Anthem Cosmopolis Writings - Böcker

The sound of a trumpet across a Japanese mountain valley leads a young man to befriend a mysterious stranger. During repeated visits to the cave where the stranger has set up home, the young man learns about his past – in the mines, villages and ports of the region. The stranger’s hilarious, bawdy and touching narratives captivate the young man, but he begins to doubt their veracity. Finally, as the young man decides his own fate, the full truth about the stranger is revealed. ‘Tales from a Mountain Cave’ is a translation of Hisashi Inoue’s highly popular ‘Shinshaku Tono Monogatari’ (新釈遠野物語), set in the Kamaishi area of Iwate Prefecture, Northeast Japan. Kamaishi was devastated by the tsunami of March 2011, and royalties on sales of this book will be donated to post-tsunami community support projects.

A young Tokyoite doctor accepts a post on a remote island south of Okinawa. When a highly contagious fatal disease breaks out, he has to choose between saving himself or saving others.A hormone-ridden teenage youth left alone with his young stepmother following his father’s death is consumed with jealousy as her affections turn to another man.A journalist in search of answers travels from the metropolis to a bleak shore on the Japan Sea and eventually the furthest extreme of ice-bound Hokkaido, as he investigates the suicide of a young man.In a backstreet of the metropolis, a wily old detective follows his hunches to nail the murderer of a young prostitute.A conflict arises between two detectives investigating the shocking suicide of a 6-year-old child, the son of a young actress famed for her immoral behavior. Can it really be suicide, or is it murder?In this early collection of five short stories, Kyotaro Nishimura explores the criminal mind and what makes people do the unthinkable.

‘Day of the Angel’ follows the fates and fortunes of three generations of the Ushakov family, members of the Russian émigré community living in Paris following the Revolution. Against the historical background of totalitarian terror, famine and war, depicted in harrowing detail as an epic struggle between the powers of good and evil, the family becomes swept up in a tide of events largely beyond their control.

Glimpsing an elderly man leading his blind daughter on a pilgrimage, Junoshin Kakiri, a ‘ronin’ or freelance samurai, swiftly kills him with a sword. Asked why he murdered such an innocent, Junoshin shares his concerns about the growing ‘Harahuhi Tou’ (Belly-shaking Party) cult to which the man was devoted, a fear which rapidly spreads through the Kuroae clan. Shuzen Oura, the warlike leader of half this kingdom, soon hires Junoshin to destroy the cult but his studious power rival, Tatewaki Naito, cunningly pays the mercenary samurai to usurp Oura on his behalf. Set in Edo-period Japan, ‘Punk Samurai Slash Down’ follows the power struggles which entangle Junoshin within the Kuroae clan, polarizing the kingdom between an academic leader unable to fight and an unlearned martial arts expert.

Alone on a midsummer night, Cat wakes to find a stranger dressed in yellow ‘rat-a-tap, tapping’ his feet. Captivated by the music of Kutze’s steps, Cat resolves to travel abroad and tread wheat alongside this stranger when he becomes an adult. But first, Cat must grow up in the small port town where he lives with his timpanist grandfather and a father obsessed with an unsolved mathematical proof, and which, as part of the series of increasingly surreal events that characterize his life, Cat rescues from a plague of rats by his curious ability to imitate cats’ yowls. The ‘rat-a-tap, tap’ of Kutze’s step echoes through Cat’s life as he matures, moves away from the town to become a musician in the big city and, eventually, journeys further afield, across the sea.

Journalist Takashi Hayami meets Ai Katsuragi, a member of a religious organization, Tenmu Jinshinko, which meets secretly at the tomb of the Emperor Nintoku. The group adheres to the nomadic way of life of its ancestors, which lacked family registers and fixed abodes, and flouts civic duties such as paying taxes, serving in the armed forces and compulsory education. Even when the government tries to crack down on a segment of the populace, they continue to discipline themselves in the way of living as ambulatory people. They rely on the company Ikarino to fund the various political, social and cultural activities they promote that protect their unique lifestyle. But when Ikarino becomes a giant conglomerate that destroys the forests and mountains that form the foundation of the Tenmu Jinkshinko, Hayami must join the group’s struggle to save their way of life.

This book features the intertwined stories of three main characters: a director of a financial company, an artifact thief, and a call girl. İnci Aral uses the stories of these three characters to discuss themes of love and modernity, showing people struggling with issues of success and failure, work and pleasure, and how to develop relationships. It raises such questions as how one can balance an uncertain future with a desire for success, how changing values impact our modern lives, and what the future holds.

