Cambridge Library Collection - Literary Studies – serie
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This 1914 scholarly edition of the mid-sixteenth-century play Jacke Jugeler contains an informative introduction and detailed notes. Little-known today, the play represents a pre-Shakespearean example of classical 'borrowing' - a Roman play by Plautus is adapted to an English domestic situation - and it is one of the first instances of confused identity and 'doubles' in English comedy. The text of this edition is taken from the unique original, probably published around 1562, in the collection of the Duke of Devonshire. In his Introduction, W. H. Williams proposes the likely identity of the play's author, and provides an analysis of the play's language to support his claim. He examines the connections in method, characters and language between Jacke Jugeler and Ralph Roister Doister, a play written and performed around the same time.
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Entertaining and informative, this 1956 anthology paints a vivid picture of the world in which Shakespeare lived. Using the playwright's life as the framework - his birth, his education, his move to London, his life in theatre, his death - the book uses selected extracts from key Elizabethan publications to embody the atmosphere of this period. From sport to superstition, from festival to fashion, from the plague to playhouses, the significant features of the age are described through its prose, providing the reader with first-hand accounts of the conditions in which Shakespeare's masterpieces were created. All chapters are prefaced with illustrative Shakespearean quotations; the collection representing a commentary on the work as well as the life of Shakespeare. All texts have been modernised to assist the reader, and a glossary is included which explains names, unfamiliar words and difficult passages.
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Originally written and staged in the late sixteenth century, Club Law was published for the first time more than three centuries later. A colourful satire, the play captures the spirit of a bygone era. Club Law playfully reconstructs the heated debate between the University 'Accademicks' and the town council, who were viciously at odds. Though characters' names had been changed, the play was so true to life in its depiction of contemporary politics that much uproar followed its performance at Clare Hall (now Clare College), Cambridge about 1599. Found titleless and missing some pages and scenes, the play was pieced back together by G. C. Moore Smith in 1907. A detailed introduction outlines the play's setting and historical context, and draws parallels between this satirical Elizabethan play and contemporary society. Comprehensive notes and an index are also included.
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This edition of Worke for Cutlers was edited by Albert Forbes Sieveking and published in 1904, shortly after it had been staged (probably for the first time in 300 years) at Trinity Hall. The play was originally published anonymously in 1615, and was then described as 'Acted in a Shew in the famous Universitie of Cambridge'. Sieveking gives reasons to believe that Thomas Heywood, whose most famous work is A Woman Killed with Kindness (1603), had at least a part in its writing, and points out the topicality of 'A Merry Dialogue betweene Sword, Rapier and Dagger' at a time when James I was issuing edicts against duelling, which was punishable by heavy fines or even death. The short play is provided with a 'glossarial epilogue' containing explanatory notes.
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The son of Jane Austen's 'favourite niece' Fanny Knight, Lord Brabourne, had inherited a large number of letters from Austen including some to her sister Cassandra and others to members of the Knight family. The Letters of Jane Austen (1884) publishes these letters for the first time, and sets them in a family context drawn from the reminiscences of those who knew Austen personally. This first of two volumes begins with a biographical essay and then includes letters from 1796, when Austen was a young woman of twenty preoccupied with social events and the courtship of her friends, to 1807, which found her in lodging with her mother and sister in Southampton, much sobered by the recent death of her father. Her topics are often domestic ('You know how interesting the purchase of a sponge-cake is to me') and her wit is evident throughout.
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The son of Jane Austen's 'favourite niece' Fanny Knight, Lord Brabourne, had inherited a large number of letters from Jane Austen including some to her sister Cassandra and others to members of the Knight family. The Letters of Jane Austen (1884) publishes these letters for the first time, and sets them in a family context drawn from the reminiscences of those who knew Austen personally. This second of two volumes presents a series of letters written between 1808 and her death in 1817, that is, mostly in the years she was settled at Chawton in Hampshire; in addition Brabourne includes a little group of poems, and other family documents. The letters cover the years of her career as a published author, and include many fascinating comments about her own and others' writings, as well as observations about the world around her.
