Cambridge Iberian and Latin American Studies – serie
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33 produkter
33 produkter
Häftad, Engelska, 2005
724 kr
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The Comentarios reales de los incas, a classic of Spanish Renaissance prose narrative, was written by Garcilaso Inca de la Vega, the son of an Inca princess and a Spanish conquistador. It is full of ideological tensions and apparent contradictions as Garcilaso attempts to reconcile a pagan new-world culture with the fervent Christian evangelism of the period of the discovery and conquest of America. This study of the Comentarios is original both in adopting the perspective of discourse analysis and in its interdisciplinary approach. Margarita Zamora examines the rhetorical complexities of the Comentarios, and shows how, in order to present Inca civilization to Europeans, Garcilaso turned to disciplines other than traditional historiography, and in particular to the linguistic strategies of humanist philology and hermeneutics. Professor Zamora reveals how Garcilaso's views of the Incas were shaped by the dual nature of his background, by his commitment to humanism and Christianity, by the expectations he had of his readers, and by the discursive practices of his time.
Häftad, Engelska, 2005
545 kr
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The Frenchman Juan de Grimaldi was instrumental in the development of the Spanish theatre in the 1820s and 30s, at a time when censorship, repression, and economic chaos had left it in a state of stagnation. As impresario and stage director, he trained actors in the new style of declamation, made physical changes in sets and lighting, translated recent French plays into Spanish, and encouraged the writing of original Spanish plays. His own magical comedy, La Pata de Cabra (1829), was outstandingly successful. Grimaldi was also a wealthy businessman and newspaper editor, and the patron of many important Spanish Romantic writers. He was active in politics, vigorously defending the moderate policies of the Queen Regent, María Cristina, and of Prime Minister Ramón de Nerváez. Even after his return to Paris, Grimaldi continued to work secretly as an agent of the Spanish government. Based on original archival materials, this is the first in-depth study of Grimaldi's involvement in the literary and political progress of nineteenth-century Spain.
Häftad, Engelska, 2005
516 kr
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This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.
Häftad, Engelska, 2009
662 kr
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The crusade which conquered Mediterranean Spain in the thirteenth century resulted in the domination by an alien Christian minority of a dissident Muslim majority and an unusually large Jewish population. Professor Burns' research into previously untapped archival sources reveals the tensions and interaction between the three religious societies after the crusade. A principal source for the author's research has been the revolutionary paper registers of King Jaume the Conqueror. These abundant and neglected documents shed new light on Jaume's pluri-ethnic kingdom during its first generation of settlement. The chapters, each a pioneering work for its topic, are radically different in subject and in approach, and yet concern the same theme, the symbiosis of cultures in the redeveloping kingdom, and the same time-span, the reigns of Jaume the Conqueror and his son, Pere the Great.
Häftad, Engelska, 2009
516 kr
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This book examines the reason and intent behind the many Senecan and pseudo-Senecan quotations in Fernando de Rojas' masterpiece Celestina (1499), which enjoyed enormous popularity in sixteenth-century Europe. The author considers the importance attached to Senecan thought in the oral, scholarly and literary traditions of fifteenth-century Spain and demonstrates how readers' tastes and sensibilities were shaped by it. The main themes of Celestina, such as self-seeking friendship and love, pleasure and sorrow, gifts and riches, greed, suicide and death, are shown to be rooted in this intellectual background. The Senecan tradition, albeit treated in a satirical vein, is also seen as underlying the later additions and interpolations to the text, with a shift towards Seneca's tragedies in response to changes in fashion; Professor Fothergill-Payne reveals that even the Petrarchan quotations in Celestina have Senecan sources. Seneca and Celestina thus offers a fresh perspective on the literary and intellectual sources that shaped this famous book.
