Arthurian Characters and Themes – serie

Gawain: A Casebook is a collection of 12-15 classic and original essays on the hero of Arthurian legend that investigates the figure of Gawain as he appears in major medieval traditions, as well as modern literature and film. As with other volumes in the Arthurian Characters and Themes series, this casebook includes an extended introduction examining the character's evolution from the earliest tales to his most recent appearances in popular culture, as well as an extensive annotated bibliography. Students, scholars, and anyone interested in medieval legend will find a wealth of insight into the mystery of this most poignant and perplexing of Arthurian heroes.

This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Following an extended introduction and a full bibliography, the volume offers nearly twenty essays--some newly commissioned for this volume, others selected from the most important scholarly and critical studies of Merlin and his role. Two of the reprinted essays are translated into English for the first time.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

A substantial introduction traces the Tristan and Isolde legend from the twelfth century to the present, emphasizing literary versions, but also surveying the legend's sources and its appearance in the visual arts, music and film. The nineteen essays are a mix of new, new English, revised, and 'classic'. It contains an extensive bibliography.

Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.

Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances Erec and Iwein of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe. Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's Historia Regum Britanniae, Wace's Roman de Brut, Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the Lancelot en prose, the Mort Artu, the Post-Vulgate Roman du Graal, and works of Chrétien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's Faerie Queene, Tennyson's Idylls of the King, and T.H. White's Once and Future King. A bibliography lists selected major secondary studies of King Arthur as well as major reference works.

Gawain: A Casebook is a collection of 12-15 classic and original essays on the hero of Arthurian legend that investigates the figure of Gawain as he appears in major medieval traditions, as well as modern literature and film. As with other volumes in the Arthurian Characters and Themes series, this casebook includes an extended introduction examining the character's evolution from the earliest tales to his most recent appearances in popular culture, as well as an extensive annotated bibliography. Students, scholars, and anyone interested in medieval legend will find a wealth of insight into the mystery of this most poignant and perplexing of Arthurian heroes.

Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances Erec and Iwein of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been substantially revised. An introduction offers a general discussion of the development of the legends in the countries of Europe. Works discussed include medieval and Renaissance chronicles (Geoffrey of Monmouth's Historia Regum Britanniae, Wace's Roman de Brut, Polydore Vergil's Anglica Historia, Scottish vernacular and Latin chronicles), medieval romances (the Lancelot en prose, the Mort Artu, the Post-Vulgate Roman du Graal, and works of Chrétien de Troyes, Hartmann von Aue, and Sir Thomas Malory), Spenser's Faerie Queene, Tennyson's Idylls of the King, and T.H. White's Once and Future King. A bibliography lists selected major secondary studies of King Arthur as well as major reference works.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

Whether it is a cup of plenty or the container of Christ's blood, the Holy Grail has always been a symbol of aspiration and longing. This volume surveys representations of the Holy Grail in literature, art, and film from the Middle Ages to the present day. A substantial introduction tracing the development of the legend is followed by a 200-item bibliography and twenty critical essays, seven of which have been written specially for this volume. The motifs of the Grail, the Quest, the Waste Land, and the Fisher King are explored, as well as the characters of Perceval, Lancelot, Galahad, and Joseph of Arimathea. Specific topics discussed include the origins and symbolism of the legend; the visual treatment of the legend in medieval manuscript illumination and in pre-Raphaelite painting; and the narrative treatment of the legend by medieval writers in French, German, and English, by nineteenth- and twentieth-century poets, and by twentieth-century novelists and film-makers.

Beginning with an introduction that examines the portrayal of the characters of Lancelot and Guinevere from their origins to the present day, this collection of 16 essays-five of which appear here for the first time-puts particular emphasis on the appearance of the two characters in medieval and modern literature. Besides several studies exploring feminist concerns, the volume features articles on the representation of the lovers in medieval manuscript illuminations (18 plates focus on scenes of their first kiss and the consummation of the adultery), in film, and in other visual arts. A 200-item bibliography completes the volume.

This book deals with all aspects of the Merlin legend, from its origins to its expression in medieval and modern literature, film, and popular culture. Following an extended introduction and a full bibliography, the volume offers nearly twenty essays--some newly commissioned for this volume, others selected from the most important scholarly and critical studies of Merlin and his role. Two of the reprinted essays are translated into English for the first time.

This volume in the Arthurian Characters and Themes series treats the fascinating character of Perceval, the naive and flawed but gifted youth who becomes the Grail hero in some texts and yet is eclipsed in others by Galahad. Also includes eight musical examples.

This volume boldly proposes that the core of the Arthurian and Holy Grail traditions derived not from Celtic mythology, but rather from the folklore of the peoples of ancient Scythia (what are now the South Russian and Ukrainian steppes). Also includes 19 maps.

A substantial introduction traces the Tristan and Isolde legend from the twelfth century to the present, emphasizing literary versions, but also surveying the legend's sources and its appearance in the visual arts, music and film. The nineteen essays are a mix of new, new English, revised, and 'classic'. It contains an extensive bibliography.

Whether it is a cup of plenty or the container of Christ's blood, the Holy Grail has always been a symbol of aspiration and longing. This volume surveys representations of the Holy Grail in literature, art, and film from the Middle Ages to the present day. A substantial introduction tracing the development of the legend is followed by a 200-item bibliography and twenty critical essays, seven of which have been written specially for this volume. The motifs of the Grail, the Quest, the Waste Land, and the Fisher King are explored, as well as the characters of Perceval, Lancelot, Galahad, and Joseph of Arimathea. Specific topics discussed include the origins and symbolism of the legend; the visual treatment of the legend in medieval manuscript illumination and in pre-Raphaelite painting; and the narrative treatment of the legend by medieval writers in French, German, and English, by nineteenth- and twentieth-century poets, and by twentieth-century novelists and film-makers.