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In the mid-nineteenth century, as Jane Austen's fame grew, her family was under increasing pressure to provide details about her life and work. Her nephew James Edward Austen-Leigh, who had known her personally, collected a series of reminiscences, letters and family documents and put them together in this very first full-length biography of Jane Austen, published in 1870. Concentrating on his aunt Jane's life in rural southern England, he made public for the first time the domestic and social context which nurtured her and within which she wrote her famous novels. He also gave previously unknown details about her efforts to publish her work, including some of her correspondence. At the same time he created a partial portrait of a modest, unassuming and devout woman, living 'in entire seclusion from the literary world', which has influenced Austen scholarship ever since.
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When James Edward Austen-Leigh's Memoir of his famous aunt was published in 1870, far from satisfying public curiosity about Jane Austen as the family had intended, it simply raised a series of new questions, particularly about Jane Austen's unpublished work, which had been mentioned only in passing. Austen Leigh was persuaded to issue a much-expanded second edition in 1871. Here he included for the first time the complete texts of Jane Austen's novel in letters, Lady Susan, and the fragmentary novel The Watsons, as well as a brief summary of her last unfinished work, later known as Sanditon. At the same time he took the opportunity to revise the biographical sections of the Memoir partly to include new information that had come to light since the first edition, so that all in all the second edition has a significance for Austen scholars quite separate from the first.
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John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
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George Charles Moore Smith (1858-1940) was a renowned literary scholar who graduated from St John's College, Cambridge, with a first-class degree in the classics in 1881. In 1896 he was made professor of English language and literature at Firth College, Sheffield, and he played a key role in building up the social and academic position of the institution after it became the University of Sheffield in 1905. College Plays Performed in the University of Cambridge (1923) includes a chronological table of the Latin plays performed by scholars at the university in the sixteenth and seventeenth centuries. The study also contains Moore Smith's 48-page introduction along with an appendix of actor lists. The introduction provides useful context to sixteenth- and seventeenth-century literary and theatrical culture at the University of Cambridge, discussing both the 'outlines of [the plays] histories' and the 'manner of [their] production'.
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In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 1 covers the period to 1860, the year in which the final volume of Modern Painters was published.
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In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 2 covers the period from 1860 to Ruskin's death in 1900, and includes an index to both volumes.
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The Reinaert Fragments are a collection of seven pages of a Middle Dutch poem attributed to the fifteenth-century Flemish writer Hinrek van Alckmer, and printed in Antwerp in about 1487. This book, originally published in 1927, contains photographic reproductions of the pages, alongside clear transcriptions of the text and three beautiful woodcut illustrations. Karl Breul's detailed introduction sketches the history and development of the story of Reynard the Fox, from its origins in oral tradition and the medieval beast epic to Goethe's famous 'Reinecke Fuchs', indicating the place of the Reinaert poem amongst the various verse and prose versions. The book also includes a corrected version of the van Alckmer fragments, and examines their relationship with the Reinaert II and Reinke texts. The book will be useful to those studying Middle Dutch and Middle Low German literature or printing history, and others interested in the Reynard story.
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Walter Map was a twelfth-century courtier and royal servant. He was a prolific writer, but De Nugis Curialium ('Courtiers' Trifles') is the only surviving work confidently attributed to him. The book is a collection of short stories and anecdotes about the court, religion and history. Map's references demonstrate that he read widely, not only biblical and theological works, but also classical authors such as Horace, Virgil, Ovid and Juvenal. The only surviving manuscript of the work is a fourteenth-century copy once belonging to the monk John Wells of Ramsey Abbey. The Cambridge bibliographer M. R. James would have been attracted to the breadth of Map's referencing, and the author's light-hearted writing style which was intended to entertain. James' 1914 Oxford publication corrected the earlier work of Thomas Wright who published an edition for the Camden Society in 1850.
