"Tang's ethnography is lucid and engaging... [Her] study is particularly significant for examining the performance of sabar beyond its indigenous social and aesthetic frames... Masters of the Sabar represents a significant contribution in this direction." -African Studies Review

• Introduction I. You will be griot in another way: The Ethnomusicologist's story; II. There once was a king called Maysa Waaly Jon: Sabar History, Instruments, Ensemble and Sound; III. The griot lineage, we are one: Wolof Caste and Identity; IV. My foreparents used to beat the drums: Wolof Family, Kinship and Musical Genealogy; V. If a snake bites you, you will think of death: Sabar Repertories; VI. Dancing fish and rice: Performance Contexts; VII. The 'pax' you play is so sweet: The role of sabar in mbalax Conclusion

"Tang's ethnography is lucid and engaging... [Her] study is particularly significant for examining the performance of sabar beyond its indigenous social and aesthetic frames... Masters of the Sabar represents a significant contribution in this direction." -African Studies Review

• Introduction I. You will be griot in another way: The Ethnomusicologist's story; II. There once was a king called Maysa Waaly Jon: Sabar History, Instruments, Ensemble and Sound; III. The griot lineage, we are one: Wolof Caste and Identity; IV. My foreparents used to beat the drums: Wolof Family, Kinship and Musical Genealogy; V. If a snake bites you, you will think of death: Sabar Repertories; VI. Dancing fish and rice: Performance Contexts; VII. The 'pax' you play is so sweet: The role of sabar in mbalax Conclusion

"Tang's ethnography is lucid and engaging... [Her] study is particularly significant for examining the performance of sabar beyond its indigenous social and aesthetic frames... Masters of the Sabar represents a significant contribution in this direction." -African Studies Review

• Introduction I. You will be griot in another way: The Ethnomusicologist's story; II. There once was a king called Maysa Waaly Jon: Sabar History, Instruments, Ensemble and Sound; III. The griot lineage, we are one: Wolof Caste and Identity; IV. My foreparents used to beat the drums: Wolof Family, Kinship and Musical Genealogy; V. If a snake bites you, you will think of death: Sabar Repertories; VI. Dancing fish and rice: Performance Contexts; VII. The 'pax' you play is so sweet: The role of sabar in mbalax Conclusion