Aries Book Series – serie

This volume examines the history of the 18th-Century secret order of the Golden Rosicrucians (Gold- und Rosenkreuzer), one of the most mysterious, exclusive and successful Masonic societies in the German speaking countries of that time. The order and its esoteric roots have so far never been examined on the basis of original documents. The formation and development, the hierarchical structure, leading figures such as princes and ministers, and the system of degrees and secret teachings are explored in-depth and interpreted applying recent and innovative concepts of the Study of Western Esotericism.

In its historical development from late antiquity to the present, western esotericism has repeatedly been the issue of polemical discourse. This volume engages the polemical structures that underlie both the identities within and the controversy about esoteric currents in European history. From Jewish and Christian kabbalah through heretical discourse and interconfessional polemics in early modernity to the legitimization of esoteric identity in modern culture, the 12 chapters, accompanied by an editors’ introduction, provide a cornucopia of relevant cases that are interpreted in a framework of polemical discourse and ‘Othering’. This volume sheds new light on the ultimately polemical structure of western esotericism and thus opens new vistas for further research into esoteric discourse.

From rumours about gnostic orgies in antiquity to the explicit erotic symbolism of alchemical texts, from the subtly coded eroticism of medieval kabbalah to the sexual magic practiced by contemporary occultists and countercultural translations of Asian Tantra, the history of Western esotericism is rich in references to the domains of eros and sexuality. This volume, which brings together an impressive array of top-level specialists, is the first to analyze the eroticism of the esoteric without sensationalism or cheap generalizations, but on the basis of expert scholarship and attention to textual and historical detail. While there are few other domains where the imagination may so easily run wild, the various contributions seek to distinguish fact from fiction--only to find that historical realities are sometimes even stranger than the fantasies. In doing so, they reveal the outlines of a largely unknown history spanning more than twenty centuries.

Women have been structurally part of the masonic enterprise from at least the middle of the 18th century. Yet, little is known about the ways in which they themselves obtained and exercised power to influence the systems they were involved in, in order to adapt them to be more appropriate to their needs. This volume intends to concentrate on two aspects: Women’s agency (i.e. the power women gained and exercised in this context) and rituals (i.e. the role of men and women in changing and shaping the rituals women work with). These two aspects are closely related, since it requires some agency to realise changes in existing rituals.

This collection of essays analyzes the relationships that exist between esotericism and music from Antiquity to the 20th century, investigating ways in which magic, astrology, alchemy, divination, and cabbala interact with music. The volume seeks to dissolve artificial barriers between the history of art, music, science, and intellectual history by establishing an interdisciplinary dialogue about music as viewed against a specific cultural background. The synthesis of scientific and historical contexts with respect to music, explored here on a large scale for the first time, opens up a wealth of new approaches to music historical research, music performance, and musical composition. Each chapter presents either a unique example of music functioning within esoteric and scientific traditions or a demonstration of the influence of those traditions upon selected musical works. L’ouvrage analyse les relations entre l’ésotérisme et la musique de l’Antiquité au 20ème siècle étudiant comment la magie, l’astrologie, l’alchimie, la divination et la cabale ont interagit avec la musique. Il vise à dépasser les frontières entre l’histoire de l’art, l’histoire de la musique et l’histoire des sciences et des idées afin de nouer un dialogue interdisciplinaire sur la musique autour de contextes historiques et scientifiques précis. L’ouvrage offre une première synthèse sur les rapports entre ésotérisme et musique ainsi que diverses pistes de recherche à poursuivre.

The question of constructing tradition, concepts of origin, and memory as well as techniques and practices of knowledge transmission, are central for cultures in general. In esotericism, however, such questions and techniques play an outstanding role and are widely reflected upon, in its literature. Esoteric paradigms not only understand themselves in elaborated mytho-poetical narratives as bearers of “older”, “hidden”, “higher” knowledge. They also claim their knowledge to be of a particular origin. And they claim this knowledge has been transmitted by particular (esoteric) means, media and groups. Consequently, esotericism not only involves the construction of its own tradition; it can even be understood as a specific form of tradition and transmission. The various studies of the present voume, which contains the papers of a conference held in Tübingen in July 2007, provide an overview of the most important concepts and ways of constructing tradition in esotericism.