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Hausa is an African language originating in Niger and northern Nigeria and spoken widely in West and Central Africa as a trading language. This anthology of Hausa texts (mainly Islamic religious verse and historical narratives) was the first publication supported by the short-lived Hausa Association, formed in 1891 to promote the study of the Hausa language and people. Under its aegis the Reverend C. H. Robinson went on to produce a Hausa Grammar in 1897 and a Dictionary in 1899, making great advances in Western knowledge of the language, despite the fact that some in the field criticised him for his relatively short exposure to Hausa-speaking countries. With facsimile reproductions of the manuscripts at actual size, the texts collected in this book were the first published specimens of Hausa writing. Each text is transcribed into in roman script and an English translation is given on facing pages.
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One of the few records of German heroic poetry, Widsith was found in the Exeter Book, a manuscript of Old English poetry compiled in the late tenth century. The tale, in which the wandering poet and narrator Widsith recounts his travels across northern Europe, is often seen as a catalogue of tribes, people and heroes who existed between the third and fifth centuries. Yet it is also, in Raymond Wilson Chambers' words, a rare and valuable 'record of lost heroic song'. Originally published in 1912, Chambers' study provides an introduction to the background of the German heroic tradition, as well as detailed analyses of specific aspects of Widsith, such as the metre, geography, and critical reception of the poem. This scholarly edition also includes an annotated version of the poem, and maps, as well as an appendix which will be valuable to students and scholars of Old English literature.
Goethe the Alchemist
A Study of Alchemical Symbolism in Goethe's Literary and Scientific Works
Häftad, Engelska, 2010
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In his autobiography, Goethe half-apologetically admits the youthful enthusiasm he experienced for alchemical and mystical readings: Georg von Welling's obscure Opus Mago-Cabbalisticum et Theosophicum and the anonymously published Aurea Catena Homeri, as well as works by Paracelsus, Basilis Valentinus and van Helmont. Originally published in 1952, this study shows how the symbols and concepts of alchemy played a key role in the genesis of Goethe's later works, both scientific and literary. Author of, among other books on German literature, Goethe: A Critical Introduction (1967) and An Introduction to German Poetry (1965), Ronald D. Gray details Goethe's alchemical readings, and shows how these influences were processed and transformed into a unique blend of scientific and poetic accounts of reality. Unprecedented in its approach, this study will be of interest to readers of German literature, as well as to anyone interested in the history and evolution of mysticism.
Shakespeare's Fight with the Pirates and the Problems of the Transmission of his Text
Häftad, Engelska, 2010
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Originally delivered in November 1915 as a series of lectures at the University of Cambridge, this close textual analysis of Shakespeare overturned the conventional methods of Shakespearean bibliography. In this careful study, Pollard, a bibliographer and literary scholar, called into question the long-held assumption that the early Quartos were of little bibliographical value because of the errors, mis-spellings and mis-lineations. By emphasizing the efforts made to impede printing piracy in early modern England, Pollard argued that the Quartos are much closer to Shakespeare's manuscripts than previous scholarship had allowed. Pollard, along with J. Dover Wilson, W. W. Greg and R. B. McKerrow, was instrumental in establishing the theoretical framework of New Bibliography, and on its publication the book was greeted with what is described in the introduction as 'friendly controversy'. First published in 1915, the book was revised for republication in 1920. This reissue is of the 1967 reprint.
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First published in 1923, this book consists of a series of papers written by Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson, and R. W. Chambers, all advocates of the then newly-established New Bibliography. The book was assembled with the intention of strengthening the argument that three pages of Sir Thomas More in the Harleian Manuscript at the British Museum were written in Shakespeare's own hand. The well-established scholars examine the case from several different angles, considering the handwriting in comparison to the known versions of Shakespeare's signature, the bibliographical links between these three pages and the 'good' quartos, and the content of the pages in relation to political ideas expressed elsewhere in Shakespeare. The volume also includes plates of Shakespeare's signatures, analysis of individual letter shapes and parts of the manuscript, and a special transcript of the pages in question.
