Canadiana – serie

Die Reihe "Canadia" versteht sich als Plattform fur Forschungsarbeiten aus dem Bereich der Kanada-Studien. Hier sollen neuere Entwicklungen in den Literatur-, Kultur- und Medienwissenschaften dokumentiert werden. Durch den spezifischen Charakter des Kanadischen kommt den interkulturellen, multikulturellen und transkulturellen Aspekten eine besondere Bedeutung zu. Die Studien werden in deutscher, englischer oder franzosischer Sprache mit Abstracts in den jeweils anderen Sprachen veroffentlicht.

The Black tile in Canada’s mosaic has long been neglected – in historiography, literary criticism and public discourse. African-Canadian literature sets out to correct this absence. This study provides an in-depth look into the fiction of one of African-Canadian literature’s foremost writers, Lawrence Hill. His novels provide a counter-memory, an antidote to the forgetfulness and neglect which often characterize Canada’s attitude towards its Black minority both past and present. Dominant collective memory versions are thus corrected to reflect a more faithful Canadian mosaic. Whether it is the enslavement of Blacks in Canada, de facto segregation or racial profiling – Hill narrates histories which have rarely been told before. This book is the first to provide a comprehensive analysis of Hill’s historical fictions.

In the past few years, the concept of «liminality» has become a kind of pet theme within the discipline of Cultural Studies, lending itself to phenomena of transgression and systemic demarcation. This anthology employs theories of liminality to discuss Canada’s geographic and symbolic boundaries, taking its point of departure from the observation that «Canada» itself, as a cultural, political, and geographic entity, encapsulates elements of the «liminal.» The essays comprised in this volume deal with fragmented and contradictory practices in Canada, real and imagined borders, as well as contact zones, thresholds, and transitions in Anglo-Canadian and French-Canadian texts, discussing topics such as the U.S./Canadian border, migration, French-English relations, and encounters between First Nations and settlers.

In the diversified and ambiguous, globally and glocally networked mobile present, national identities are challenged internally and externally in multiple ways. In Canada intellectuals and notable novelists have lately begun to remember and re-discover the significance of the First World War for their construction of a Canadian national identity. The book presents the first large-scale interdisciplinary analysis of these developments. The author of this Bourdieusian inspired literary-critical research work nails down the sociological foundations of the concept of the nation before then discussing aspects of the role of the First World War for (Canadian) national identity and the relevant memorial discourse. The reconstruction focuses on how remarkable Canadian authors – including Hugh MacLennan, Timothy Findley, Jack Hodgins, Jane Urquhart, Frances Itani and Joseph Boyden – have challenged, re-imagined and rewritten the Nation Forged in Fire-myth in the 20th and 21st century to bring to life the experiences of national minorities like women, indigenous people, migrants, war veterans, children and people with disabilities. The study shows that the literary workings on the myth, myth reconstruction and myth deconstruction is a fascinating though ambivalent and dynamic project in the Third Millennium.