Arts and Politics of the Everyday – serie
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7 produkter
7 produkter
Häftad, Engelska, 1992
266 kr
Skickas inom 10-15 vardagar
" . . . acute look at the state of contemporary culture . . . A humorous . . . book, it yields rewarding advice for our perception of reality and fiction." —Back Stage / Shoot"Mellencamp's ease of movement between the conceptual and the commonplace is the great strength of this work. . . . High Anxiety is an invaluable contribution to the cultural studies debate . . . " —Art + TextWritten with wit and flair, High Anxiety is a critique of the temporality of U.S. television, a narrative journey between Freud's texts on obsession and the cult of anxiety pervading contemporary culture. Operation Desert Storm, I Love Lucy, Anita Hill, Twin Peaks, and Oprah are a few of the subjects which form this "anxious" mosaic of popular culture.
Häftad, Engelska, 1993
198 kr
Skickas inom 10-15 vardagar
" . . . this is no doctrinaire tract but rather a concerted attempt to look at important cultural problems from a fresh perspective. . . . Chow's book is an excellent example of its type."—Discourse & Society"I believe that Rey Chow has written a powerful set of essays which offer a critical strategy for approaching questions of otherness and other societies by forcing us to constantly reassess our position." —Harry HarootunianWriting Diaspora questions aspects of cultural politics, including the legacies of European imperialism and colonialism, the media, pedagogy, literature, literacy, sexuality, intellectual labor, the uses and abuses of theory, and popularized notions about "others."
Häftad, Engelska, 1994
239 kr
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"The author's capacity to grasp and interpret these [world media] events is astounding, and her ability to provide insights into a world where unbounded information is circling the earth with the speed of light is startling." —Choice" . . . a wide-ranging, quirky and dextrous mix of description, theory and analysis, that documents the perils of the global telecommunications network . . . " —Times Literary Supplement" . . . this is a stimulating, even moving, book, dense with ideas and with many quotable lines." —The New Statesman"Wark is one of the most original and interesting cultural critics writing today." —Lawrence GrossbergMcKenzie Wark writes about the experience of everyday life under the impact of increasingly global media vectors. We no longer have roots, we have aerials. We no longer have origins, we have terminals.
Häftad, Engelska, 1995
225 kr
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Amateur film has been seen as the junkheap of private culture. Yet music videos recycle home movies as authenticity; commercials copy its style to sell intimacy; documentaries use it to recount history "from below."Reel Families is the first historical study of amateur film, the most pervasive of media. Patricia Zimmerman charts the history of this medium from 1897 to the present, examining how ideological, technical, and social constraints have stunted amateur film's potential for extending media production beyond corporate monopolies and into the hands of everyday people. She draws on an array of sources—camera manufacturers, patents, early film and photography technology journals, amateur filmmaking magazines, professional magazines, and family-oriented popular magazines—to investigate how the concept of amateur film was transformed within evolving contexts of technology, aesthetics, social relations, and politics.
Häftad, Engelska, 1995
218 kr
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Barbara Browning combines a lyrical, personal narrative with incisive theoretical accounts of Brazilian dance cultures. While she brings ethnographic, historiographic, and musicological scholarship to bear on her subject, Browning writes as a dancer, fully engaged in the dance cultures of Brazil and of Brazilian exile communities in the U.S.
Häftad, Engelska, 1997
266 kr
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The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
Häftad, Engelska, 2001
250 kr
Skickas inom 5-8 vardagar
Toward Cinema and Its Double brings together Laleen Jayamanne's discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films, and her own films. While some of her essays are based on formal film analysis, others include more theoretically based ways of considering films. In her studies, Jayamanne employs Walter Benjamin's and Theodor Adorno's concept of mimesis, and Gilles Deleuze's theses on cinematic time and movement as tools for thinking about the cinematic experience in new ways.Toward Cinema and Its Double addresses a number of issues that have been crucial areas of contention in film studies over the last 20 years—from the role of women both in front of and behind the camera, to the position of the postcolonial subject. Jayamanne demonstrates how arguments over these issues might be inflected in specific ways by specific practices in specific films. In addition, she places all these particularities in time—the time of the critic as well as that of the filmmaker. This collection contains work done over a span of 20 years, and rather than try to efface this time of writing by (re)presenting everything from a single, achieved final viewpoint, it demonstrates the way Jayamanne's own thoughts about film in general, and the various films discussed, have changed over the course of time.