Atria/One Signal Publishers – serie

A “riveting, deeply compassionate” (The New York Times) narrative of homelessness, despair, and hope.Award-winning San Francisco Chronicle journalist Kevin Fagan has been covering homelessness for decades and has spent extensive time on the streets for his reporting. In The Lost and the Found, Fagan introduces us to Rita and Tyson, two unhoused people who were rescued by their families with the help of his own reporting, and chronicles their extraordinary struggles to pull themselves out of homelessness and addiction. Having experienced homelessness himself, Fagan has always brought a deep understanding to his subjects and has written here more than just a story of individuals experiencing homelessness, but also a compelling look at the link between homelessness and addiction and an incisive commentary on housing and equality. The Lost and the Found ends with both enormous tragedy and triumph to humanize this national calamity, forever changing the way we see the unhoused.

“Wholly transportive and spellbinding. I was beguiled.” —Ling Ma, bestselling author of Severance and Bliss Montage “A fascinating account of a remarkable woman dangerously ahead of her time.” —Kevin Kwan, bestselling author of Crazy Rich Asians “Exquisitely researched, deeply felt, and poignant. This one belongs on your shelf.” —Sarah Rose Etter, author of Ripe and The Book of The life and times of literary pioneer and queer icon Margaret C. Anderson, who risked everything to be the first to publish James Joyce’s Ulysses in America. Perfect for fans of The Editor, Flapper, and Nasty Women.Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson’s cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns like T.S. Eliot, Ezra Pound, William Butler Yeats, and Djuna Barnes. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early 20th century Americans dismayed by its salacious writing and advocacy for supposed extremism like women’s suffrage, access to birth control, and LBGTQ rights. But then it went too far. In 1921, Anderson found herself on trial and labeled “a danger to the minds of young girls” by a government seeking to shut her down. Guilty of having serialized James Joyce’s masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization. Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar today while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and a movement misunderstood in their time, this biography highlights a feminist counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.

“Wholly transportive and spellbinding.” —Ling Ma, bestselling author of Severance and Bliss Montage“Exquisitely researched, deeply felt, and poignant. This one belongs on your shelf.” —Sarah Rose Etter, author of Ripe“A fascinating account of a remarkable woman dangerously ahead of her time.” —Kevin Kwan, bestselling author of Crazy Rich Asians The life and times of literary pioneer and queer icon Margaret C. Anderson, who risked everything to be the first to publish James Joyce’s Ulysses in America. Perfect for fans of The Editor, Flapper, and Nasty Women.Already under fire for publishing the literary avant-garde into a world not ready for it, Margaret C. Anderson’s cutting-edge magazine The Little Review was a bastion of progressive politics and boundary-pushing writing from then-unknowns like T.S. Eliot, Ezra Pound, William Butler Yeats, and Djuna Barnes. And as its publisher, Anderson was a target. From Chicago to New York and Paris, this fearless agitator helmed a woman-led publication that pushed American culture forward and challenged the sensibilities of early 20th century Americans dismayed by its salacious writing and advocacy for supposed extremism like women’s suffrage, access to birth control, and LBGTQ rights. But then it went too far. In 1921, Anderson found herself on trial and labeled “a danger to the minds of young girls” by a government seeking to shut her down. Guilty of having serialized James Joyce’s masterpiece Ulysses in her magazine, Anderson was now not just a publisher but also a scapegoat for regressives seeking to impose their will on a world on the brink of modernization. Author, journalist, and literary critic Adam Morgan brings Anderson and her journal to life anew in A Danger to the Minds of Young Girls, capturing a moment of cultural acceleration and backlash all too familiar today while shining light on an unsung heroine of American arts and letters. Bringing a fresh eye to a woman and a movement misunderstood in their time, this biography highlights a feminist counterculture that audaciously pushed for more during a time of extreme social conservatism and changed the face of American literature and culture forever.

Something is deeply rotten at the Supreme Court. How did we get here and what can we do about it? Crooked Media podcast host Leah Litman shines a light on the unabashed lawlessness embraced by conservative Supreme Court justices and shows us how to fight back. With the gravitas of Joan Biskupic and the irreverence of Elie Mystal, Leah Litman brings her signature wit to the question of what’s gone wrong at One First Street. In Lawless, she argues that the Supreme Court is no longer practicing law; it’s running on vibes. By “vibes,” Litman means legal-ish claims that repackage the politics of conservative grievance and dress them up in robes. Major decisions adopt the language and posture of the law, while in fact displaying a commitment to protecting a single minority: the religious conservatives and Republican officials whose views are no longer shared by a majority of the country. Dahlia Lithwick’s Lady Justice meets Rebecca Traister’s Good and Mad as Litman employs pop culture references and the latest decisions to deliver a funny, zeitgeisty, pulls-no-punches cri de coeur undergirded by impeccable scholarship. She gives us the tools we need to understand the law, the dynamics of courts, and the stakes of this current moment—even as she makes us chuckle on every page and emerge empowered to fight for a better future.

