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Bob Chilcott Carols 1, Övrigt

Övrigt, Engelska, 2004

Bob Chilcott Carols 1

9 carols for mixed voices

Del i serien Composer Carol Collections

229 kr

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Beskrivning
for SATB accompanied and unaccompanied This collection assembles nine of the finest pieces from Chilcott's first ten years with OUP, including two new specially written pieces. Together, they offer a great range of styles and moods, and provide a moving narration of the Christmas story that will delight choirs and their audiences for years to come. The percussion part to accompany 'Where Riches is Everlastingly' is available separately, ISBN 0-19-355845-9.
Produktinformation
  • Märke: OUP OXFORD
  • Utgivningsdatum: 2004-06-24
  • Höjd: 175 x 254 x 7 mm
  • Vikt: 158 g
  • Språk: Engelska
  • Serie: Composer Carol Collections
  • Antal sidor: 72
  • Förlag: OUP OXFORD
  • Medarbetare: Bob Chilcott
  • EAN: 9780193532335
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Bob Chilcott has become one of the world's most widely performed composers and arrangers of choral music. His compositional output reflects his wide taste in music styles and his commitment to writing music that is both singable and communicative.He has been involved in choral music most of his life he was a chorister and then a choral scholar in the choir of King's College, Cambridge, and was a member of the British vocal group The King's Singers for whom he made a number of popular arrangements of well-known songs from all genres.As well as being a full-time composer he is also a highly acclaimed choral conductor. He has been privileged to conduct many choirs all over the world. He is Principal Guest Conductor of The BBC Singers and in 2019 he was appointed Principal Conductor of Birmingham University Singers. His music has been widely recorded by many choirs and groups including The King's Singers, Tenebrae, and The BBC Singers.

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Permeating the whole volume is an approachability that explains Chilcott's popularity with choirs and audiences. The vocal writing displays a singer's understanding of what is possible (and grateful to sing), and never more so than in the several pieces written for youth choirs where the tenors, for example, are rarely asked to sing above F.

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