Archaeology of Yucatán: New Directions and Data
769 kr
Skickas
769 kr
Skickas
546 kr
Skickas
Modeling institutional and subsistence agriculture in ancient Tepeaca, Mexico
408 kr
Skickas
A Study of the Collection of Archaeological Metallurgy of the Ministry of Culture, Ecuador
438 kr
Skickas
Essays in Pre-Columbian Civilizations
346 kr
Skickas
515 kr
Skickas
495 kr
Skickas
Origins, functions, and social setting
1 393 kr
Skickas
931 kr
Skickas
Subsistence Activities in Ethnoarchaeological Perspective
845 kr
Skickas
1 008 kr
Skickas
Material Culture and Nature in Mesoamerican Ceramics
1 085 kr
Skickas
Pots, Pans, and People explores material culture and human adaptations to nature over time. Material culture refers to the artifacts, tools, instruments, and other objects that people use to adapt to their environment —in this case, primarily ceramics. Cultural ecology studies the behaviors that allow people to live and thrive in a particular natural setting, as well as their knowledge (and use) of specific resources and landscapes. Williams also explores the role of ethnoarchaeology and ethnohistory as key elements of a broad research strategy that seeks to understand human interaction with nature over time.
Proceedings of the Copenhagen Roundtable
845 kr
Skickas
485 kr
Tillfälligt slut
A Proposal for Tracing the Role of Interaction in Mayan Script Innovation via Material Remains
546 kr
Tillfälligt slut
Bioarchaeological Interpretation of Human Remains from the Wari Elite Mausoleum at Castillo de Huarmey, Peru
531 kr
Tillfälligt slut
777 kr
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Art and the Senses in Ancient America addresses three essential questions. The first is the materiality of the arts in pre-Columbian America, considering different cultures of both ancient Mesoamerica and the Andean area. In several of its chapters, the importance of physicochemical studies applied to the study of the art of past cultures is evident, because they offer results on the raw materials that were used, which were not always referenced in written or visual sources. The volume approaches art not only from its tangible dimension, but also from its immaterial one, as demonstrated by chapters focused on the culinary, aromatic and musical arts, which appeal to the senses of taste, smell and hearing. This brings us to the second dimension under discussion: the close relationship between the materiality of the arts and their sociocultural meanings. In this sense, the raw materials from which the images, textures, sounds, fragrances and flavors were made, which were part of the art and daily life of these pre-Columbian cultures, had meanings of great importance in their environments of belonging and use, whether they were public or private. This, finally, leads to the third argument that this book explores: the senses and sensory perception of art and daily life that participated in the sacred and the profane, giving identity to numerous sociocultural practices that are present in today’s indigenous communities, who safeguard the historical memory of their ancestors.