A NEW YORK TIMES BESTSELLER “Do you want to know why today’s Supreme Court rules like it does? Leah Litman has the answer, and it is one that people should know. It’s time to read this book!” —Los Angeles Review of Books“Leah Litman’s work leaves you fired up yet empowered to pay attention, ready to resist, and, frankly, hotter.” —Jonathan Van Ness Crooked Media podcast host Leah Litman shines a light on the unabashed lawlessness embraced by conservative Supreme Court justices and shows us how to fight back. Something is deeply rotten at the Supreme Court. How did we get here, and what can we do about it? With the gravitas of Joan Biskupic and the irreverence of Elie Mystal, Leah Litman brings her signature wit to the question of what’s gone wrong at One First Street. In Lawless, she argues that the Supreme Court is no longer practicing law; it’s running on vibes. By “vibes,” Litman means legal-ish claims that repackage the politics of conservative grievance and dress them up in robes. Major decisions adopt the language and posture of the law, while in fact displaying a commitment to protecting a single minority: the religious conservatives and Republican officials whose views are no longer shared by a majority of the country. Employing pop culture references and the latest court decisions, Litman delivers a funny, zeitgeisty, pulls-no-punches cri de coeur undergirded by impeccable scholarship. She gives us the tools we need to understand the law, the dynamics of courts, and the stakes of this current moment and shows us how to fight back—even as she makes us chuckle on every page and emerge empowered to fight for a better future.

Channeling the subversive and sharp-eyed voice showcased in her popular column for The Cut, Amil Niazi stylishly interrogates the aspirations of young adulthood, early middle age, motherhood, and life after ambition. Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And—most importantly—now that she is done with ambition: what happens next? An achingly relatable, intensely funny punch to the gut which reveals that, though we hide them from one another, we all have the same painful bruises. At its core, Losing My Ambition is about optimism—about the joy of choosing something different and the thrill of finding ourselves when we thought all was lost. A whip-smart reimagination of how to live our lives, Losing My Ambition reclaims mediocrity to tell us that it is okay to NOT have ambitions but to try and live a life that is true to who we are.

From “tomorrow’s greatest designer” (The Atlantic), a personal and deeply researched look at how the choices we build into our environment reflect and determine the way we think, connect, and live.We've been led to believe that purposefully designed spaces are something reserved only for those that can afford them. But in reality, all the spaces we inhabit—to work, to learn, to heal, and to live—have been planned and built to influence our lives. They sway our emotions, nudge our behaviors, protect us from disease, and do more, or less, to support shared prosperity and our sense of the common good. Our World in Ten Buildings unpacks this hidden but ever more important element of our lived experience. As author and architectural designer Michael Murphy takes us through ten milestone projects in his career he lays bare the physical, political, and intellectual labor at work shaping the world we live in. With rare insight, access, and passion, Murphy braids the history of architecture with his own iconic projects to show the power of urban design and how it revolutionizes our homes, minds, workplaces, safety, and health care. Profound, and accessible, Our World in Ten Buildings will change the way you look at and think about your surroundings.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life. As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality. Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own. Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

An intimate and evocative celebration of the life and legacy of music and political icon Sinéad O’Connor, featuring writers including Neko Case, Sinéad Gleeson, Rayne Fisher-Quann, Porochista Khakpour, and more.More than thirty years ago, Sinéad O’Connor shocked the world by tearing up a photo of Pope John Paul II in an act of protest against the violence perpetrated by the Catholic Church. This single act cemented O’Connor’s place as a fearless voice and activist that would later push even further as Sinead became an advocate for HIV/AIDS awareness, the LGBTQ+ community, and abortion rights. Here in Nothing Compares to You, a renowned and multi-generational group of women and non-binary authors come together to pay tribute to O’Connor’s impact on our world and in their own lives and development as humans and artists. It is a loving and accessible reconsideration and entry point for understanding the Irish icon. Exploring themes such as gender identity, spirituality, artistic expression, and personal transformation, this collection shows that Sinead’s voice continues to ring on even after her death and brilliantly illustrates the power of creative expression to inspire far beyond any presumed lines of age, culture, or class.

