Janet Todd - Böcker

When Prince Oroonoko’s passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko (1688) reflects the author’s romantic view of Native Americans as simple, superior peoples ‘in the first state of innocence, before men knew how to sin’. The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.

Restoration-era poet, playwright and novelist Aphra Behn was the first truly professional woman writer in English, and Oroonoko is her sophisticated and insightful condemnation of slavery. This Penguin Classics edition is edited with an introduction by Janet Todd.When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'. The novel also reveals Behn's ambiguous attitude to African slavery - while she favoured it as a means to strengthen England's rule, her powerful and moving work conveys its injustice and brutality.This new edition of Oroonoko is based on the first printed version of 1688, and includes a chronology, further reading and notes. In her introduction, Janet Todd examines Aphra Behn's views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration.Little is known of Aphra Behn's (1640-1689) early life. She was probably born in Kent, and in the early 1660s claims to have visited the British colony of Surinam. She turned to literature for a living, producing numerous short stories, 19 stage plays and political propaganda for the Tories.If you enjoyed Oroonoko, you might like Daniel Defoe's Moll Flanders, also available in Penguin Classics.

This volume brings together extracts of the major political writings of Mary Wollstonecraft in the order in which they appeared in the revolutionary 1790s. It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women's involvement in the political and social life of the nation and her growing awareness of the relationship between politics and economics and between political institutions and the individual.In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres.Janet Todd's introduction illuminates the progress of Wollstonecraft's thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Mary Wollstonecraft is widely recognized as a social and political thinker of major significance and as one of the most important and influential of the early feminists. Some of her works, such as A Vindication of the Rights of Woman, have become central texts of feminist thought. Written in the eighteenth century, her social commentary challenged the other eminent thinkers of the day, including Edmund Burke and Jean-Jacques Rousseau, and confronted the major events of the period, such as the French Revolution. Wollstonecraft was a persuasive writer and thinker who never felt compelled to separate her female experience from her writing. A Wollstonecraft Anthology brings together the well-known and lesser-known texts: A Vindication of the Rights of Men, The French Revolution, her early educational writings, her letters to Gilbert Imlay and William Godwin, and her reviews of fiction. This volume provides a comprehensive overview of Wollstonecraft's work and includes a biographic introduction by Janet Todd.

You will smile at an observation that has just occurred to me:-I consider those minds as the most strong and original, whose imagination acts as the stimulus to their senses, Mary Wollstonecraft wrote in a letter contemplating the role of the imagination in human relationships. Enlightenment feminist and famed author of The Vindication of the Rights of Woman, Wollstonecraft was also one of the most distinctive letter writers of the eighteenth century. This volume contains all of her known correspondence. Wollstonecraft talked and thought on paper; her letters were a large part of the drama of her life. In them she grows from an awkward child of fourteen to the woman of thirty-eight facing death in childbirth. Where the letters of "bluestocking" writers such as Elizabeth Carter and Catherine Talbot have a public quality, Wollstonecraft's letters-whether written in haste or carefully composed, opinionated, or vulnerable-stand out among those of other contemporary writers for their candor and lack of sentimentality.They create a palpable world, a sense of inner vitality, revealing a woman of consistent character who nonetheless struggled to reconcile disparate aspects of her life: integrity and sexual longing; the needs and duties of a woman; motherhood and intellectual life; fame and domesticity; reason and passion. Written in cramped lodgings and swaying boats, in the wilds of Scandinavia and the chill of Paris in winter, these letters record not a finished, ordered life viewed retrospectively but the dynamic process of living. Collectively, they form a remarkable work of autobiography that reveals the many dimensions of Wollstonecraft's genius.

Aphra Behn's work has always been subject to critical fashion and her literary reputation was only really secured in the closing decade of this century, especially by new historicist and feminist critics. The essays collected here represent the best of a range of contemporary critical views, discussing both Behn's drama and her prose writings. Janet Todd provides a stimulating introduction mapping Behn' s literary reception, situating the works of the critics included in a broader literary context and pointing towards Behn as a newly politicized figure at the close of the twentieth century.

Aphra Behn (1640-1689) was a popular poet, author of the influential novel "Oroonoko" and one of the most successful dramatists of the Restoration theatre. This book contains a selection of her poetry.

First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.

First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.

Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the seventeenth and nineteenth centuries, Behn was denigrated for her 'unwomanly' subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as an important dramatist and poet of the Restoration and a founder of the English novel. This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other aspects of her life, from her publishing struggles to her involvement in American slavery. It is an important resource for those studying seventeenth-century English literature and drama, and to those interested in the development of women's writing.

Named in many surveys as Britain's best-loved work of fiction, Pride and Prejudice is now a global brand, with film and television adaptations making Elizabeth Bennet and Mr Darcy household names. With a combination of original readings and factual background information, this Companion investigates some of the sources of the novel's power. It explores key themes and topics in detail: money, land, characters and style. The history of the book's composition and first publication is set out, both in individual essays and in the section of chronology. Chapters on the critical reception, adaptations and cult of the novel reveal why it has become an enduing classic with a unique and timeless appeal.

Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the seventeenth and nineteenth centuries, Behn was denigrated for her 'unwomanly' subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as an important dramatist and poet of the Restoration and a founder of the English novel. This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other aspects of her life, from her publishing struggles to her involvement in American slavery. It is an important resource for those studying seventeenth-century English literature and drama, and to those interested in the development of women's writing.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

This collection of essays covering many aspects of Austen's life, works and historical context provides the fullest introduction in one volume to the life and times of Jane Austen. Jane Austen in Context is a generously illustrated collection of short, lively contributions arranged alphabetically, and covering topics from biography to portraits and agriculture to transport. An essay on the reception of Austen's work is also included, showing how criticism of Austen has responded to literary movements and fashions. The volume emphasises the subtle interactions between Austen's life and times and her novels. This is a work of reference that readers and scholars of Austen will turn to again and again.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

The accident of death makes Persuasion Jane Austen's final novel. It deserves its position by its innovative treatment of passion and rhetorical style and its development of those themes of memory and time, public and private history, inner and outer lives, language and literature, emotion and restraint that have marked all Austen's work. Where the other works move towards a new symbolic and physical home for the heroine, Persuasion begins with her ejection and ends with her understanding that home is not a place at all but an ambiance and an acceptance of change. This volume, first published in 2006, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.

This collection of essays covering many aspects of Austen's life, works and historical context provides the fullest introduction in one volume to the life and times of Jane Austen. Jane Austen in Context is a generously illustrated collection of short, lively contributions arranged alphabetically, and covering topics from biography to portraits and agriculture to transport. An essay on the reception of Austen's work is also included, showing how criticism of Austen has responded to literary movements and fashions. The volume emphasises the subtle interactions between Austen's life and times and her novels. This is a work of reference that readers and scholars of Austen will turn to again and again.

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella Lady Susan, the novel fragments of The Watsons and Sanditon, poems and charades, and the comic 'Plan of a Novel'. In an appendix are collected other works ascribed to Austen, including the play Sir Charles Grandison and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information.

In this timely book Janet Todd offers an analysis and defence of the feminist literary history practised by Elaine Showalter and other contemporary American literary critics. She argues that this approach rightly links the political concerns of feminist criticism to the uncovering of female voices embedded in history. Todd reconstructs the development of feminist literary history from the 1960s through to the present day, highlighting the central themes as well as the strengths and weaknesses. She then examines the debate between American feminist critics, on the one hand, and feminist critics inspired by the work of French theorists such as Kristeva, Irigaray and Cixous, on the other. She defends feminist literary history against its critics and casts doubt on some of the uses of psychoanalysis in feminism. Todd also considers the debate with men and assesses the relevance of academic analyses of gender, masculinity and homosexuality.Feminist Literary History is a forceful and committed work, which addresses some of the most important issues in contemporary feminist theory and literary criticism. It will be widely read as an introductory text by students in English literature, modern languages, women's studies and cultural studies.

In this book, Janet Todd, one of the leading authorities on seventeenth- and eighteenth century women writers, discusses gender issues from the Restoration to Romanticism investigating women authors and the fascination with culturally privileged art and with heroic death.