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Matthew Prior (1664-1721) was a minor poet and diplomat under King William III and subsequently Queen Anne. As an envoy to the Netherlands and France and negotiator of the Treaty of Utrecht in 1713 he had a ringside seat at the European power struggles of his time, while at the same time forging a literary career by publishing poetry and angling for the post of Poet Laureate. Prior's surviving correspondence to his patrons and paymasters is a uniquely witty record of diplomatic life. The first full-length biography of Prior, this book was first published in 1921. Its author, Leopold George Wickham Legg, was an editor of the Dictionary of National Biography. The appendixes include detailed information about Prior's family background and transcriptions of some of his surviving letters and a diary from 1712.
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First published between 1932 and 1940, this is a three-volume study of the historical development of literature. It explores the oral and written literatures of regions from Iceland and the British Isles, to Russia, the Balkans, Africa, India and the Pacific, placing them in their historical context and examining similarities between them. The authors discuss both ancient and recent texts, illustrating the connections within each group and considering the question of whether all literary growth is influenced by common factors. Praised on publication as '... a work that is not, probably could not be, superseded' (International Journal of Comparative Sociology), the book remains a benchmark for those studying comparative literature or the history of literary criticism. Volume 1 analyses a range of medieval British and Icelandic poetry and sagas, drawing analogies with the literature of early Greece and focusing particularly on the concept of heroic literature.
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First published between 1932 and 1940, this is a three-volume study of the historical development of literature. It explores the oral and written literatures of regions from Iceland and the British Isles, to Russia, the Balkans, Africa, India and the Pacific, placing them in their historical context and examining similarities between them. The authors discuss both ancient and recent texts, illustrating the connections within each group and considering the question of whether all literary growth is influenced by common factors. Praised on publication as '... a work that is not, probably could not be, superseded' (International Journal of Comparative Sociology), the book remains a benchmark for those studying comparative literature or the history of literary criticism. Volume 2 focuses particularly on Russia and the Balkans, and also surveys both early Indian and early Hebrew literature.
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George Eliot's first biographer, Mathilde Blind (1841-1896), was herself a poet and writer. Born in Germany, Blind moved with her family to London when she was still a child, and it was there that she established her literary reputation, writing poetry, essays, biographies, and a novel. In 1883, three years after Eliot's death, Blind's George Eliot was published. It is the first full-length biography of Eliot; while biographical articles about her had appeared in 1881, Blind's work corrected mistakes and enlarged the knowledge of Eliot's early life. Indeed, what sets her biography apart is the extent of private sources that Blind sought out, returning to Eliot's home and engaging with family and friends to accrue extensive information hitherto unknown to the public. Organized first around her personal life and latterly around her works, this biography will interest Eliot scholars, students of nineteenth-century criticism, and scholars of feminism.
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American Unitarian minister George Willis Cooke (1848-1923) worked for almost thirty years in Unitarian churches across the United States before turning full-time to scholarly pursuits in 1900. Cooke, a voracious reader who was largely self-taught, attended Meadville Theological School in Illinois but never graduated. A radical in theology and politics, he was drawn to the transcendentalist authors and in 1881 published a critical study of the works of Ralph Waldo Emerson. Cooke's George Eliot: A Critical Study of her Life, Writings and Philosophy (1883) probably emerged from those same philosophical impulses. The book was published just after Blind's biography, but Cooke asserts that with a small exception his work was complete when hers appeared; moreover, his study prioritises the act of 'interpreting and criticising [Eliot's] teachings' over the details of her life, and the book's organisation reflects this hierarchy, giving insights into the contemporary reception of George Eliot.
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This volume was originally published as part of the English Men of Letters series in 1902. This series aimed to bring a critical framework for reading and analysing novels to the large literate audience which had emerged as the result of mass education campaigns in the nineteenth century. Written by eminent scholars and combining biographical details with literary criticism, the English Men of Letters series was extremely successful and occupied a distinctive position in British literary education in the early twentieth century. Written by Victorian scholar and critic Sir Leslie Stephen (1832-1904) this volume examines the life and literary achievements of George Eliot (1819-1880), the first woman novelist to be included in the series. Arranged around Eliot's published novels, the biographical discussion of her life detailing her domestic life and literary criticism of her works reveals late Victorian ideals concerning fiction and a respectable life.