Häftad, Engelska, 2009
516 kr
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In the Spanish Golden Age, the new literary mode of vernacular prose fiction was deplored by many authorities for setting bad examples, undermining reality by deceiving with lies, and persuading in the face of rational disbelief. Dr Ife here examines the connection between the objections posed to this fiction and those raised two thousand years earlier by Plato. This book shows how the aims and results of 'picaresque' novel writing in fact counter such objections. In a study of three sixteenth- and early seventeenth-century Spanish novels Dr Ife demonstrates that the authors consciously exploited their readers' response to a narrative in order to bring them to a clearer understanding of their own experience. In this way the very process of representation deplored by the Platonist critics may be regarded as having a moral validity of its own. Additional English translations are provided of all the key extracts studied.
Sur
A Study of the Argentine Literary Journal and its Role in the Development of a Culture, 1931-1970
Häftad, Engelska, 2009
516 kr
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This book tells the story of Sur, Argentina's foremost literary and cultural journal of the twentieth century. Victoria Ocampo (its founder and lifelong editor) and Jorge Luis Borges (a regular and influential contributor) feature prominently in the story, while the contributions of other major writers (including Eduardo Mallea, William Faulkner, André Breton, Virginia Woolf, Alfonso Reyes, Octavio Paz, Waldo Frank, Aldous Huxley and Graham Greene) are discussed. Politically speaking, Sur represented a certain brand of liberalism, a resistance to populism and mass culture, and an attachment to elitist values which offended against the more dominant phases of Argentine thought, from Peronism to the varied forms of nationalism, socialism and Marxism. Dr King examines the journal's roots, its development and its demise, relating it to other journals circulating at the time, and highlighting vital issues debated in its pages, such as Argentine attitudes towards fascism during the Second World War.
Häftad, Engelska, 2009
516 kr
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At the end of the nineteenth century Emilia Pardo Bazán was Spain's leading woman novelist and short story writer, and also a critic, journalist and fierce campaigner for women's rights. This book examines Pardo Bazán's growth into maturity as a novelist during the late 1880s and the 1890s. Hemingway argues against the convenient critical division of the author's works into an early 'Naturalist' and later 'spiritual' phase. Concentrating on four novels published during this time the author demonstrates that Pardo Bazán's writing shows an increasing interest in psychology; the ambiguity and irony evident in her treatment of characters' motivation show her a subtle critic of the claims of science to explain human behaviour, illustrated in the work of Zola and his followers. Dr Hemingway stresses Pardo Bazán's originality as a writer, deserving comparison with her compatriot Galdos and with contemporary French and Ruissian novelists. This wider perspective will make the book of interest to students of the European novel generally as well as those is Spanish studies.
Häftad, Engelska, 2009
665 kr
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This book recounts the afterlife of the great Golden Age dramatist Pedro Calderón de la Barca in Dutch and German-speaking Europe. The high quality of the German critical and philosophical tradition has led to a far greater appreciation of Calderón outside than inside his native Spain, and it is in the German territories that the playwright's influence has been most remarkable and widespread. Professor Sullivan documents and analyses Calderón's reception and influence on the stage and on playwriting, criticism, philosophy and music in these territories. In addressing his book to students of both the German and the Spanish traditions Professor Sullivan has supplied the necessary background to both cultures and has rendered all quotations into English. The range of material will also make the book important for students of philosophy, comparative drama and German opera.
Häftad, Engelska, 2009
486 kr
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This is a full-length study in English of the Spanish dramatist Ramón del Valle-Inclán (1866-1936). Written for a theatre of his imagination, these works reveal an early attempt to wean Spanish drama from representational naturalism by the use of cinematic techniques and a heightened dramatic language reflecting broad cultural identities. John Lyon analyses the plays within a European rather than exclusively Spanish framework. He shows that, philosophically and aesthetically, Valle has links with two avant-garde movements: the turn-of-the-century Symbolism associated with Maeterlinck and Yeats and the anti-tragic values which surfaced in the 1920s and culminated in what became known as Absurdism. The text is supported by an appendix gathering together Valle's more important statements on dramatic theory and is illustrated by photographs of recent productions in Madrid and London. The book will find a readership among teachers and students of European drama as well as those in Spanish departments.
