Break Away Books – serie

New Stories from the Midwest presents a collection of stories that celebrate an American region too often ignored in discussions about distinctive regional literature. The editors solicited nominations from more than 300 magazines, literary journals, and small presses and narrowed the selection to 19 authors. The stories, written by Midwestern writers or focusing on the Midwest, demonstrate that the quality of fiction from and about the heart of the country rivals that of any other region. Guest editor John McNally introduces the anthology, which features short fiction by Charles Baxter, Dan Chaon, Christopher Mohar, Rebecca Makkai, Lee Martin, and others.

B. J. Hollars's debut short story collection offers ten thematically linked tales, all of which are out to subvert conventional notions of the Midwestern coming-of-age story. The stories feature an assemblage of Bigfoot believers, Civil War reenactors, misidentified Eskimos, and grief-stricken clowns, among other outcasts incapable of finding a place in their worlds. In these marvelous stories, we can join a family on a very 21st-century trip along the Oregon Trail, watch as a boy builds a brother from a vacuum cleaner, follow a sandlot baseball team as it struggles to overcome an invasion by its Native American neighbors, and experience how a high school basketball squad takes to Sasquatch roaming its court. This genre-bending collection charts a bizarre pathway through the thickets of life on the road to adulthood. Pushing the limits of realism, these stories capture the peculiar rites of passage of growing up Midwestern.

Are we responsible for, and to, those forces that have formed us—our families, friends, and communities? Where do we leave off and others begin? In The Tribal Knot, Rebecca McClanahan looks for answers in the history of her family. Poring over letters, artifacts, and documents that span more than a century, she discovers a tribe of hardscrabble Midwest farmers, hunters, trappers, and laborers struggling to hold tight to the ties that bind them, through poverty, war, political upheavals, illness and accident, filicide and suicide, economic depressions, personal crises, and global disasters. Like the practitioners of Victorian "hair art" who wove strands of family members' hair into a single design, McClanahan braids her ancestors' stories into a single intimate narrative of her search to understand herself and her place in the family's complex past.

In the mythical town of Winesburg, Indiana, there lives a cleaning lady who can conjure up the ghost of Billy Sunday, a lascivious holy man with an unusual fetish and a burgeoning flock, a park custodian who collects the scat left by aliens, and a night janitor learning to live with life's mysteries, including the zombies in the cafeteria. Winesburg, Indiana, is a town full of stories of plans made and destroyed, of births and unexpected deaths, of remembered pasts and unexplored presents told to the reader by as interesting a cast of characters as one is likely to find in small town America. Brought to life by a lively group of Indiana writers, Winesburg, Indiana, is a place to discover something of what it means to be alive in our hyperactive century from stories that are deeply human, sometimes melancholy, and often damned funny.

Claire and Jim were friends, lovers, and sometimes enemies for 27 years. In order to get health insurance, they finally married, calling their anniversary the "It Means Absolutely Nothing" day. Then Jim was diagnosed with cancer. With ever-decreasing odds of survival, punctuated by arcs of false hope, Jim's deteriorating health altered their well-established independence as they became caregiver and patient, sharing intimacy as close as their own breaths. A year and a half into their marriage, Jim died from lung/brain cancer. Sustained by good dogs and gardening through the two years of madness that followed, Claire soldiered through home repairs, career disaster, genealogy quests, and "dating for seniors" trying to build a better life on the debris of her old one. Leave the Dogs at Home maps and plays with the stages of grief. Delightfully confessional, it challenges persistent, yet outdated, societal norms about relationships, and finds relief in whimsy, pop culture, and renewed spirituality.

On April 27, 2011, just days after learning of their pregnancy, B. J. Hollars, his wife, and their future son endured the onslaught of an EF-4 tornado. There, while huddled in a bathtub in their Alabama home, mortality flashed before their eyes. With the last of his computer battery, Hollars began recounting the experience, and would continue to do so in the following years, writing his way out of one disaster only to find himself caught up in another. Tornadoes, drownings, and nuclear catastrophes force him to acknowledge the inexplicable, while he attempts to overcome his greatest fear—the impossibility of protecting his newborn son from the world's cruelties. Hollars creates a constellation of grief, tapping into the rarely acknowledged intersection between fatherhood and fear, sacrifice and safety, and the humbling effect of losing control of our lives.

After the Plains queered him, Dave Madden decided to return the favor. This outstanding collection of short stories tells the tale of a different kind of difference—one not set in the glittering lights of New York or Los Angeles, but in the grand and wide American Midwest. For Madden's characters, their queerness is part of the environment, like the soil, the sky, and the supermarket: an HIV-positive chemist uses football to connect with his brothers; a 17-year-old girl tussles with a cartoon cobra to avoid thinking about the mother who abandoned her; and a hotel concierge starts attending Mass even though his partner was molested by a priest. In seeking out the ordinary struggles of extraordinary people trying to figure out their place within families and communities, Madden masterfully explores what it means to be an outsider always looking in.

In this exquisite debut short story collection, people with unusual jobs and lives embark on extraordinary journeys. A taboo romance breaks the laws of gravity. Albert Einstein writes letters to the daughter he abandoned. A female physicist meets Stephen Hawking in a bar. . . . In the closing novella, All Those Stairs, an elevator operator with a genius IQ rides up and down all day enclosed in a metal box. Author Erin Stalcup explores these lives with remarkable compassion, depth, and insight examining loss and longing, and how our bodies and minds can be both weighted and freed. And Yet It Moves is a powerful combination of both absurdist and realist—stories that literally defy gravity.

While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the '60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern Michigan. An achingly poignant account of a family crushed under the weight of suppressed truths, now available as a Break Away Book Club Edition, An American Tune illuminates the irrevocability of our choices and how those choices come to compose the tune of our lives.

It's the 1930s in Texas when Charlie Bader comes of age with urges he has struggled with since childhood and does not understand. After his new bride finds him wearing her own sexy lingerie and leaves him in disgust, he tries to move on. His efforts lead him to Chicago, where he stumbles on a community of cross-dressers and begins to attend their secret soirees. When Pearl Harbor is bombed, he volunteers for the army, serving as a dentist and trying once again to leave his obsession with soft clothes behind. Instead, his wartime experiences combined with the army's faulty record-keeping lead to his reappearance in the small town of Heaven, Indiana, as Charlene. There, Charlene opens a beauty shop where Heaven's women safely share their stories and secrets as she shampoos, clips, curls, and combs their hair. Charlene deftly manages to keep her own story hidden and her sexual desires quiet until she falls in love with a female customer and her life begins to change.