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"The funny thing about Daniel Kane's book, given its rather showy title, is how unostentatious his poems really are. Excessive, yes, gorgeously so; and 'out there' in bravely following his, or his given language's, inclinations. What is anything that can be observed or thought and how do our words account for, and even augment, that sketchy existence? How is a poem a fact if anything can be? Peculiar to Kane is his often headlong, always nimble variant on how to proceed: transmutation, an ostensible care for writing as fitting together a world in words as if out of nowhere. This remarkable book adds up, heartily, to its own 'heap big meal'."— Bill BerksonDaniel Kane was born in New York City and grew up in Manila,Philippines; Mexico City, Mexico; London, England; Tenafly, New Jersey; and New York City. He is currently Senior Lecturer in American Literature at the University of Sussex, Brighton, England. Kane's books include All Poets Welcome: The Lower East Side Poetry Scene in the 1960s, What Is Poetry: Conversations with the American Avant Garde, Don't Ever Get Famous: Essays on New York Writing After the New York School (editor and contributor), and Fragments, Blotches and Healing Lights: The Conversation Between 'New American' Film and Poetry (forthcoming 2009)."Daniel Kane is the revitalising voice twenty-first century poetry needs, and Ostentation of Peacock is a full display of his transatlantic talent. Fresh, funny and visionary, this book offers the reader a real world of fantasy with the lyric grace of early Ashbery and the prophetic ambition of early Ginsberg."— Jeremy Noel-Tod"The variegated plumage of Kane's elegant, iridescent, fan-tailed poems is a constant delight. Some are indeed as ostentatious as peacocks in their pride, but others obliquely and movingly mime uncertainty, confusion, and loss. This is a gorgeous collection, and one that deserves a 'harmonious welcome'."— Mark Ford"Fun is missing from this world everywhere; but here it is, at times pitiless but still fun. Daniel Kane's personable imagination dwells in the house of free play: a posture of meditation on the couch upon which there is ought to do but muse on things of a consequence neither relativized nor sanitized. Absolute inquiry into creatures-objects-ideas produces, in this leavened mind, a flurry of response that is a 'cosmos or order or harmony in a bag full of hard to categorize leaves'. Not only fun has been missing, but also compassion, and that is here too, 'with singular freshness and poignancy'."— Rebecca Wolff

First prize winner in the Nature and Placecategory of the 2010 EDP/Jarrolds East Anglian Book Awards

"So vividly written you can almost hear the song of these rare birds" - Kate Kellaway, The Guardian

Richard Mabey, described as "Britain's greatest living nature writer", explores the nightingale's links with Suffolk culture and landscape, and traces the bird’s course through myth, lore and tradition. He plumbs his subject for its fascinating literary and historical references, and opens the reader's ears to the bird itself and its extraordinary song, a hymn to survival. New images by Derrick Greaves accompany the text.

Rose Tremain's fiction often finds itself drawn into the "wide skies and watery byways of East Anglia". The short stories gathered in Wildtrack, selected from her collections published over three decades, convey the sense of isolation, darkness and secrecy the region fosters: a sense that has long fired Tremain's imagination.

At first sight, these four stories might seem to have little in common apart from their East Anglian settings. But some of the protagonists also share a feeling of anxiety that there is something wrong or missing in their lives which they must confront. The title story, Wildtrack, and Peerless both tackle the question of how we find meaning in a secular life, while in A Shooting Season, the main character believes she has found a safe haven, free from intervention of any kind – but then The Past makes an appearance.

Originally published in 1975, Fenwomen was the first non-fiction book published by Virago. A vivid social and oral history of an isolated village in the Cambridgeshire Fens, it provides a unique portrait, spanning nearly 100 years, via the previously unheard voices of the women who lived there, of a community where there were virtually no professional or middle-class people, where intermarriage was common and a single family owned all the village land. Fenwomen was in a tradition stretching through Ronald Blythe (Akenfield) and 20 years further back to the true pioneer of English oral history, George Ewart Evans, with his publication Ask the Fellows Who Cut the Hay (1956).

In an extended new introduction to this Full Circle edition, Mary Chamberlain ecalls her original intent to write a "feminist Akenfield", a "history from the bottom up… not of great country houses and the chatelaines who ran them but of women as labourers and labourers' wives". She describes, too, how she revisited the village and talked to some of the original women about how their lives had changed over 35 years.