Häftad, Engelska, 2009
516 kr
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In this book Linda Martz explores the major developments in the theory and practice of poor relief in sixteenth- and seventeenth-century Spain and determines how far Spanish attitudes to poverty compared with those of other countries in western Europe. This scholarly and lucid exploration of attitudes to poverty and welfare has been prepared with the interests of non-Hispanists also borne in mind and all quotations are in English. It provides an original contribution to the socio-economic history of western Europe.
Häftad, Engelska, 2009
516 kr
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Francisco de Quevedo was known throughout seventeenth-century Europe as the author of two Spanish best-sellers, the picaresque novel El buscón, and the satirical Sueños. Thoroughly Baroque in style, the poems share many traits with the metaphysical poetry of Quevedo's English contemporaries. His poetry has been a major influence on modern Spanish and Latin American poets. This study of the poetry combines a stylistic analysis with a philosophical interpretation in the broad sense. It is thus an aesthetic and existential study and concentrates on the love sonnets of 'High Style'. The poet confronts the courtly tradition with experience, taking a stand against its ethical restrictions. By means of irony and conceptismo, the wit displayed in his poetic conceits, Quevedo attempts to solve the conflict between ideal love and sensual passion. Professor Olivares also shows that the thoughts and emotions evoked by the experience of love are inseparable from Quevedo's anguished world vision.
Häftad, Engelska, 2009
575 kr
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This book examines the Spanish response, military, economic and social, to the anti-imperial revolutions of Latin America in the early nineteenth century. History has for the most part concentrated on the heroic careers of the great liberators of America: but what did Spaniards themselves think of Simón Bolivar and his fellow revolutionaries? How did they view the events in America? What policies were adopted, what were their effects on Spanish trade and the merchants who conducted it, and what action did Spain take to meet American demands or to suppress them? It is with these and many related questions that this study is concerned. Analysing a broad spectrum of Spanish opinion which reflects the views of politicians, diplomats, merchants, journalists, the military and others, Professor Costeloe explains how Spaniards responded to revolution and how in retrospect, in the aftermath of defeat, they regarded the end of their nation's long role as a major imperial power.
Häftad, Engelska, 2009
462 kr
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The Architecture of Conquest deals with the practice and ideology of colonial architecture in Latin America, referring particularly to the Viceroyalty of Peru during the period 1535-1635. Colonial building has generally been regarded as being merely a provincial reflection of mainstream European art. Valerie Fraser argues that, on the contrary, it had its own distinct identity and architectural projects were a powerful tool in the subjugation of the native peoples of South America by the Spaniards. Although the majority of labourers and craftsmen responsible for the churches, towns and cities of the Spaniards were natives, very little evidence of their own traditions of craftsmanship can be found in this colonial architecture. Thus, while the architecture forms employed by the early conquistadores are clearly derived from the European tradition, their purpose and meaning are completely different, being defined by the colonial context. The deliberate display of architectural motifs, the organisation of building practice and labour are all shown to have served the ends of the political, religious and economic conquest.
Häftad, Engelska, 2009
545 kr
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This volume of essays constitutes a critical reappraisal of a front-rank world author, Gabriel García Márquez, who was awarded the Nobel Prize for Literature in 1983. Apart from extending critical appreciation of his work to an English-reading public, its principal objective is to reflect the breadth and variety of critical approaches to literature applied to a single corpus of writing; here, the major novels (including Love in the Times of Cholera, 1986) and a selection of his short fiction are considered. The aim of this collection, given these dual objectives, is to extend knowledge of the work of García Márquez and introduce to both the general reader and to students of literature a plurality of current critical approaches to his rich variety of fictional techniques. The volume also includes a bibliography of criticism available in English and an English translation of the author's Stockholm Nobel acceptance address.
