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Who attacked Dad? When a corrupt, brutal dentist, Albert Ludd, is found battered and bloody after failing to attend a memorial party for his youngest son, suspicion falls on the dentist’s other children. Especially on Dad’s middle daughter, 37-year-old buxom bruiser Monica Ludd, who was heard ‘uttering threats’ against her absent father. How come her car is found outside Dad’s house? Why did she buy a large axe? And yet, Monica’s a deputy head teacher… Blood is a Gothic black comedy seen through the eyes of six-foot Monica, who cannot help speaking her secret thoughts aloud and who has been banned by the principal of her school, from using social media. ‘“Parents are sensitive to abuse.” “Neil, I would never abuse our parents.” “Governors queried ‘moron’ and ‘twat’.” ’ Set in an angry, anarchic, Brexit-ing Britain where terrorism has become routine, Blood also asks serious questions about modern life: what can we do with the brutal men who bully women and the weak? Can we wait for a world of order and justice? If we hit back, can the circle of violence ever be broken?

"I have been dragged through time, summoned like a book requisitioned from a distant library,"" says Virginia Woolf, “resurrected” by modern-day author, Angela Lamb, working on Woolf manuscripts in the New York Public Library’s Berg collection. Angela dumps her irrepressible daughter at boarding-school to pursue her writing, so, when a bedraggled Virginia materialises among the bookshelves and is promptly evicted, Angela rushes to her rescue, chaperoning her wayward heroine.Virginia drinks in the Algonquin, finds friends’ paintings in the Met, and scams bookstores by selling pristine first editions of her novels, inscribed. Visits to independent booksellers make up for her disappointment in finding iconic bookstores closed. Virginia flies with Angela to a conference in Istanbul, makes friends, finds new lovers, and steals the show at international meeting on – Virginia Woolf. The novel asks what Virginia would make of contemporary literature, the book trade, love, sex and digital addictions? Are we free-er than in Woolf’s day? By showing Woolf’s joy in seizing life, Gee challenges the cliché that great female artists are self-destructive, and engagingly shows Woolf’s ideas on equality, feminism and bisexuality are as vibrant and important as ever.A witty, profound novel about the miraculous possibilities of second chances."

John Wright’s mind is playing tricks on him. He sees people he thinks he knows, but they are only strangers. His memory flickers in and out of focus. He has not seen his fiancée, Iris, in over three years. He fled their Los Angeles apartment one night after a fit of rage that may or may not have left her dead. He has been living off a small fortune he stole from Iris''s rich, manipulative businessman father. He bides his time and waits for the police to find him and charge him with his lover''s murder. Has he killed her? Is she really dead?Talented, clever, sophisticated Iris was his anchor, the one joy in his troubled, lonely life. At Harvard, she transformed John from a shy and awkward undergraduate into an elegant, self-assured man. But now she''s gone, and his memories of her are obscured by a miasma of guilt and uncertainty. One bright day Iris returns. Is she real, or just a cruel figment of his addled brain? Only a journey into the deepest corners of his past will reveal the truth about John and Iris--about life and death and love, and secrets too dark to reveal.

Radiation Diaries tells of a month of radiotherapy treatment undergone when Janet Todd was president of a Cambridge college and while her father, in his 100th year, was approaching death, with skin cancer. The day-by-day treatment brought into her mind flashes from her early life in Bermuda and Ceylon with her father, in Ghana and Puerto Rico, as a young woman, along with stored poems from childhood. Written each morning and night, it tells of the terror she induced in herself with insomniac nights on the web, searching out percentages of recoveries and death, of alternative treatments. Her reactions will be common to others who spend time in hospital-land. Todd’s experiences and writings will inspire and help others with these illness and treatments, and those who care for them. Unflinching in detail, Radiation Diaries will strike chords for anyone who has suffered a life-threatening illness, but the book’s message is positive, for the author lives well and has a new career. Now 75, she completed her term as President of a Cambridge college, while ill, published further books and became a grandmother. Now she maintains her academic career with speeches and lectures, has become a novelist, and travelled to launch her fiction in US and the UK, while still recovering. Surrounded by family and friends, she continues her peripatetic existence, albeit more by creative work from her imagination and via computer than by frequent exotic travels to the places she has lived and taught.“Janet Todd turns her renowned literary intelligence to her experience as a cancer patient. Original, forceful and often funny; there is no other cancer diary like it. The book’s clear-eyed detail is a reminder that indignity, pain and fear do not diminish memory, imagination or the self.” Terri Apter, psychologist and author of Passing Judgment: Praise and Blame in Everyday Life

The Second World War is over. England is losing its empire, world status and old elite values. The Empire strikes back with mass immigration, while the government soothes its people with welfare, the NHS, televisions and refrigerators. At the centre of the novel is the contemptuous Joan Kite, at odds with all the changes imposed on the country in the post war period. Shut up in a house with her only daughter, she refuses to compromise and adapt, pouring vitriol on anyone who seeks to enter their lives. After years of frugality, patriotism, service and excitement, she is angry at the contracted existence she’s been delivered and at the manner in which her aspirations to upper-middle-class culture have been thwarted. When her daughter is threatened, she begins a diary to investigate her past before and during the war. In it she gives rein to a flamboyant imaginary life and to an energetic loathing for the reality of a diminished England. During the freak hot summer of 1976, as water is rationed and ladybirds invade their home, the intimacy of mother and daughter intensifies. Their lives unravel within the claustrophobia of their semi-detached house behind closed velvet curtains.

