Janet Todd – författare

This volume brings together extracts of the major political writings of Mary Wollstonecraft in the order in which they appeared in the revolutionary 1790s. It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women's involvement in the political and social life of the nation and her growing awareness of the relationship between politics and economics and between political institutions and the individual.In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres.Janet Todd's introduction illuminates the progress of Wollstonecraft's thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This collection of essays covering many aspects of Austen's life, works and historical context provides the fullest introduction in one volume to the life and times of Jane Austen. Jane Austen in Context is a generously illustrated collection of short, lively contributions arranged alphabetically, and covering topics from biography to portraits and agriculture to transport. An essay on the reception of Austen's work is also included, showing how criticism of Austen has responded to literary movements and fashions. The volume emphasises the subtle interactions between Austen's life and times and her novels. This is a work of reference that readers and scholars of Austen will turn to again and again.

When Prince Oroonoko’s passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko (1688) reflects the author’s romantic view of Native Americans as simple, superior peoples ‘in the first state of innocence, before men knew how to sin’. The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.

Restoration-era poet, playwright and novelist Aphra Behn was the first truly professional woman writer in English, and Oroonoko is her sophisticated and insightful condemnation of slavery. This Penguin Classics edition is edited with an introduction by Janet Todd.When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'. The novel also reveals Behn's ambiguous attitude to African slavery - while she favoured it as a means to strengthen England's rule, her powerful and moving work conveys its injustice and brutality.This new edition of Oroonoko is based on the first printed version of 1688, and includes a chronology, further reading and notes. In her introduction, Janet Todd examines Aphra Behn's views of slavery, colonization and politics, and her position as a professional woman writer in the Restoration.Little is known of Aphra Behn's (1640-1689) early life. She was probably born in Kent, and in the early 1660s claims to have visited the British colony of Surinam. She turned to literature for a living, producing numerous short stories, 19 stage plays and political propaganda for the Tories.If you enjoyed Oroonoko, you might like Daniel Defoe's Moll Flanders, also available in Penguin Classics.

These three works of fiction - two by Mary Wollstonecraft, the radical author of A Vindication of the Rights of Woman, and one by her daughter Mary Shelley, creator of Frankenstein - are powerfully emotive stories that combine passion with forceful feminist argument. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for over a century - tells the story of a woman alienated from society by the incestuous passion of her father. Humane, compassionate and highly controversial, these stories demonstrate the strongly original genius of their authors.

Aphra Behn, the poet, playwright, novelist and political satirist was the first truly professional woman writer in English. This selection, edited and introduced by Professor Janet Todd, demonstrates the full sophistication and vitality of Aphra Behn's genius. It contains the plays The Rover and The Widow, Ranter (the first English play to be set in the American colonies) together with Love Letters to a Gentleman, a choice of poems and two short novels - The Fair Jilt and Oroonoko - which are among the most innovative prose writings of the seventeenth century.

This volume brings together extracts of the major political writings of Mary Wollstonecraft in the order in which they appeared in the revolutionary 1790s. It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women''s involvement in the political and social life of the nation and her growing awareness of therelationship between politics and economics and between political institutions and the individual.In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres.Janet Todd''s introduction illuminates the progress of Wollstonecraft''s thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This volume brings together extracts of the major political writings of Mary Wollstonecraft in the order in which they appeared in the revolutionary 1790s. It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women''s involvement in the political and social life of the nation and her growing awareness of therelationship between politics and economics and between political institutions and the individual.In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres.Janet Todd''s introduction illuminates the progress of Wollstonecraft''s thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Examining the writing of Aphra Behn, Frances Sheridan, Ann Radcliffe and Fanny Burney among others, this study describes the entry of women into literature as a profession in the 17th century. It describes how the fictional genre became the main vehicle for female self-expression.

Mary Wollstonecraft is widely recognized as a social and political thinker of major significance and as one of the most important and influential of the early feminists. Some of her works, such as A Vindication of the Rights of Woman, have become central texts of feminist thought. Written in the eighteenth century, her social commentary challenged the other eminent thinkers of the day, including Edmund Burke and Jean-Jacques Rousseau, and confronted the major events of the period, such as the French Revolution. Wollstonecraft was a persuasive writer and thinker who never felt compelled to separate her female experience from her writing. A Wollstonecraft Anthology brings together the well-known and lesser-known texts: A Vindication of the Rights of Men, The French Revolution, her early educational writings, her letters to Gilbert Imlay and William Godwin, and her reviews of fiction. This volume provides a comprehensive overview of Wollstonecraft's work and includes a biographic introduction by Janet Todd.