Häftad, Engelska, 2009
501 kr
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The late fifteenth-century Spanish masterpiece Celestina is one of the world's classics. In this important study, Dorothy Sherman Severin investigates how Fernando de Rojas' work in dialogue, which parodies earlier genres, is a precursor of the modern novel. In Celestina, the hero Calisto parodies the courtly lover, the heroine Melibea lives through classical examples and popular students' knowledge, the bawd and go-between Celestina deals a blow to the world of wisdom literature, and Melibea's father Pleberio gives his own gloss on the lament. There is also a fatal clash between two literary worlds, that one of the self-styled courtly lover (the fool) and the prototype picaresque world of the Spanish Bawd and her mentors (the rogues). The voices of Celestina are parodic, satiric, ironic and occasionally tragic, and it is in their discourse that the dialogue world of the modern novel is born. In order to make this book accessible to a wider English-speaking readership, quotations from the text are accompanied by English translations, mainly from the seventeenth-century English version by James Mabbe.
Häftad, Engelska, 2009
448 kr
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This book provides a general survey of the life and work of the Spanish philosopher and essayist Ortega y Gasset (1183-1955), author of the widely read The Revolt of the Masses. Dr Dobson divides his study into sections devoted to Ortega's political thinking and to his philosophy, rooting these in the context of contemporary Spain and discussing the wider implications of their influence. He examines Ortega's position with regard to the Civil War, his ambivalent espousal of socialism, his emphasis on the importance of the select individual in the modernisation of society and creation of a nació vital; the appropriation of his ideas by Primo de Rivera in the cause of fascism. This book is intended to be accessible to both Hispanists and general readers with an interest in literature, history, intellectual and political thought and philosophy.
Häftad, Engelska, 2009
462 kr
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Between 1964 and 1971, the Mexican mural painter David Alfaro Siqueiros produced The March of Humanity on Earth and Toward the Cosmos in Mexico City, his last major project and the largest mural in the world. This illustrated book mounts a careful study of the painting, which it sees as marking the end of the Mexican mural movement. The main purpose of the book is to place the mural into the social-historical context of the period of its production. Due to this approach, the mural is seen not only as a work of art, but also as a symbol and carrier of Mexican political ideology, especially as it concerns the government's attempts to continue presenting the Mexican Revolution of 1910 as the source and basis of contemporary and future social, political, and economic policy. Professor Folgarait's book provides a fascinating case-study highlighting the conflict of modernistic and naturalistic trends in art, and makes an important contribution to the study of Mexican art of the twentieth century and to the general topic of the relationship of art to politics.
Häftad, Engelska, 2009
516 kr
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The corregidores were Castilian royal officials who functioned as mayors and superior judges in the provinces, cities, towns, and villages they were sent to oversee. At the head of urban militias they took part in the War of Succession and the Granada War. The corregidores thus had significant dealings with the peasantry, urban masses, the merchants, the nobles, the aristocracy, the officials of the Inquisition. Through its study of their many varied duties, this book offers a panoramic view of Castile during the late medieval and Renaissance eras. Despite their importance, a major study has never before been devoted entirely to their activities during the reign. This study also incorporates a major effort at periodisation of Isabella's reign, the first attempted in modern times. Overall, the book offers a tripartite dissection of the queen's career in power and an assessment of the differing states of the operations of corregidores over her three decades.
Häftad, Engelska, 2009
516 kr
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Fray Luis de León (1527-91) is known chiefly as the author of some of the finest poetry of the Spanish Golden Age, but he also wrote important prose works in both Latin and Spanish, and produced eloquent translations into Spanish of biblical and classical texts. He spent five years imprisoned in solitary confinement by the Spanish Inquisition, fighting to clear himself of a series of accusations against his views on the Bible. Acquitted on all counts, he returned to teach at the University of Salamanca. This book examines the controversies in which Fray Luis was caught up, and investigates the complex influences upon his writings of his prison experiences, his indebtedness to Judaism, his interests as a linguist, and his work as a biblical scholar and theologian. Colin Thompson looks afresh at Fray Luis's most famous poems and prose works, and explores his understanding of language as a means of enabling God to speak to humanity and humanity to rise to God.