Esin is an attractive, happily married Turkish woman with a modern, Western-oriented outlook and a successful career hosting business meetings in Istanbul. She would normally have nothing in common with Kubra, a conservative religious girl she met at college in the States. Kubra wears the Islamist headscarf and lives with her parents. As Esin and Kübra form an intimate friendship, the chapters of the novel open out onto each woman’s emotional and sexual experience in turn. The cultural divisions of contemporary Turkey are dramatized through their personal lives and the dynamics within their families. Each woman’s curiosity about the other’s mysterious world gradually takes on a boldly erotic character. At first interested in the external trappings of each other’s lives, they embark on a journey of spiritual and sensual discovery whereby each woman comes to know 'The Other.'

The sumptuous Topkapı Palace in eighteenth century Istanbul is a place of breathtaking splendour where human foibles, love, lust and above all greed reign supreme in the lives of a sultan, a painter, a grand vizier and some of the world’s most beautiful women. Imperial favour has raised a graceful blossom to the symbol of a time that history would later name the Tulip Era. Sultan Ahmed III reigns over a still vast empire as his close companion and Chief Imperial Painter Levnî creates exquisite works of art. But real power lies with his trusted Grand Vizier İbrahim Pasha. In the background, the radiant denizens of the imperial harem fight for supremacy in their cloistered universe. How will history record Sultan Ahmed III? Hedonist, aesthete or reformer? What will happen to his descendants? 'Unto the Tulip Gardens: My Shadow' is a novel founded on historical fact woven by the silken yarn of imagination.

A powerful love story set in the class-conscious Tsarist Russia of the early 19th century. It embraces every level of that society – serf, provincial, aristocrat – in verse which is by turns beautiful, witty, wickedly perceptive and always readable.This is essential reading for anyone with a love of Russian literature, because this is where it all began. There is little pre-history to that golden age of 19th century novels. Lomonosov, a fisherman’s son turned scholar, took church Slavonic, peasant Russian, mixed in a few ‘Loan translations’ and gave a French-speaking aristocracy a literary language; Pushkin was the first truly great poet to use it; Yevgeny Onegin is his greatest work.

In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, ​​mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college.

Ahmet Hamdi Tanpinar's ‘Five Cities’ was first published in Turkish as ‘Beş Şehir’ in 1946 and revised in 1960. It consists of five essays, each focused on a city significant in Anatolian history and in Tanpinar's emotional life. Part history, part autobiography, part poetic meditation on time and memory, ‘Five Cities’ is Proustian in style, with a tension between a backward-looking melancholy and a concern for the unpredictable future of the author’s country. Comparable to Nobel Laureate Orhan Pamuk’s ‘Istanbul: Memories of a City’, ‘Five Cities’ emphasizes personal attitudes and reactions but has a wider scope of geography, history and culture.

Taking place in Istanbul, Salonika, Paris and Macedonia between 1908 and 1926, Farewell, My Beautiful Homeland is the story of lives that have been turned upside down by rebellion, revolution and war. It is the story of the Greek declaration of independence, of the Jews of Salonika being forced into exile, of the Bulgarians fighting for their independence and of the decline of the Ottoman Empire and the struggle to create a new nation out of its crumbling ruins. It is also the story of one man’s search for his true calling amidst the chaos of a turbulent historical era, the story of a man caught between his love for his country and his love for his woman. Farewell, My Beautiful Homeland is a story of unfulfilled dreams and the call of history. And underpinning it all is one fundamental question, one fundamental struggle: which takes precedence – the state or the people?

Dedicated to his father, Mevlüt, who made and sold his own brand of flavored soda or “Peri Gazozu” in a village in Anatolia, Fairy Chimney Soda is a collection of short stories by Turkish author, screenplay writer and actor, Ercan Kesal. He is clear-eyed as he mines his memories of childhood and his early years as a doctor fulfilling his mandatory civil service in the remote villages of Anatolia. He explores the wonder and terror of childhood, the hardship of living through the turbulent years in the lead-up to the 1980 military coup and the anguish, insight and resolution that comes with death and dying. [NP] These are cautionary tales unveiling hard truths, unsettling in their quick, dramatic shifts in mood, at times bleak and buckling under a philosophical pressure, at other times warm and uplifting, always rich with human wisdom. Matching with his presence on the silver screen, Kesal is a brave and bighearted writer: radical, self-questioning and perceptive

This is a work written by a very young writer who displays infinite maturity in terms of her ability to delve into the deepest recesses of character and make it possible to understand, for example, a grasping social upstart and a wife abuser, yet, at the same time, alongside the wisdom and comprehension that would befit a psychologist, there shines a lively wit and, despite so many bleak realities, a youthful zest for life. It is a novel that touches raw nerves, that shocks, intrigues, cries out against injustice and engages the reader’s attention from the first page to the last.