Gustave Dore – illustratör

When the King James translation of the Bible was first published in 1611, it was the first time that many people throughout the English-speaking world were able to read the Old and New Testaments in their native tongue. It proved so wildly popular, in fact, that it was the only book that many families owned. The majestic scope and poetry of the King James translation's language made an incomparable impact on Western religion, culture, and literature that still resonates today. This gorgeous gift edition also contains over 200 beautiful, rarely collected full-page illustrations by Gustave Doré (1832–1883). The Holy Bible: King James Version is part of Barnes & Noble's series of quality leatherbound volumes. Each title in the series presents a classic work in an attractively designed edition bound in genuine bonded leather, with beautiful illustrations and breathtaking endpapers. These books make elegant additions to any home library.

A landmark of world literature, The Divine Comedy tells of the poet Dante's travels through Hell, Purgatory, and Paradise in search of salvation. Before he is redeemed by his love for the heavenly Beatrice, he learns the meaning of evil, sin, damnation, and forgiveness through a series of unforgettable experiences and encounters. This edition of The Divine Comedy features Henry Wadsworth Longfellow's renowned translation and 135 full-page reproductions of Gustave Doré's classic engravings from the 1867 edition. The Divine Comedy is one of Barnes & Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed bonded-leather binding, with distinctive gilt edging and a ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for every home library.

This carefully crafted ebook: "Divine Comedy (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents.The Divine Comedy is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem''s imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. The narrative describes Dante''s travels through Hell, Purgatory, and Paradise or Heaven, while allegorically the poem represents the soul''s journey towards God. Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". In Dante''s work, Virgil is presented as human reason and Beatrice is presented as divine knowledge. This edition brings to you the inimitable translation of Divine Comedy by Henry Francis Cary and is accompanied by the beautiful illustrations of Gustave Doré.

Gustave Doré's magnificent engravings for The Rime of the Ancient Mariner are among the later works of the great French illustrator. The intensely evocative poem provided Doré with the long-awaited opportunity to convey limitless space on a gigantic scale, and he exploited the poem's fantastic range of atmosphere to the limits of its possibilities. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the vast icy caverns of Antarctica, the hot equatorial sea swarming with monsters, all of the amazing visual elements that make Coleridge's masterpiece one of the most exciting and most memorable poems in the English language are unforgettably engraved in Doré's plates.This edition reproduces all of the plates to perfection, in their original size. The illustrations and the text of the poem appear on facing pages, so that the imaginative kinship of Doré and Coleridge is delightfully evident on every page: the illustrations capture all the moods of the poem in their full intensity, bringing the images evoked by the words into clear visual focus.Unabridged and slightly rearranged republication of the 1878 American edition. Text slightly amended to conform to the authoritative 1834 edition of the poem.Reprint of the 1878 American edition.

“If there is any justice in the world of books, [Esolen’s] will be the standard Dante . . . for some time to come.”–Robert Royal, CrisisIn this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Dante’s spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A bilingual text, classic illustrations by Gustave Doré, an appendix that reproduces Dante’s key sources, and other features make this the definitive edition of Dante’s ultimate masterwork.From the Trade Paperback edition.

An extraordinary new verse translation of Dante’s masterpiece, by poet, scholar, and lauded translator Anthony EsolenOf the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

During a dark night in December, a man sits in his room sadly thinking about his lost love, Lenore. Suddenly, he hears a tapping on the door, but no one is there. The noise moves to the window and the man opens it, only to see an ominous raven. The raven only has one thing to say and, as the night goes on, his haunting call of "Nevermore" begins to make the man more and more paranoid. This unabridged version of Edgar Allan Poe''s eerie poem, first published in 1884, is accompanied by Gustave Doré''s stunning woodcut illustrations.

During a dark night in December, a man sits in his room sadly thinking about his lost love, Lenore. Suddenly, he hears a tapping on the door, but no one is there. The noise moves to the window and the man opens it, only to see an ominous raven. The raven only has one thing to say and, as the night goes on, his haunting call of "Nevermore" begins to make the man more and more paranoid. This unabridged version of Edgar Allan Poe''s eerie poem, first published in 1884, is accompanied by Gustave Doré''s stunning woodcut illustrations.

Inferno is the first part of Italian poet Dante Alighieri''s epic poem Divine Comedy. The allegory describes Dante''s journey through the depths of Hell. He is led by the Roman poet Virgil down into the nine circles of Hell, each of which holds and punishes progressively worse sinners. From the First Circle, where unbaptized souls live in peaceful limbo, down to the Ninth Circle, where Satan is trapped in ice, Dante sees firsthand the consequence of unrepentantly sinning against God. Dante published his narrative poem between 1308 and 1321. This version is taken from an 1892 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.

Purgatorio is the second part of Italian poet Dante Alighieri''s epic poem Divine Comedy and describes Dante''s climb up the Mount of Purgatory. As in the Inferno, the Roman poet Virgil is guiding Dante on a journey; this time they visit the seven terraces of Purgatory, where sinners are cleansing themselves in preparation for entering Paradise. Each of the terraces represents one of the seven deadly sins, ranging from pride to lust. Through this allegory, Dante conveys that repentant souls can be redeemed. Dante wrote his narrative poem between 1308 and 1321. This version is taken from a 1901 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.

Paradiso is the third and final part of Italian poet Dante Alighieri''s epic poem Divine Comedy and describes Dante''s journey through heaven. He is now led by Beatrice, who joined him at the end of Purgatorio. Beatrice takes Dante into the nine celestial spheres of Heaven. From the First Sphere, where they find those who were good but did not keep their vows, to the Ninth Sphere and the Empyrean, the home of the angels and God, Dante experiences the blessings given to those who live a life faithful to God. Dante wrote his narrative poem between 1308 and 1321. This version is taken from a 1901 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.

Inferno is the first part of Italian poet Dante Alighieri''s epic poem Divine Comedy. The allegory describes Dante''s journey through the depths of Hell. He is led by the Roman poet Virgil down into the nine circles of Hell, each of which holds and punishes progressively worse sinners. From the First Circle, where unbaptized souls live in peaceful limbo, down to the Ninth Circle, where Satan is trapped in ice, Dante sees firsthand the consequence of unrepentantly sinning against God. Dante published his narrative poem between 1308 and 1321. This version is taken from an 1892 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.

Purgatorio is the second part of Italian poet Dante Alighieri''s epic poem Divine Comedy and describes Dante''s climb up the Mount of Purgatory. As in the Inferno, the Roman poet Virgil is guiding Dante on a journey; this time they visit the seven terraces of Purgatory, where sinners are cleansing themselves in preparation for entering Paradise. Each of the terraces represents one of the seven deadly sins, ranging from pride to lust. Through this allegory, Dante conveys that repentant souls can be redeemed. Dante wrote his narrative poem between 1308 and 1321. This version is taken from a 1901 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.

Paradiso is the third and final part of Italian poet Dante Alighieri''s epic poem Divine Comedy and describes Dante''s journey through heaven. He is now led by Beatrice, who joined him at the end of Purgatorio. Beatrice takes Dante into the nine celestial spheres of Heaven. From the First Sphere, where they find those who were good but did not keep their vows, to the Ninth Sphere and the Empyrean, the home of the angels and God, Dante experiences the blessings given to those who live a life faithful to God. Dante wrote his narrative poem between 1308 and 1321. This version is taken from a 1901 English edition, featuring British author Rev. H. F. Cary''s blank verse translation and woodcut illustrations by French artist Gustave Doré.