Häftad, Engelska, 2010
650 kr
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This book, originally published in 1982, was the first detailed study of black slavery in Portugal during the fifteenth and sixteenth centuries, when the Portuguese brought Europe into contact with black Africa and originated the Atlantic slave-trade. Portugal was the first European society to have a considerable black population, and the relations established between the white and black populations set a pattern that had effects throughout the Atlantic world. Through extensive analysis, this book sheds light on Portuguese slave laws, geographical distribution and the occupations of slaves with Portugal, the importance of slaves in urban and domestic workforce, and Portuguese racial prejudice, and places the racial relations within the wider contexts of slavery and race relations in the Mediterranean and the Americas. Students interested in slavery and race relations as well to students of European, Latin American and African history will find this useful.
Häftad, Engelska, 2010
462 kr
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This is a definitive study of a major intellectual movement of nineteenth-century Spain. The 'harmonic rationalism' of the German Karl Christian Friedrich Krause (1781-1832), a philosophy dedicated to an ideal of universal brotherhood, had an unexpectedly powerful influence upon Spanish history, politics, education and literature in the late nineteenth century and beyond. Concerned primarily with the phase in which this all-embracing movement appears most homogeneous - between the revolution of 1854 and the early days of the Restoration - Professor López-Morillas clearly outlines the Krausist doctrine and its relevance to Spain, particularly in the contexts of attitudes towards Germany and France. Because of the failure of the Enlightenment to establish any real roots in Spain and the political repression that delayed and weakened the Romantic revolt, the Spanish intellectual and political climate of the time was receptive to a philosophy that combined rationalism and idealism with social reform.
Häftad, Engelska, 2010
462 kr
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In the twelfth century, curia regis was the name given to the assembly, whether in England, France or the kingdoms of Spain, which helped the monarch to govern. In its largest form, such an assembly consisted of members of the royal family, royal household officials and the lay and ecclesiastical magnates of the kingdom. This book analyses the composition and function of these solemn assemblies in León and Castile, two kingdoms which were united under one monarch from 1072 until 1157 and again after 1230. The author traces the development of a representative assembly in León-Castile, from the time when people from the towns were first summoned to attend the meetings until 1295. She has culled information from the surviving records of the religious and military recipients of royal charters and from the legal records of the cortes. The scrutiny of this material provides an invaluable contribution to the history of representative assemblies in Western Europe during the Middle Ages.
Häftad, Engelska, 2010
516 kr
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Julio Cortázar is one of the best-known successful Latin American writers. His work has been widely translated and this 1980 book is a clear and detailed study of his four major novels. Steven Boldy recognises the complexity, the 'nerve centres of contradiction and tension' of Cortázar's novels, which resist a single dogmatic interpretation, but Dr Boldy's sympathetic analysis allows the reader to approach an understanding of the individual novels and the way these are linked by an underlying thematic pattern. Cortázar's work is seen in the context of its European and Argentinian background: the cultural materials of surrealism, allusiveness and eclecticism that he absorbs and transforms. The approach to the four major novels is not limited to one particular aspect or theme, but the dualism inherent in the writing and its philosophical and formal implications provide the basic framework for study.
Inbunden, Engelska, 1984
1 485 kr
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This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.
Häftad, Engelska, 1984
520 kr
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The Spanish picaresque novel of the sixteenth and seventeenth centuries is not only a major genre in its own right; it was a decisive influence on the subsequent literature of Spain and the development of the modern European novel. When first published Professor Rico's book broke new ground by analysing historically and critically the form of the picaresque, particularly the narrative style of the three greatest novels of this genre, Lazarillo de Tormes, Guzman de Alfarache and Quevedo's Buscon. The author shows how Lazaro's and Guzman's ficitonal autobiographies made a highly original break with contemporary theory by attempting to see from within the life of people of low rank, rogues and buffoons. The point of view of the narrator in these novels, becomes the unifying element; plot, structure and style are all manifestations of a fully developed narrative persona. For this 1984 translation, the author updated the bibliography and extended his account of the later development of the picaresque in the postscript. This study will be of value to students of comparative literature as well as those studying the picaresque as a major topic in Spanish courses.