"By any measure, this book is essential reading, but in this handsome new edition, with Justin Partyka's eloquent, unforgettable photographic portraits of Isleham and its people, it is a joy to own" - Stephanie Cross, The Lady

'Audio Obscura is more hypnotic than it first sounds - these muttered confessions might even make you miss your train...' - Clara Tait, Time Out

At a railway station, everyday dramas are constantly being played out: meeting, parting, anticipating, escaping. The atmosphere is an odd mix of tension and contemplation. Everyone is waiting for something to happen or moving between events. In a station we are forced into proximity. We observe one another yet behave as if being in a crowd confers invisibility. We tend to assume that we are neither overheard nor overlooked. This book derives from a sound work, also called Audio Obscura. Commissioned by Artangel and Manchester International Festival, it was created for Manchester, Piccadilly and St Pancras International stations, where these photographs were taken.

The idea comes from the camera obscura, or "dark room", a once popular form of entertainment and artist's tool which uses a small aperture and mirrors to project a reflection of the passing world. A form of proto-cinema, the camera obscura was in part what led to early photography, as people strove to fix the images it produced.

As Lavinia Greenlaw writes in her introduction, "All of my work has, in one form or another, been an exploration of the point at which we start to make sense of things; an attempt to arrest and investigate that moment, to separate its components and test their effects. Audio Obscura extends this to the act of listening, or dark listening, in which unconscious aspects of perception are brought to light in ourselves."

'A book celebrating a remarkably successful programme and rife with examples of valuable craft and life lessons' - Peter Ho Davies, The Guardian

An essential companion for young writers facing the long period of apprenticeship that lies ahead of them, Body of Work comprises over fifty pieces by writers connected with the Creative Writing programme at UEA.

From Malcolm Bradbury and Ian McEwan to Angela Carter, Kazuo Ishiguro, Anne Enright and Tracy Chevalier, authors enlighten and entertain with autobiographical essays that describe what it is like to be a student or teach on the course – and the excitements, disillusionments and possibilities of life as a professional writer.

Former visiting fellows at UEA including Paul Muldoon, Nam Le, John Boyne and Adam Mars-Jones recall their time there, or recount other situations that they have encountered in the course of being an author. Also included are contributions that clarify problems across the whole field of literary composition, through a mixture of practical advice, personal testimony and critical perspective.

Finally, a series of appreciations and obituaries revisits authors associated with UEA, such as Angus Wilson; Lorna Sage; and W.G. Sebald, whose literary art and personal example continue to provide inspiration for those who follow.

Short-listed for the 2013 New Angle Prize for Literature.

BOOK OF THE YEAR - overall winner of the East Anglian Book Awards 2012

"A major piece of work, beautifully presented, on a subject familiar to us all but about which few of us have a deep understanding. Reading The Last Hunters is sure to change that" - Eastern Daily Press

"I put it aside for late summer reading but couldn't put it down. [Candy Whittome] has caught the voices and that East Anglian up-beat realism... Brilliant" - Richard Mabey

"Candy Whittome and David Morris's book pays tribute to the crabmen of Cromer. The photographs are beautifully composed, and the descriptions of the people interviewed full of affection. But what makes the book special is the range of voices we hear… natural storytellers, recounting tales of triumph and catastrophe - long days, rough seas, terrible accidents, glorious homecomings with a full catch" - Blake Morrison

The Last Hunters is a contemporary portrait of one of the last surviving fishing communities in Britain. The book tells the stories of the Cromer crab fishermen and their families in their own words, accompanied by David Morris' stunning black-and-white photographs. A compelling account of a community in danger The Last Hunters celebrates a way of living that is in tune with the environment, reliant on skill, resilience, and exceptional will. It is also an utterly human story of a group of ordinary people living out-of-the-ordinary lives.

"A really unusual and effective narrative voice, showing great wisdom and assurance" - Financial Times

Inspired by a concert held during the Aldeburgh Festival on an American airbase in Suffolk, this haunting new novel shows how complex human relations and the power of place can capture and inspire the musical imagination. Washed-up composer Michael Anders retreats to England’s south coast to write a commission for a New York music festival. Plagued by the protracted absence in America of his psychoanalyst wife, and by boyhood memories of an angel glimpsed in the Suffolk marshes, Anders finds his unease growing as he enters a landscape at once reassuringly pastoral and drowning in apocalyptic junk. Norman castles, Martello towers and decaying WW2 fortifications bear witness to England’s military past, while the airwaves hum with spy chatter picked up by the radar installations that once linked wartime Pevensey to the Suffolk of his childhood encounter with the angel.

As Anders struggles to find his narrative and musical thread, he succumbs to the competing claims of Alice, his monster landlady, and Nancy Flight, a young punk singer with dirty fingernails and a siren voice. Holding the strands together is Walter Benjamin’s Angel of History, blown backwards into the future and straight into Anders’ inspired music.