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Best known for his brief marriage to George Eliot, John Cross (1840-1924) compiled this three-volume 'autobiography' of 1885 from his late wife's journals and letters. Eliot was never married to her long-term partner G. H. Lewes, and she courted further scandal when she married Cross, twenty years her junior, in 1880. While these volumes offer a valuable insight into Eliot's private reflections, what is perhaps most telling is the material left out or rewritten in Cross' efforts to lend his wife's unconventional life some respectability, which he does at the expense of what one reviewer described as Eliot's 'salt and spice'. George Eliot's Life will be of particular interest to scholars of nineteenth-century biography and literature. Volume 1 covers Eliot's life from 1819 to 1857, beginning with a brief sketch of her childhood and continuing with her move to Coventry, then to London, and travels to Geneva.
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Best known for his brief marriage to George Eliot, John Walter Cross (1840-1924) compiled this three-volume 'autobiography' of 1885 from his late wife's journals and letters. Eliot was never married to her long-term partner G. H. Lewes, and she courted further scandal when she married Cross, twenty years her junior, in the spring of 1880. While these volumes offer a valuable insight into Eliot's private reflections, what is perhaps most telling is the material left out or rewritten in Cross' efforts to lend his wife's unconventional life some respectability, which he does at the expense of what one reviewer described as Eliot's 'salt and spice'. George Eliot's Life will be of particular interest to scholars of nineteenth-century biography and literature. Volume 2 covers the years 1858-1866, including Eliot's initial success in fiction and her travels in Italy, Holland, and along the Rhine.
659 kr
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Best known for his brief marriage to George Eliot, John Walter Cross (1840-1924) compiled this three-volume 'autobiography' of 1885 from his late wife's journals and letters. Eliot was never married to her long-term partner G. H. Lewes, and she courted further scandal when she married Cross, twenty years her junior, in the spring of 1880. While these volumes offer a valuable insight into Eliot's private reflections, what is perhaps most telling is the material left out or rewritten in Cross' efforts to lend his wife's unconventional life some respectability, which he does at the expense of what one reviewer described as Eliot's 'salt and spice'. George Eliot's Life will be of particular interest to scholars of nineteenth-century biography and literature. Volume 3 focuses on Eliot's final years, including her later literary success, travels in Spain, the death of G. H. Lewes, and her marriage to Cross.
520 kr
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Clara Lucas Balfour (1808-1878) published Sketches of English Literature in 1852. The work surveys the development of English literature from the revival of letters in the fourteenth century to the literary controversies of the mid-nineteenth. Balfour places a special focus on the work of women writers. The first chapters consider the impact of the Renaissance and Reformation, the development of printing, and the publication of early vernacular Bibles on English literature; and examine the work of a number of Elizabethan writers, including Spenser and Shakespeare. The survey continues with evaluations of later writers including Milton, Dryden and a number of female poets. Later chapters analyse the influence of science on literature and the work concludes with an examination of nineteenth-century socially conscious literature. Balfour's lively and accessible style ensured that the work became a favourite of educated Victorians. It is a classic of popular nineteenth-century literature.
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Published two years after the novelist's death, this two-volume work is the first and the best-known of the many biographies of the Brontë family. Written by the novelist Elizabeth Gaskell (1810-65), the book was instrumental in the creation of the Brontës' public image as a family set apart by literary genius and personal tragedy. Gaskell's chief source for the biography was some 350 letters between Charlotte and her friend Ellen Nussey, letters which Charlotte's husband had asked Nussey to destroy after his wife's death, fearing they would damage her reputation. Volume 1 consists of 14 chapters and covers the Brontë ancestry, Charlotte's time at school and as a governess, her juvenilia, the 'deplorable conduct' of her laudanum-addicted brother Branwell, and the publication of her poems, along with those of her sisters Anne and Emily, in the volume Poems by Currer, Ellis and Acton Bell in 1846.