Weiss Publications – förlag

An accessible, clothbound compendium of leading artists in Indonesia, Thailand, Myanmar, the Philippines, Vietnam, Cambodia, Singapore and MalaysiaFilling a noticeable void in art publishing, SEA: Contemporary Art Practices in Southeast Asia presents the work of 60 artists and collectives practicing in the region. Organized alphabetically, SEA highlights points of connection between the artists: community engagement and organization, social and political commentary, gender and identity, environment and ecology, and material traditions and processes.Artists include: Agus Suwage, Alfredo and Isabel Aquilizan, Amanda Heng, Anida Yoeu Ali, Anne Samat, Anocha Suwichakornpong, Apitchatpong Weerasethakul, Arahmaiani, Araya Rasdjarmrearnsook, Arin Rungjang, Cemeti—Institute for Art and Society, Charles Lim, Chiang Mai Social Installation, Chris Chong, Dinh Q Le, Eisa Jocson, Erika Tan, F.X. Harsono, Green Papaya Art Projects, Ho Tzu Nyen, Htein Lin, I Gusti Ayu Kadek Murniasih, Khvay Samnang, Korakrit Arunanondchai, Lee Wen, Lostgens’, Martha Atienza, Melati Suryodarmo, Ming Wong, Moe Satt, Montien Boonma, Nguyen Trinh Thi and ruangrupa.

Ringgold's most formative and influential political works are gathered in this beautifully designed clothbound volumeAlongside reproductions of key works made between 1967 and 1981, Faith Ringgold: Politics / Power provides an overview of Ringgold's seminal artistic and activist work, and its historical context during these years, including accounts by the artist herself.During the 1960s and 1970s, Ringgold, a dedicated and impassioned civil rights advocate, established her voice as a feminist and within the Black Arts Movement. Her influential work expressed her in-depth knowledge of art history and contemporary art, as well as her activism. Spanning mediums such as painting, cut paper works, posters, collage and textile art, the works presented in this publication foreground the artist’s explicitly political pieces, for which she deployed new material and formal processes, and developed a radical aesthetics and vocabulary.Organized chronologically, the book allows readers to retrace the artist’s foundational creative approaches to contemporaneous social, political and artistic questions. It includes illustrations of individual artworks together with previously unpublished work and archival materials.Faith Ringgold (born 1930) is a painter, mixed-media sculptor, performance artist, teacher and writer best known for her narrative quilts. In 2020, the New York Times described her as an artist “who has confronted race relations in this country from every angle, led protests to diversify museums decades ago, and even went to jail for an exhibition she organized.” Her work is in the collections of the Museum of Modern Art, New York, the Brooklyn Museum and the Baltimore Museum of Art, among others. Ringgold lives and works in Englewood, New Jersey.

An imaginative reenvisioning of spatial and social relations from America's 1960s urbanist movementIn World of Variation (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible design solutions to then-current social issues. In striking abstract drawings, Stevens visualized aspects of the urban environment, proposing a design philosophy she termed “free flow.” These diagrams give expression to both the “flow” of movement and points of “hesitations.”This volume is a facsimile of World of Variation, accompanying the MIT Museum’s exhibition on the work of Mary Otis Stevens.Born in New York in 1928, Mary Otis Stevens is considered one of the most important female American postwar architects. She is best known for Lincoln House (1965), designed with her then-husband Thomas McNulty, the first exposed-concrete and glass house in the US.Thomas McNulty (1919–84) taught on MIT’s faculty from 1949 to 1956, before leaving to open a firm with his then wife, Mary Otis Stevens. In 1978, the couple divorced and McNulty moved to Saudi Arabia, where he taught at the University of Riyadh.

Paris’ photographic chronicle of a 1980s factory remains one of her foremost accomplishmentsIn 1984, the German photographer Helga Paris (born 1938) spent several weeks at a state-owned clothing factory, during which time she shot more than 1,500 photographs. From these she selected the 49 powerful images that make up the series Women at the Clothing Factory VEB Treff-Modelle Berlin. These photographs capture her subjects engaged in their work or taking cigarette breaks, conveying the serenity and beauty of the sitters in their brief moments of tranquility amid the factory environment. Helga Paris: Women at Work collects the entire series and gathers it in a format that is affordable to a wider audience. This beautifully designed volume features a linen-bound printed cover with embossed text.