Hub City Press – förlag

Small-town Appalachia doesn''t have a lot going for it, but it’s where Brian is from, where his family is, and where he’s chosen to return to die.

At eighteen, Brian, like so many other promising young gay men, arrived in New York City without much more than a love for the freedom and release from his past that it promised. But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.

Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, The Prettiest Star is part Dog Years by Mark Doty and part Tell the Wolves I’m Home by Carol Rifka Brunt. But it is also an urgent story now: it a novel about the politics and fragility of the body; it is a novel about sex and shame. And it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.

Czechoslovakia, 1939: Snow is falling over the city when the Nazis invade. Before the ice on the roads has a chance to melt, everything has changed for the country—and for Viktor Trn.

It isn’t obvious at first. The day-to-day realities of occupation take time to sink in. After losing his job as a history professor, Trn remains optimistic, preserving what little he can of his family’s dwindling freedom. In his family’s small apartment, the radio brings worsening news as Europe surrenders to Germany. Friends are arrested, men are hanged in the local school. Trn must protect his young son, but understands leaving their homeland could prove too dangerous.

Only when the air raids draw closer is Trn, a soft-spoken pacifist, pressured into making a choice: retreat to his decreasing sphere of familial safety, or join the resistance. Ultimately Trn finds himself caught between two titanic armies—the Nazis and the Soviets—and must decide how to save all that he loves.

In the spirit of Kristin Hannah''s The Nightingale and Anthony Doerr''s All the Light We Cannot See, The Wooden King explores denial, desire, and family drama against the lyrically rendered backdrop of World War II, deftly navigating “the simple difference between what we do and what we ought to do” in the face of rising totalitarianism.

Set in contemporary Louisville, Leesa Cross-Smith’s mesmerizing first novel surrounding the death of a police officer is a requiem for marriage, friendship and family, from an author Roxane Gay has called “a consummate storyteller.”

Evi—a classically-trained ballerina—was nine months pregnant when her husband Eamon was killed in the line of duty on a steamy morning in July. Now, it is winter, and Eamon''s adopted brother Dalton has moved in to help her raise six-month-old Noah.

Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known.

In the vein of Jojo Moyes’ After You, Whiskey & Ribbons explores the life that continues beyond loss, with a complicated brotherly dynamic reminiscent of Elizabeth Strout’s The Burgess Boys. It’s a meditation on grief, hope, motherhood, brotherhood and surrogate fatherhood. Above all, it’s a novel about what it means—and whether it’s possible—to heal.

In rural north Georgia two decades after the Civil War, thirteen-year-old Lulu Hurst reaches high into her father’s bookshelf and pulls out an obscure book, The Truth of Mesmeric Influence.  Deemed gangly and undesirable, Lulu wants more than a lifetime of caring for her disabled baby brother, Leo, with whom she shares a profound and supernatural mental connection.

“I only wanted to be Lulu Hurst, the girl who captivated her brother until he could walk and talk and stand tall on his own. Then I would be the girl who could leave.”

Lulu begins to “captivate” her friends and family, controlling their thoughts and actions for brief moments at a time. After Lulu convinces a cousin she conducts electricity with her touch, her father sees a unique opportunity. He grooms his tall and indelicate daughter into an electrifying new woman: The Magnetic Girl. Lulu travels the Eastern seaboard, captivating enthusiastic crowds by lifting grown men in parlor chairs and throwing them across the stage with her “electrical charge.”

While adjusting to life on the vaudeville stage, Lulu harbors a secret belief that she can use her newfound gifts, as well as her growing notoriety, to heal her brother. As she delves into the mysterious book’s pages, she discovers keys to her father’s past and her own future--but how will she harness its secrets to heal her family?

Gorgeously envisioned, The Magnetic Girl is set at a time when the emerging presence of electricity raised suspicions about the other-worldly gospel of Spiritualism, and when women’s desire for political, cultural, and sexual presence electrified the country. Squarely in the realm of Emma Donoghue''s The Wonder and Leslie Parry’s Church of Marvels, The Magnetic Girl is a unique portrait of a forgotten period in history, seen through the story of one young woman’s power over her family, her community, and ultimately, herself.