"You will want to read this book at least three times: once in a headlong rush of fandom; then with an internet connection and a dictionary of poetic terms; and finally in a darkened room with the phone switched off and time to savour Smith's delicious, playful use of language. A truly bewitching collection" - Katy Guest, Independent on Sunday

"Smith is a trickster, an etymologist, a fantasist, a pun freak, an ontologist... a wordsmith to the very smithy of her soul, she is at once deeply playful and deeply serious" - The New York Times

In four short stories – fusions of poetry – Ali Smith pays tribute to the sources, the people and the places which produce and nurture life and art. In an opening up of norths and souths, she traces unexpected conduits between Cambridge and the north of Scotland. Like all of Ali Smith’s work, here spot-lit by Sarah Wood’s delicate art, this is a book that will blow fresh air through the mind and set readers’ pulses racing.

EADT "Reader's Choice" winner, The New Angle Prize for Literature 2011

"Scallop is at once a monument to a great musician-composer and a celebration of the origins of his art... A robust and poetic work of art (that) stands at the thrilling edge where culture meets nature" - Mel Gooding

Much has been said and written about Maggi Hambling's Scallop on Aldeburgh beach. Here is the artist's own story, told as it happened, with interpolations by some of those who supported (and some who didn't) her exhilarating and provocative sculpture to Benjamin Britten, one of Britain's most exalted composers.

Maggi Hambling traces her love of the sea back to earliest childhood and records how this lifelong passion has fired her work, culminating in the construction of a 15ft high, six-and-a-half ton stainless steel sculpture rising out of the shingle on Aldeburgh beach. Children love it. Lovers love it. Those paying tribute to lost loved ones gather around it. And there are those who would wish it melted down or carted away. The artist, and those nearest the action, tell the fascinating story of its conception, official acceptance and construction, and the unholy row that erupted after it was finally unveiled.

Other Carnivals is published to coincide with Full Circle's FlipSide festivalof Brazilian and UK Literature, Music and Art at Snape in October 2013. Translated and edited by Ángel Gurría-Quintana this new collection of short stories by some of Brazil's finest authors features work by Milton Hatoum, Bernardo Carvalho, Tatiana Salem Levy, Cristovão Tezza, Andrea del Fuego, Beatriz Bracher, Marcelino Freire, João Anzanello Carrascoza, Ferréz, André Sant'Anna, Adriana Lisboa and Reinaldo Moraes.

The twelve stories offer snapshots of Brazilian life, past and present, in all its teeming and vibrant complexity. With contributions by writers from all corners of the country, and ranging from well-established veterans to emerging literary stars, Other Carnivals: New Writing from Brazil is a heady mix of the comic, the tragic, the beautiful, the ugly and the surreal. Subverting the clichés about Brazil even as it finds kernels of truth within them, this is a book that will thrill readers already acquainted with the country's literature, and will make converts of those approaching it for the first time. Other Carnivals is proof, as if any were required, that one of Brazil's greatest natural resources is its wealth of talented storytellers.

A collection of essays and other texts by eleven internationally acclaimed writers, critics and artists.

Over a decade after his death W.G. Sebald remains a major presence in world literature. He has a devoted readership in many different countries. This lively and accessible collection offers a series of different illuminations on why Sebald’s work continues to fascinate. Follow Ali Smith as she gets loosed in the translation of his work. Discover with Robert Macfarlane the arguments for and against Sebald’s reputation. Find out from Will Self why British readers might find him a "good German". Think with John Coetzee about the recurrent psychological crisis that haunts Sebald’s imagination. These are just a few of the many discoveries, insights, and imaginative responses that this collection offers its readers. This is the book that readers of Sebald, new or old, need to take with them as they journey through his work. It speaks of and to the different experiences involved in reading Sebald, whether responding to the relation between word and image, or the question of what can and cannot be remembered, or the resonant character of voice and voices, or the strange networks and connections that make up Sebald’s texts. And then there are personal memories by Tess Jaray of working with Sebald, Tacita Dean's own version of Sebaldian connectedness and an enigmatic memorial by Richard Long.

The book is edited and has an introduction by Jon Cook, a Professor of Literature and Director of the Centre for Creative and Performing Arts at the University of East Anglia, who was for a number of years a friend and colleague of W.G. Sebald.

Writers in Conversation compiles Christopher Bigsby's interviews with the world's greatest writers from a decade of the Arthur Miller Centre's International Literary Festival at the University of East Anglia. These often candid, in-depth, witty and illuminating exchanges shine a light on the craft and profession of the working writer today.Featuring interviews with Naomi Alderman, David Almond, Tash Aw, Vince Cable, Tracy Chevalier, Bernard Cornwell, Andrew Cowan, Richard Dawkins, Margaret Drabble, Stephen Fry, David Hare, Emma Healey, Charlie Higson, Eimear McBride, Ian McEwan, David Mitchell, Lawrence Norfolk, Paul Nurse, Jane Smiley, Rose Tremain, David Vann and Vendela Vida.