Oxford Bach Books for Organ: Manuals Only, Book 2
Grades 6-7
240 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Du är på sajten för privatpersoner.
240 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Anne Marsden Thomas is one of the most influential organ teachers of today, and has wide experience as a concert and church organist. She has written or edited over twenty books for organists. In 2015 she was awarded the MBE in the Queen's New Year Honours, and, in 2017, was the first woman to receive the Royal College of Organists highest decoration, the RCO Medal.
Modern editions, with their grouping by genre, or by MS and printed collection, present a bewildering variety of choice to both teacher and player, and offer little guidance on how best to structure study of this central repertoire. The Oxford Back Books for Organ are therefore entirely welcome, and in its selection of repertoire the series represents the insight borne of the editorâs enormous teaching experience . . . The editorâs performance notes are a model of good sense and pragmatic scholarship, performing miracles of compression in covering aspects of touch, registration and ornamentation in very limited space . . . This is an impressive collection in both concept and realisation, and even those who think they know their way around the BWV catalogue will find much in it to stimulate and reward, whether as teachers or performers.
Anne Marsden Thomas
240 kr
Du är på sajten för privatpersoner.
240 kr
Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.
Anne Marsden Thomas is one of the most influential organ teachers of today, and has wide experience as a concert and church organist. She has written or edited over twenty books for organists. In 2015 she was awarded the MBE in the Queen's New Year Honours, and, in 2017, was the first woman to receive the Royal College of Organists highest decoration, the RCO Medal.
Modern editions, with their grouping by genre, or by MS and printed collection, present a bewildering variety of choice to both teacher and player, and offer little guidance on how best to structure study of this central repertoire. The Oxford Back Books for Organ are therefore entirely welcome, and in its selection of repertoire the series represents the insight borne of the editorâs enormous teaching experience . . . The editorâs performance notes are a model of good sense and pragmatic scholarship, performing miracles of compression in covering aspects of touch, registration and ornamentation in very limited space . . . This is an impressive collection in both concept and realisation, and even those who think they know their way around the BWV catalogue will find much in it to stimulate and reward, whether as teachers or performers.
Anne Marsden Thomas
240 kr