The leader of the Starbucks and Tesla union movements shares stories from the front lines to help us organize our own workplaces and “better understand the aims and goals for a resurgent trade union movement and how workers all over the country can join in solidarity with it” (Senator Bernie Sanders).Get on the Job and Organize is a compelling, stirring narrative of the Starbucks and Tesla unionization efforts, telling the broader story of the new, nationwide labor movement unfolding in our era of political and social unrest. As one of the exciting new faces of the American Labor Movement, Jaz Brisack argues that while workers often organize when their place of work is toxic, it’s equally important to organize when you love your job. Here, Brisack delivers practical advice on how workers can and should stand up for their rights, especially when electoral politics seem to have failed us. With an accessible tone, a deep love of labor history, and profound empathy, Brisack puts recent efforts into the context of Americans’ long tradition of organizing. In the process, they show us that we, too, can improve our workplaces, from how to educate ourselves and our colleagues, to what backlash to expect and how to fight it, to what victory looks like even if the union doesn’t necessarily win. A “fascinating insider account” (Publishers Weekly), richly detailed, and with never-before-reported scenes, Get on the Job and Organize is a bold and galvanizing call to fight for the workplaces we deserve.

“Searing…Jill Damatac tells the story of a fight for survival and culture in America.” —The New York Times“A fiercely honest, eye-opening view of one undocumented family’s experiences trying to start over in a new world.” —The San Francisco Chronicle In the style of Crying in H Mart and Minor Feelings, filmmaker Jill Damatac blends memoir, food writing, and colonial history as she cooks her way through recipes from her native-born Philippines and shares stories of her undocumented family in America.Jill Damatac left the United States in 2015 after living there as an undocumented immigrant with her family for twenty-two years. America was the only home she knew, where invisibility had become her identity and where poverty, domestic violence, ill health, and xenophobia were everyday experiences. First traveling to her native Philippines, Damatac eventually settled in London, England, where she was free to pursue an education at the University of Cambridge, fully investigate her roots, and process what happened to her and her family. After nine years, she was granted British citizenship, and returned to the United States, for the first time without fear of deportation or retribution. Damatac weaves together forgotten colonial history and long-buried Indigenous tradition, taking us through her time in America, and cooking her way through Filipino recipes in her kitchen as she searches for a sense of self and renewed possibility. With emotional intelligence, clarity, and grace, Dirty Kitchen explores fractured memories to ask questions of identity, colonialism, immigration, and belonging, and to find ways in which the ritual, tradition, and comfort of food can answer them.

From the award-winning author of a “battle-cry of a book” (The Guardian) Rage Becomes Her, comes a fearless and timely manifesto for identifying and rejecting male supremacy in our daily lives.Drawing on her trademark skill, wit, clarity, and sharp insight, Soraya Chemaly walks us through how male supremacy operates, adapting dynamically in order to maintain cruel, exploitative systems of oppression. Male supremacy, she asserts, isn’t primarily about men dominating women; but rather a system that first and foremost violently pits men against each other using women and marginalized communities as resources in their competition for power. Under this system, anyone who isn’t white, straight, CIS, and adhering to strict rules of traditional masculinity is considered inferior and rendered “other”—women, LGBTQ+ people, people of color, immigrants, religious minorities, the disabled, and Black and Indigenous communities. Being feminized defines vulnerability, exploitability, and disposability. There is no justice for any community until we confront this defining injustice. Most men don’t have to benefit from this system or feel powerful for this system to work, indeed only a relatively few do. While women, particularly those with multiple marginalized identities, are hurt the most, men, too, need liberation from this oppressive system. All We Want Is Everything offers both unflinching analysis and genuine hope, informed by the bold and revolutionary potential of feminist imagination. From private relationships to global politics, Chemaly shows how naming and refusing male supremacy is essential to resisting the forces tearing democracy apart. This fresh, timely, clear-eyed, and necessary manifesto is a call to refuse supremacist identities, relationships, and values in order to build more just, healthy, and sustainable worlds for everyone.

A comprehensive and engaging oral history of the decade that defined the feminist movement, including interviews with living icons and unsung heroes—from former Newsweek reporter and author of the “powerful and moving” (The New York Times) Witness to the Revolution.For lovers of both Barbie and Gloria Steinem, The Movement is the first oral history of the decade that built the modern feminist movement. Through the captivating individual voices of the people who lived it, The Movement tells the intimate inside story of what it felt like to be at the forefront of the modern feminist crusade, when women rejected thousands of years of custom and demanded the freedom to be who they wanted and needed to be. This engaging history traces women’s awakening, organizing, and agitating between the years of 1963 and 1973, when a decentralized collection of people and events coalesced to create a spontaneous combustion. From Betty Friedan’s The Feminine Mystique, to the underground abortion network the Janes, to Shirley Chisholm’s presidential campaign and Billie Jean King’s 1973 battle of the sexes, Bingham artfully weaves together the fragments of that explosion person by person, bringing to life the emotions of this personal, cultural, and political revolution. Artists and politicians, athletes and lawyers, Black and white, The Movement brings readers into the rooms where these women insisted on being treated as first class citizens, and in the process, changed the fabric of American life.