through his camera, Lois Lammerhuber offers the reader a close look never seen before: Venus from all sides, with a wealth of details, down to the tiniest pore of the stone. In their essays, the Venus experts of Vienna's Natural History Museum, Walpurga Antl-Weiser and Anton Kern, provide a glimpse into the world of the Stone Age period. The hardbound book is in a slipcase with a 3D image of the statue.

The idea for this book was born in the course of a stroll through the Louvre, when Catherine Belanger ventured to call the Louvre 'the biggest brothel in the world'. Key works illustrate the artistic approach and the representation of the nude in the Western world from the 7th century BC to 1897. Lois Lammerhuber detaches the nudity, sensuality and sexuality of the sculptures from the context of their artistic intention, conceiving them as 'material' in a fictional photography studio and recreating them in his photographs. He resorts to these 'models' to translate them into the language of fashion, nude and advertising photography - sensual and unexpected. The images are accompanied by Jean Galard's reflections on this approach from an art-historical and philosophical angle. In its design the book is reminiscent of bronze and refers to the haptic character of sculpture.Text in English & French.Also available:The Louvre Nude Paintings ISBN: 9783901753091

On 632 pages, Ioan Holender, former director of the Vienna State Opera, recollects all 118 premieres of his term, which lasted from 1991 to 2010, relating his impressions in a very personal and intimate way. During numerous meetings with editor Lois Lammerhuber, Ioan Holender described the turbulent and moving, sometimes dramatic and sometimes joyful, course of these productions. The stories reflect Ioan Holender's deep passion for opera and its protagonists. Axel Zeininger's photographs provide a great variety of insights into 19 years of opera, with the stars of generations of singers, from Placido Domingo to Anna Netrebko. Facsimile prints of the original playbills make this book an extraordinary document. The volume is rounded off with analyses by arts journalists Gert Korentschnig, Karl-Heinz Roschitz, Heinz Sichrovsky and Wilhem Sinkovicz. Text in English & German.

"Fascinating details of the original pictures and a social history of footwear fashion" VOGUEIn acclaimed photographer Lois Lammerhuber's pictures, shod feet in the Louvre paintings reveal undreamt-of information about people. The details are not only separate works of art, but also studies on centuries of shoe fashion and an excursion into social history. Almost intimate, the photographs raise the world of feet and footwear to eye level, showing delicate shoes and stout limbs; feet without shoes and shoes without feet. The viewing angle is a special one, not only for art enthusiasts but also for shoe lovers.Raphael, Goya, or Ingres did not produce or design footwear, but they all 'recorded' shoes, contributing to a history of footwear and at the same time creating fashion archives of shoes that people stepped out in between 1280 and 1863. In a brilliant discourse, Margo Glantz, an icon of Mexican literary studies, introduces the viewer to original thoughts on painting and footwear design, the history and sociology of shoes. Text in English, German, French & Spanish.

"Sumptuous, extra-large coffee-table book with readily understandable texts." Bild der Wissenschaft"This coffee-table book looks like breaking a record. Its two-page photographs demonstrate that the Large Hadron Collider is the mother of all machines. For those who could never be on site, photographer Peter Ginter provides an impressive and aesthetic look into the World Machine." Physik Journal"It took fifteen years to complete the 27 kilometres long 'Large Hadron Collider' at the European research centre CERN. For the entire fifteen years, photographer Peter Ginter accompanied and documented the construction of the LHC and created breathtaking pictures of the technology and the people dedicated to uncovering the last secrets of particle physics." Frankfurter AllgemeineThe Large Hadron Collider is the largest particle accelerator in the world, a 27-kilometre ring of superconducting magnets in a tunnel 100 m beneath the Franco-Swiss border at the CERN research laboratory. It was built to answer the most fundamental question of our universe: where do we come from? Peter Ginter, one of the world's leading photographers, acclaimed author Franzobel and Rolf-Dieter Heuer, Director General of CERN, tackle the subject of this largest and most complex machine ever imagined by man, the 'World Machine', a huge underground particle physics experiment, which will offer science insights into the beginnings of our universe. Unique and amazing photographs make the invisible visible. Peter Ginter has documented the making of the LHC over more than 15 years, not only at CERN, but also by visiting locations across the world where significant contributions have been made to the construction of the LHC. The book was published in scientific, editorial and artistic collaboration with CERN and UNESCO. Text in English, German & French.

120 years ago the first permission was granted for archaeological excavations in Ephesos. The signature of Emperor Franz Josef I laid the foundation for one of the most prominent excavation enterprises in the world and to this day it has lost none of its significance for science or its fascination for visitors. The pulsating, cosmopolitan metropolis of antiquity may have turned into a site of ruins, but here, more than anywhere else, archaeology has succeeded in bringing past eras into the focus of both science and the public. Today more than 2 million people visit Ephesos every year indisputable proof of the fascination and interest that earlier cultures can arouse as well as confirmation for the relevance and topicality of archaeological research. In their joint book project, archaeologist Sabine Ladstätter and photographer Lois Lammerhuber venture behind the historical front. Central for them is the economic role of Ephesos as antique trading town, modern archaeological enterprise and visitor magnet.Text in English, German and Turkish.

"Lois Lammerhuber, a veritable alchemist of photography, lets you feel the passion, single-mindedness and skill at work in the costume workshops, from the process itself to the finished piece. He illustrates Annette Beaufaÿs' universe as one of the real cabinets of wonder for today" Der StandardGlamour opens up a magical world of transformations, full of grace and beauty and fairy-tale elegance, in the costume workshops of ART FOR ART in Vienna. Annette Beaufaÿs has headed the workshops for the past 20 years and allowed photographer Lois Lammerhuber into this dream factory. He attended the manifold minute processing steps necessary to create a work of art fit for the stage, made from original designs by highly skilled and experienced tailors, milliners, shoemakers and painters. The book also shows how some of the world's greatest opera stars, like Edita Gruberova, are trying on their costumes with a sense of curiosity, or how some of the most talented costume designers, like Sue Blane - who created the costumes for the Rocky Horror Picture Show - develop their designs with passion and skill. Contents: Dominique Meyer; Annette Beaufaÿs; Creation & Production; Workshops; Millinery; Shoemaker; Arts & Crafts; Fittings; Artists' area; Stage rehearsal.

For decades municipalities in Lower Austria have cooperated with the provincial government to provide families with - mostly free - kindergarten places near their homes. In December 2007 regulations came into force that allow children from the age of two-and-a-half to enter kindergarten, as opposed to the age of three previously. This led to the creation of additional kindergarten places. From 2008 and almost concurrently, more than three hundred municipalities set out to implement this expansion programme. Within three years 667 additional classes were created and some 65% of the infrastructure of Lower Austrian public kindergartens renovated. This enormous number of architectural impulses has literally reformed the kindergarten scene in Lower Austria like nothing that went before. A unique architectural, logistic and economic achievement and an infrastructure project without parallel anywhere in the world.