Biblical Intersections - Böcker

This anthology on Eve brings together an international group of scholars to discuss how this character has been interpreted by Judaism, Christianity and Islam. In a time when the history of women is being reassessed, it is natural that women look to the paradigmatic female figure. This treatment of Eve covers her wide range of roles as mother of our race, victim, stooge, wife, companion, independent thinker, and “helper”. A venerated figure by many modern feminists and a denigrated figure by those who blame her for original sin, no reader will leave these pages indifferent to the first woman.

The less-discussed character in the Bible is the woman: two talking animals therein have sometimes received more page space. This volume shines the light of close scrutiny in the less-trodden direction and focuses on biblical and allied women, or on the feminine side of Creation. Biblical women are compared to mythical characters from the wider Middle East or from contemporary literature, and feminist/womanist perspectives are discussed alongside traditional and theological perspectives.

From Jael’s tent peg to Judith’s sword, biblical interpreters have long recognized the power of the "lethal women" stories of the Hebrew Bible and related literature. The tales of Jael and Judith, female characters who assassinate enemy commanders, have fascinated artists, writers, and scholars for centuries, no doubt partly because of the gender of the characters doing the killing. Tamber-Rosenau presents the first systematic study, both text-centered and deeply engaged with a variety of queer-theoretical frameworks, of the motif of the woman-turned-warrior in ancient Jewish literature. Through analysis from queer-theoretical perspectives and comparison with Ancient Near Eastern and Greco-Roman literature, Women in Drag shines new light on three strong female characters from the Hebrew Bible and the early days of Jewish literature.

Daughter Zion's Trauma offers a new critical reading of the Book of Lamentations through the lens of trauma studies. Through structural analysis and use of the concept of non-referential history as a heuristic lens, Yansen yields fresh insights into the book’s form, language, and larger "historical" significance. Utilizing insights from study of the rhetorical dimensions of the trauma process in cultural trauma, this study asserts that Lamentations strategically adapts certain religious traditions to ensure the survival of those whose voices it echoes.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood. The Bible is found not only in her novels but also in her poetry, short stories, and non-fiction work. “Who Knows What We’d Make of It, If We Ever Got Our Hands on It?” assembles cutting edge literary and critical readings of Margaret Atwood and the Bible.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood. The Bible is found not only in her novels but also in her poetry, short stories, and non-fiction work. "Who Knows What We'd Make of It, If We Ever Got Our Hands on It?” assembles cutting edge literary and critical readings of Margaret Atwood and the Bible. In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike—the Bible is omnipresent in the work of Margaret Atwood. This volume, the first of its kind, assembles cutting-edge literary and critical readings of Atwood and the Bible. The essays span the breadth of Atwood’s work, including The Handmaid’s Tale, Alias Grace, the MaddAddam trilogy (Oryx and Crake, The Year of the Flood, and MaddAddam), poetry, essays, and more. Taking as a model Atwood’s own playful dialogues with the Bible, the contributors employ a variety of theoretical approaches (feminist, deconstructionist, animal theory, affect theory, and so on) to explore both the ancient and modern corpus of texts in dialogue with each other. In The Handmaid’s Tale, the Bible is famously used as a text that structures an entire society—though for precisely this reason it is a dangerous text that must be controlled by the elite, kept out of the hands of those who may turn it into an “incendiary device.” This volume explores what happens when Atwood, and we as readers, take the Bible into our own hands.

Using a form of social-historical criticism this book provides a counter-reading of Lamentations that elucidates the impact and aftermath of siege warfare on Judah's peasants. The rhetoric of Lamentations, ancient Near Eastern writings, and archaeological evidence are considered, along with social models from other agrarian societies. Together these shed light on the changing social dynamics, religious customs, and political and economic structures of rural and urban Judah in the sixth century BCE. This study brings to life voices long silent, and suggests that Judah's peasants played a significant role in the survival of peasant and city-dweller alike, when Jerusalem fell.

What strategies can be applied in producing an alternative version of Scripture that is complementary to the existing translation(s) and acceptable to the target audience? This book answers this question by exploring a theoretical strategy for this purpose. On the basis of Christiane Nord’s functionalist theory of translation, the author of this book formulated a Participatory Approach to Bible Translation and experimented with it in translating the book of Jonah into Sabaot, a Kenyan language. This book provides an excellent model for involving communities in the production of Scripture translations.