You will smile at an observation that has just occurred to me:-I consider those minds as the most strong and original, whose imagination acts as the stimulus to their senses, Mary Wollstonecraft wrote in a letter contemplating the role of the imagination in human relationships. Enlightenment feminist and famed author of The Vindication of the Rights of Woman, Wollstonecraft was also one of the most distinctive letter writers of the eighteenth century. This volume contains all of her known correspondence. Wollstonecraft talked and thought on paper; her letters were a large part of the drama of her life. In them she grows from an awkward child of fourteen to the woman of thirty-eight facing death in childbirth. Where the letters of "bluestocking" writers such as Elizabeth Carter and Catherine Talbot have a public quality, Wollstonecraft's letters-whether written in haste or carefully composed, opinionated, or vulnerable-stand out among those of other contemporary writers for their candor and lack of sentimentality.They create a palpable world, a sense of inner vitality, revealing a woman of consistent character who nonetheless struggled to reconcile disparate aspects of her life: integrity and sexual longing; the needs and duties of a woman; motherhood and intellectual life; fame and domesticity; reason and passion. Written in cramped lodgings and swaying boats, in the wilds of Scandinavia and the chill of Paris in winter, these letters record not a finished, ordered life viewed retrospectively but the dynamic process of living. Collectively, they form a remarkable work of autobiography that reveals the many dimensions of Wollstonecraft's genius.

They were known as the Ascendancy, the dashing aristocratic elite that controlled Irish politics and society at the end of the eighteenth century—and at their pinnacle stood Caroline and Robert King, Lord and Lady Kingsborough of Mitchelstown Castle. Heirs to ancient estates and a vast fortune, Lord and Lady Kingsborough appeared to be blessed with everything but marital love—which only made the scandal that tore through their family more shocking. In 1798, at the height of a rebellion that was setting Ireland ablaze, Robert King was tried for the murder of his wife’s cousin—a crime born of passion that proved to have extraordinary political implications. In her brilliant new book, Janet Todd unfolds the fascinating story of how this powerful Anglo-Irish family became entwined with the downfall not only of their class, but of their very way of life.Like Amanda Foreman’s bestselling Georgiana, Daughters of Ireland brings to life the world of a glittering elite in an age of international revolution. When her daughters, Margaret and Mary, were at their most impressionable, Lady Kingsborough hired the firebrand feminist Mary Wollstonecraft to be their governess, little realizing how radically this would alter both girls’ beliefs and characters. The tall, striking Margaret went on to provide crucial support to the United Irishmen in the days leading up to the Rebellion of 1798, while soft, pleasing Mary indulged in an illicit, and all but incestuous love affair that precipitated multiple tragedies. As the Kingsboroughs imploded, the most powerful and colorful figures of the day were swept up in their drama—the dashing aristocrat turned revolutionary Lord Edward Fitzgerald; the liberal, cultivated Countess of Moira, a terrible snob despite her support of Irish revolutionaires; the notorious philanderer Colonel George King, whose sexual debauchery was matched only by his appalling cruelty; Britain’s cold calculating prime minister William Pitt and its mad ruler King George III. With irresistible narrative drive and richly intimate historic detail, Daughters of Ireland an absolutely spellbinding work of history, biography, passion, and rebellion.From the Hardcover edition.

Aphra Behn's work has always been subject to critical fashion and her literary reputation was only really secured in the closing decade of this century, especially by new historicist and feminist critics. The essays collected here represent the best of a range of contemporary critical views, discussing both Behn's drama and her prose writings. Janet Todd provides a stimulating introduction mapping Behn' s literary reception, situating the works of the critics included in a broader literary context and pointing towards Behn as a newly politicized figure at the close of the twentieth century.

Aphra Behn (1640-1689) was a popular poet, author of the influential novel "Oroonoko" and one of the most successful dramatists of the Restoration theatre. This book contains a selection of her poetry.

First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.

First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn''s work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the seventeenth and nineteenth centuries, Behn was denigrated for her 'unwomanly' subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as an important dramatist and poet of the Restoration and a founder of the English novel. This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other aspects of her life, from her publishing struggles to her involvement in American slavery. It is an important resource for those studying seventeenth-century English literature and drama, and to those interested in the development of women's writing.

Named in many surveys as Britain's best-loved work of fiction, Pride and Prejudice is now a global brand, with film and television adaptations making Elizabeth Bennet and Mr Darcy household names. With a combination of original readings and factual background information, this Companion investigates some of the sources of the novel's power. It explores key themes and topics in detail: money, land, characters and style. The history of the book's composition and first publication is set out, both in individual essays and in the section of chronology. Chapters on the critical reception, adaptations and cult of the novel reveal why it has become an enduing classic with a unique and timeless appeal.