Coming to PBS Masterpiece Classic soon! Gorgeous, profound, delightful, useful, original, this fully illustrated, informative volume combines Jane Austen''s Sanditon novel and Janet Todd''s ground-breaking essay.

"I so enjoyed Janet Todd''s beautifully produced book."Andrew Davies, screenwriter.

Sanditon is Jane Austen’s last novel, left unfinished when she died. A comedy, it continues the strain of burlesque and caricature she wrote as a teenager and in private throughout her life. This beautifully illustrated volume combines the full novel and Todd’s ground-breaking essay, where she contextualizes Austen’s life and work, Sanditon’s connection with Northanger Abbey (1818) and the Austen family’s speculation in England and the West Indies. She examines the moral and social problems of capitalism, entrepreneurship, and whether wealth trickles down to benefit the place it is made. In explaining the early nineteenth-century culture of self: the exploitation of hypochondria, health fads, seaside resorts, cures, she contends that Sanditon is an innovative, ebullient study of human beings’ vagaries - rather than using common sense, Sanditon’s characters follow intuition and bodily signs believing that desire can be translated into physical facts and speech can transform fantasy into reality. Todd shows Austen’s themes to be akin to contemporary concerns: the mistakes of the self-deluded reveal the inevitable, ridiculous gap between how we think of ourselves and how we appear and sound to others.

Eccentric Fran wants a second chance. Thanks to her intimacy with Jane Austen, and the poet Shelley, she finds one.Jane Austen is such a presence in Fran's life that she seems to share her cottage and garden, becoming an imaginary friend.Fran's conversations with Jane Austen guide and chide her but Fran is ready for change after years of teaching, reading and gardening. An encounter with a long-standing English friend, and an American writer, leads to new possibilities. Adrift, the three women bond through a love of books and a quest for the idealist poet Shelley at two pivotal moments of his life: in Wales and Venice. His otherworldly longing and yearning for utopian communities lead the women to interrogate their own past as well as motherhood, feminism, the resurgence of childhood memory in old age, the tensions and attractions between generations. Despite the appeal of solitude, the women open themselves social to ways of living - outside partnership and family. Jane Austen, as always, has plenty of comments to offer.The novel is a (light) meditation on age, mortality, friendship, hope, and the excitement of change.

Turner is a dark, layered, midly supernatural thriller about what it means to be human, pure love and the sacrifices people make for those things. Hero, a young boy joining a new school, discovers he has a unique ability. As his perception widens, he finds others have the same ability, including his enigmatic brother, James. The story contrasts the brothers'' lives as Hero decides to ''Join the Light'' whilst James takes an enitely different path and disappears.

On the emergence, embodiment, and mediation of voice as skin. How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties?In Building a Voice: Sound, Surface, Skin, Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech. Through this conversation, she points to two key terms: plasticity of voice, and non-dialogue. Plasticity of voice indicates both malleable and resistant aspects of voice. Non-dialogue refers to cross-sensory, non-dyadic, and distributed modes of interaction across both humans and nonhumans. The plasticity of voice and the non-dialogue, Bulut argues, encourage us to think about voice in the form of a skin, a surface that both connects and differentiates, without being limited to human body or labels of verbal language. Voice-as-skin, in effect, prompts us to reflect on both individual and collective, concrete and emergent, and uncertain and shared aspects of voice and speech, as well as to pace and revisit our conceptions of communication, intersubjectivity, connectivity, understanding and empathy.

The book explores the design boom in the Pacific Northwest, the fundamental principles to this creative field and over 40 remarkable makers and designers behind this extraordinary area of design. Set against striking photography, the book navigates the landscape and settings which inspires this area and talks with leading designers in the industry.

«Mellow» is a collection of photography by the Norwegian photographer, Sofie Sund. Through carefully constructed still life images, Sofie captures the essence of what is usually perceived simply as normality.

This book serves as a captivating lens through which an intrepid explorer unveils the essence of Turin, capturing its essence from the break of dawn. Beginning in the heart of the historic center, where bustling streets adorned with charming boutiques beckon, the journey unfolds along the tranquil banks of the Po River. .

This book serves as your passport to a long weekend in Hong Kong during the spring of 2024, inviting you to immerse yourself in the dynamic pulse of the city's bustling concrete jungle, the serene tranquility of its verdant mountains, and the timeless serenity of its sacred temples.

Cappellificio Cervo is to the world of millinery what the analog camera is to the world of photography: a place of return to fine art and inimitable craftsmanship. It is the artistic integrity of this historic institution dating back to 1897, that photographer Giovanni Previdi has documented so beautifully in How to Make a Hat.