Freemasonry is generally regarded a male phenomenon. Yet, both before 1723 and since 1744, women were initiated as well. This book is about the rituals, used for the initiation of women in the Adoption Lodges, since the middle of the 18th century. It describes their contents, roots and creation before reviewing and conceptualising their development in the past three centuries. It analyses the different families of rituals within the Adoption Rite, and gives an overview of specific developments, showing how the rituals were adapted to their changing contexts. Apart from its relevance for the history of Freemasonry in general and the Adoption Rite in particular, the book also writes a hitherto unknown chapter of women’s history. Of particular interest for the history of feminism is the chapter about the 20th century, which could only be written now that the documents concerning it, which had been moved to Moscow in 1945, had been returned in 2000.

The reign of Peter the Great (1672-1725) was marked by an unprecedented wave of reform in Russia. This book provides an innovative reappraisal of the Petrine Age, in which hitherto neglected aspects of the tsar’s transformation of his country are studied. More specifically, the reforms enacted by the tsar are assessed in light of the religious notion of instauration – a belief in the restoration of Adamic knowledge in the last age – and a historical and cultural analysis of the impact of Western esotericism at the Russian court. This book will appeal to scholars of Russian history and religion, as well as being of wider interest to those studying Western esotericism in Early Modern and eighteenth-century Europe.

Jacob Boehme’s Aurora (Morgen Röte im auffgang, 1612) exercised a vast open or underground influence on popular and mystical religion, poetry, and philosophy from Germany to England to Russia. This beautiful and highly original work containing elements of alchemical, esoteric, and anticlerical thought is a portal to the cultural, scientific, and theological currents on the eve of the Thirty Years' War. Its author heralded the new heliocentrism, opposed intolerance and religious conflict, and entertained an ecstatic vision of order reconciled with freedom. This first modern English translation places the translated text opposite an edition of the German manuscript from the author’s own hand. Also included is the brief, influential Fundamental Report (Gründlicher Bericht, 1620) in a critical edition and translation. An extensive commentary that cites documents of the time offers access to the sources of Boehme’s themes and concepts.

In Esotericism in African American Religious Experience: “There is a Mystery” …, Stephen C. Finley, Margarita Simon Guillory, and Hugh R. Page, Jr. assemble twenty groundbreaking essays that provide a rationale and parameters for Africana Esoteric Studies (AES): a new trans-disciplinary enterprise focused on the investigation of esoteric lore and practices in Africa and the African Diaspora. The goals of this new field — while akin to those of Religious Studies, Africana Studies, and Western Esoteric Studies — are focused on the impulses that give rise to Africana Esoteric Traditions (AETs) and the ways in which they can be understood as loci where issues such as race, ethnicity, and identity are engaged; and in which identity, embodiment, resistance, and meaning are negotiated.

Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages & Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Böhme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity & Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Pérez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Åkerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, György Szönyi, Carsten Wilke, and Thomas Willard.

Esotericism and Narrative: The Occult Fiction of Charles Williams situates the life and fiction of the Inkling Charles Williams in the network of modern occultism, with special focus on his initiatory experiences in A.E. Waite’s Fellowship of the Rosy Cross. Aren Roukema evaluates fictional projections of magic, kabbalah, alchemy and ritual experience in Williams’s seven novels of supernatural fantasy. From this specific analysis, he develops more broadly applicable approaches to the serious expression of religious experience in fiction. Roukema shows that esoteric knowledge has frequently been blurred into fiction because of its inherent narrativity and adaptability, particularly by authors already attracted to the syncretism, multivalence and lived fantasy of the modern occult experience.

Jacob Böhme (1575–1624) is famous as a shoemaker and spiritual author. His works and thought are frequently studied as a product of his mystical illumination. Jacob Böhme and His World adopts a different perspective. It seeks to demystify Böhme by focusing on aspects of his immediate cultural and social context and the intellectual currents of his time, including Böhme’s writing as literature, the social conditions in Görlitz, Böhme’s correspondence networks, a contemporary “crisis of piety,” Paracelsian and kabbalistic currents, astrology, astronomy and alchemy, and his relationship to other dissenting authors. Relevant facets of reception include Böhme’s philosophical standing, his contributions to pre-Pietism, and early English translations of his works.