Aphra Behn was England's first professional woman writer, but her status as a major author has only recently become clear. Between the seventeenth and nineteenth centuries, Behn was denigrated for her 'unwomanly' subject matter and intellectual immodesty. In the twentieth century she has been increasingly viewed as an important dramatist and poet of the Restoration and a founder of the English novel. This book sets Behn firmly in an historical context of political factions, theatre developments and colonial encounters, and includes chapters on each of the genres in which she wrote: drama, fiction, poetry and translation, and on other aspects of her life, from her publishing struggles to her involvement in American slavery. It is an important resource for those studying seventeenth-century English literature and drama, and to those interested in the development of women's writing.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.

The accident of death makes Persuasion Jane Austen's final novel. It deserves its position by its innovative treatment of passion and rhetorical style and its development of those themes of memory and time, public and private history, inner and outer lives, language and literature, emotion and restraint that have marked all Austen's work. Where the other works move towards a new symbolic and physical home for the heroine, Persuasion begins with her ejection and ends with her understanding that home is not a place at all but an ambiance and an acceptance of change. This volume, first published in 2006, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.

This collection of essays covering many aspects of Austen's life, works and historical context provides the fullest introduction in one volume to the life and times of Jane Austen. Jane Austen in Context is a generously illustrated collection of short, lively contributions arranged alphabetically, and covering topics from biography to portraits and agriculture to transport. An essay on the reception of Austen's work is also included, showing how criticism of Austen has responded to literary movements and fashions. The volume emphasises the subtle interactions between Austen's life and times and her novels. This is a work of reference that readers and scholars of Austen will turn to again and again.

The manuscripts that survive from Jane Austen's maturity offer a unique insight into her life as a creative writer. This volume collects together all the literary manuscripts from Austen's adult years (with the exception of the cancelled chapters of Persuasion, in this edition printed with the finished novel), together with letters discussing the art of fiction, and her record of responses to her novels. Included here are the novella Lady Susan, the novel fragments of The Watsons and Sanditon, poems and charades, and the comic 'Plan of a Novel'. In an appendix are collected other works ascribed to Austen, including the play Sir Charles Grandison and three prayers. The introduction offers a history of the manuscripts and a full account of the current state of scholarship on them, and the texts are accompanied by explanatory notes and contextual information.

In this timely book Janet Todd offers an analysis and defence of the feminist literary history practised by Elaine Showalter and other contemporary American literary critics. She argues that this approach rightly links the political concerns of feminist criticism to the uncovering of female voices embedded in history. Todd reconstructs the development of feminist literary history from the 1960s through to the present day, highlighting the central themes as well as the strengths and weaknesses. She then examines the debate between American feminist critics, on the one hand, and feminist critics inspired by the work of French theorists such as Kristeva, Irigaray and Cixous, on the other. She defends feminist literary history against its critics and casts doubt on some of the uses of psychoanalysis in feminism. Todd also considers the debate with men and assesses the relevance of academic analyses of gender, masculinity and homosexuality.Feminist Literary History is a forceful and committed work, which addresses some of the most important issues in contemporary feminist theory and literary criticism. It will be widely read as an introductory text by students in English literature, modern languages, women's studies and cultural studies.

In this book, Janet Todd, one of the leading authorities on seventeenth- and eighteenth century women writers, discusses gender issues from the Restoration to Romanticism investigating women authors and the fascination with culturally privileged art and with heroic death.

In this timely book Janet Todd offers an analysis and defence of the feminist literary history practised by Elaine Showalter and other contemporary American literary critics. She argues that this approach rightly links the political concerns of feminist criticism to the uncovering of female voices embedded in history.

Todd reconstructs the development of feminist literary history from the 1960s through to the present day, highlighting the central themes as well as the strengths and weaknesses. She then examines the debate between American feminist critics, on the one hand, and feminist critics inspired by the work of French theorists such as Kristeva, Irigaray and Cixous, on the other. She defends feminist literary history against its critics and casts doubt on some of the uses of psychoanalysis in feminism. Todd also considers the debate with men and assesses the relevance of academic analyses of gender, masculinity and homosexuality.

Feminist Literary History is a forceful and committed work, which addresses some of the most important issues in contemporary feminist theory and literary criticism. It will be widely read as an introductory text by students in English literature, modern languages, women''s studies and cultural studies.