Häftad, Engelska, 1987
319 kr
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This book gives a new interpretation of the reception of the new world by the old. It is the first in-depth study of the pre-Enlightenment methods by which Europeans attempted to describe and classify the American Indian and his society. Between 1512 and 1724 a simple determinist view of human society was replaced by a more sophisticated relativist approach. Anthony Pagden uses new methods of technical analysis, already developed in philosophy and anthropology, to examine four groups of writers who analysed Indian culture: the sixteenth-century theologian, Francisco de Vitoria, and his followers; the 'champion of the Indians' Bartolomé de Las Casas; and the Jesuit historians José de Acosta and Joseph François Lafitau. Dr Pagden explains the sources for their theories and how these conditioned their observations. He also examines for the first time the key terms in each writer's vocabulary - words such as 'barbarian' and 'civil' - and the assumptions that lay beneath them.
Inbunden, Engelska, 1988
1 397 kr
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The Frenchman Juan de Grimaldi was instrumental in the development of the Spanish theatre in the 1820s and 30s, at a time when censorship, repression, and economic chaos had left it in a state of stagnation. As impresario and stage director, he trained actors in the new style of declamation, made physical changes in sets and lighting, translated recent French plays into Spanish, and encouraged the writing of original Spanish plays. His own magical comedy, La Pata de Cabra (1829), was outstandingly successful. Grimaldi was also a wealthy businessman and newspaper editor, and the patron of many important Spanish Romantic writers. He was active in politics, vigorously defending the moderate policies of the Queen Regent, María Cristina, and of Prime Minister Ramón de Nerváez. Even after his return to Paris, Grimaldi continued to work secretly as an agent of the Spanish government. Based on original archival materials, this is the first in-depth study of Grimaldi's involvement in the literary and political progress of nineteenth-century Spain.
Inbunden, Engelska, 1988
1 560 kr
Skickas inom 7-10 vardagar
The Comentarios reales de los incas, a classic of Spanish Renaissance prose narrative, was written by Garcilaso Inca de la Vega, the son of an Inca princess and a Spanish conquistador. It is full of ideological tensions and apparent contradictions as Garcilaso attempts to reconcile a pagan new-world culture with the fervent Christian evangelism of the period of the discovery and conquest of America. This study of the Comentarios is original both in adopting the perspective of discourse analysis and in its interdisciplinary approach. Margarita Zamora examines the rhetorical complexities of the Comentarios, and shows how, in order to present Inca civilization to Europeans, Garcilaso turned to disciplines other than traditional historiography, and in particular to the linguistic strategies of humanist philology and hermeneutics. Professor Zamora reveals how Garcilaso's views of the Incas were shaped by the dual nature of his background, by his commitment to humanism and Christianity, by the expectations he had of his readers, and by the discursive practices of his time.
Inbunden, Engelska, 1991
1 411 kr
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This 1991 book describes the history of peasants in Catalonia, the wealthiest and politically dominant part of the medieval Kingdom of Aragon, between the ninth and fifteenth centuries. It focuses on the period from 1000 to 1300, when free peasants who had held property under favourable frontier conditions were progressively subjugated by their lords. Between 1462 and 1486 Catalan peasants mounted the most successful peasants' war of the Middle Ages, and achieved the formal abolition of servitude. Professor Freedman seeks to explain both the process by which servitude was strengthened over the centuries, and its eventual weakening before a direct moral and military challenge. He addresses both the causes of enserfment and the limitations on its effectiveness. The book integrates archival evidence with the theories of society elaborated by medieval jurists. Comparisons are drawn between Catalonia and other regions, and its experience is situated within a spectrum of different social and economic conditions.