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights.This approach, combined with little known historical material, offers a new understanding of whether, how and why Ficino’s Platonic conceptions of the imagination may have been received in the art of the Italian Renaissance. The discussion explores Ficino’s possible influence on the work of Botticelli and Michelangelo, and examines the appropriation of Ficino’s ideas by early modern art theorists.

To what extent were practitioners of magic inspired by fictional accounts of their art? In how far did the daunting narratives surrounding legendary magicians such as Theophilus of Adana, Cyprianus of Antioch, Johann Georg Faust or Agrippa of Nettesheim rely on real-world events or practices? Fourteen original case studies present material from late antiquity to the twenty-first century and explore these questions in a systematic manner. By coining the notion of ‘fictional practice’, the editors discuss the emergence of novel, imaginative types of magic from the nineteenth century onwards when fiction and practice came to be more and more intertwined or even fully amalgamated. This is the first comparative study that systematically relates fiction and practice in the history of magic.

In Rider Haggard and the Imperial Occult, Simon Magus offers the first academic monograph on the world of occult thought which lies behind and beneath the fictional writing of H. Rider Haggard. It engages with a broad scope of religious, philosophical and anthropological ideas. Many of these were involved in debates within the controversies of the Anglican Church, which occurred in the face of Darwinism, and the criticism of the Bible.The book follows three main intellectual currents involved in the promulgation of these ideas, namely the reception of ancient Egypt, the resurgence of Romanticism and the ideas of the Theosophical Society, all couched within the context of Empire.

The first scholarly book on Thomas Vaughan (1621–1666) draws from recent studies in Western esotericism to place his famously difficult writings in their proper context. It shows that they develop themes from a distinctively Rosicrucian synthesis of alchemy, magic, and Christian cabala. Vaughan introduced Rosicrucian documents to English readers and placed them in older philosophical contexts during the breakdown of censorship that followed the English Revolution against the old order in politics and religion. Willard’s book will appeal to students of early modern ideas about religion, science, and society as they were seen by an intelligent and eloquent outsider.

Aries Book Series: Texts and Studies in Western Esotericism is the first professional academic book series specifically devoted to a long-neglected but now rapidly developing domain of research in the humanities, usually referred to as “Western Esotericism”. This field covers a variety of “alternative” currents in western religious history, including so-called “hermetic philosophy” and related currents in the early modern period; alchemy, paracelsianism and rosicrucianism; Jewish and Christian kabbalah and its later developments; theosophical and illuminist currents; and various occultist and related developments during the 19th and 20th centuries, up to and including popular contemporary currents such as the New Age movement.Published under the auspices of the European Society for the Study of Western Esotericism (ESSWE).For the journal Aries - Journal for the Study of Western Esotericism please click here.The series has published an average of two volumes per year over the last five years.

A 17th-century French haberdasher invented the Black Mass. An 18th-century English Cabinet Minister administered the Eucharist to a baboon. High-ranking Catholic authorities in the 19th century believed that Satan appeared in Masonic lodges in the shape of a crocodile and played the piano there. A well-known scientist from the 20th century established a cult of the Antichrist and exploded in a laboratory experiment. Three Italian girls in 2000 sacrificed a nun to the Devil. A Black Metal band honored Satan in Krakow, Poland, in 2004 by exhibiting on stage 120 decapitated sheep heads. Some of these stories, as absurd as they might sound, were real. Others, which might appear to be equally well reported, are false. But even false stories have generated real societal reactions. For the first time, Massimo Introvigne proposes a general social history of Satanism and anti-Satanism, from the French Court of Louis XIV to the Satanic scares of the late 20th century, satanic themes in Black Metal music, the Church of Satan, and beyond.

In this monograph, two of the most complicated theoretical topics confronting the scholar of mysticism (apophasis and infinity) are tackled. Writing about apophasis presents a unique dilemma as the term itself connotes the inability of language to name the namelessness of ultimate reality. Yet, the apophatic is a gesture of speaking-not, which entails saying the unsayable, as opposed to not speaking, which is the reticence appropriate to silence. The exploration of infinity presents an equally daunting demand as the intellect embarking on this path is summoned to circumscribe the uncircumscribable. Just as communicating the incommunicable is an endless enterprise of speaking the unspeakable, so mapping infinity is an unremitting pursuit of delimiting the limitless. The two subjects thus intersect at the vanishing point where the human mind reaches its limit by confronting the limitlessness that can be described only as indescribable.