Accused of transvestism and trickery, indicted for bigamy and hanged for robbery, Mary Carleton, the German Princess, was the most notorious female rogue of her time. Mary Frith, alias Mal Cutpurse, was a similarly spectacular transgressor: a resident of London's infamous Alsatia district, a criminal sanctuary between Fleet Street and the Thames, she was renowned for strolling the streets of seventeenth-century London in men's clothes.The Case of Mary Carleton and The Life and Death of Mary Frith, are reprinted here for the first time, since their original publication in 1663 and 1662 respectively. In the tradition of Daniel Defoe's Moll Flanders, these are the semi-fictional biographies of these two extraordinary criminals. They reveal to us a world in which women smoked in taverns, drank to excess in alehouses, and regaled revelers with anecdotes around a fire—all perilous activities for a woman in a society which considered modesty, silence, and obedience the feminine virtues of the day.

Aphra Behn (1640-89) was a popular poet, author of the influential novel Oroonoko, and one of the most successful dramatists of the Restoration theater. Behn led an unusually active and eventful life for a woman of her era, traveling widely--to Surinam in 1663 and to Antwerp in 1666, where Charles II sent her as a spy during the Anglo-Dutch war. Returning to England she spent some time in a debtor's prison and subsequently devoted herself to writing, publishing numerous poems and almost twenty plays between 1670 and 1689. Because of the overtly political nature of her work, much of Behn's writing appeared anonymously and in many different versions. The Poetry of Aphra Behn is the first accessible reprinting of Aphra Behn's verses since the seventeenth century. Encompassing the entirety of her oeuvre, from satirical writings to songs, love poems, and verse epistles, the book is a testament to the life and mind of a remarkable woman.

"Brings together the pwerful works of a mother/daughter combination...These novels will prove a foundation for any college-level course on literature and feminism." --The Bookwatch "A gripping tale of incestuous desire...vitalized by the powerful evocation of nature and the bolder passions of full-blown Romanticism." --Belles Lettres This volume for the first time brings together three extraordinary works of fiction by Mary Wollstonecraft, generally recognized as the mother of the feminist movement, and Mary Shelley.

A unique peak into the lives of women authors like Abigail Adams, Aphra Behn, and Mary Wollstonecraft.

A treasure for those newly discovering Jane Austen as much as for those long familiar with her extraordinary oeuvre and its influence, this authoritative and attractive new edition is accessible and informative for readers at all levels. With helpful contextual notes and enlightening prefaces, it presents the reader with the six celebrated published novels alongside the unpublished writings, from Austen's youth to her final years. Released to coincide with the 250th anniversary of Austen's birth, the set is beautifully presented, including illustrations drawn by Austen's sister Cassandra to accompany her childhood piece 'The History of England', as well as Austen's poems, unfinished novels and a selection of letters in which she offers advice on writing fiction. Taken together, the volumes allow the reader to follow Jane Austen's creative development, observe her craft of fiction and experience her world with more clarity than ever before.

In her earliest writings, a precocious, alarmingly assured Jane Austen views the adult world with wide, clear eyes, cheekily amused at the emotions, pomposity, intrigues and bustle of family and friends. Composed between the ages of eleven and seventeen, they reveal a child's excitement in language and its imaginative possibilities. Most pieces are ebullient and anarchic; many are surreal, displaying gluttony, drunkenness, matricide, theft and excess, combined with total self-absorption. The cheerful characters roar through their transgressions without a shred of shame or responsibility. This edition prints all of Austen's childhood works, from the earliest comic pieces to the later, more psychologically realistic 'Catharine, or the Bower', which anticipates themes in the adult novels. The volume also includes the comical illustrations her sister Cassandra contributed to 'The History of England'. Prefaces and explanatory endnotes supplied by Janet Todd illuminate cultural, historical and literary context, bringing Jane Austen's world to life.

Northanger Abbey is both an ingenious Gothic parody and a realistic portrait of the social education of a naive young girl in late eighteenth-century England. Conceived in the 1790s but not published until after Jane Austen's death, the novel straddles the style of her childhood writings, with their playful mockery of contemporary fiction, and the later mature works which probe both society and individual psychology. It paints a wonderfully dense picture of the material and social conditions of genteel English life in town and country. Through the young, naïve heroine, the reader experiences the popular delight in escapist and sensational fiction typical of the period. The novel invites us to enjoy being laughed at for our own fictional expectations, while happily fulfilling most of them. Prefaces and explanatory endnotes supplied by Janet Todd illuminate cultural, historical and literary context, bringing Jane Austen's world to life.