Catalan Literature – serie

A moving contribution to the tradition of the metaphysical novel as exemplified by Dostoyevsky and Bernanos, and likewise a worthy counterpart to the vibrant and polyphonic work of fellow Iberians Camilo Jos? Cela and Juan Goytisolo, "The Sea" is a cornerstone of postwar Catalan literature. Set in a tubercular sanatorium in Mallorca after the Spanish Civil War, it tells the story of three children sharing a gruesome secret who are brought together again by chance and illness -- two patients and one nurse. A love triangle, a story of retribution, and an exploration of evil, "The Sea" is "a profound and radical descent into the depths of the human soul." (Gerard de Cortanze)

This volume brings together three short novels by Catalan literature's great maverick and recluse, each depicting a brutal, abstract world where words are the only reality--shifting between the erudite, the archaic, and the vulgar. "Carrer Marsala," which won prizes from the City of Barcelona and the Generalitat de Catalunya--neither of which Bau bothered to accept--is a relentless monologue delivered by a paranoid hypochondriac obsessed with dental hygiene, sex, and his own squalid rooms in Barcelona. In "The Old Man," the narrator observes a strange building where a decrepit prisoner is ritually beaten by a policeman once a week. "The Warden" details the narrator's own captivity, and his relationship with the woman who keeps him prisoner. In Martha Tennent's haunting translation, reminiscent of a Mediterranean Beckett or Thomas Bernhard, Miquel Bau 's work is a pungent reminder of the ways the world fails its prophets and pariahs.

One of the defining texts of twentieth-century Catalan fiction, written by one of its most innovative and cherished writers, Salvador Espriu's "Ariadne in the Grotesque Labyrinth" is a collection of thirty-four short stories in which the twists and turns of action, character, and place are as winding and sumptuous as the legendary maze of its title. Originally published in 1935 in the midst of great countrywide political and social upheaval, these stories are a mirror, a grotesque mirror, held up to Catalan and Spanish society. Infused with a deep sense of mythic power, blending social realism with lush modernist experiment, " Ariadne in the Grotesque Labyrinth" is a triumph of style. Perhaps best known for his poetry, Espriu's rich lyricism and highly evocative use of the Catalan language are here brought to life in the poet Rowan Ricardo Phillips's remarkable English-language translation of a classic of world literature.

This volume brings together three short novels by Catalan literature's great maverick and recluse, each depicting a brutal, abstract world where words are the only reality--shifting between the erudite, the archaic, and the vulgar. "Carrer Marsala," which won prizes from the City of Barcelona and the Generalitat de Catalunya--neither of which Bau bothered to accept--is a relentless monologue delivered by a paranoid hypochondriac obsessed with dental hygiene, sex, and his own squalid rooms in Barcelona. In "The Old Man," the narrator observes a strange building where a decrepit prisoner is ritually beaten by a policeman once a week. "The Warden" details the narrator's own captivity, and his relationship with the woman who keeps him prisoner. In Martha Tennent's haunting translation, reminiscent of a Mediterranean Beckett or Thomas Bernhard, Miquel Bau 's work is a pungent reminder of the ways the world fails its prophets and pariahs.

One of the defining texts of twentieth-century Catalan fiction, written by one of its most innovative and cherished writers, Salvador Espriu's "Ariadne in the Grotesque Labyrinth" is a collection of thirty-four short stories in which the twists and turns of action, character, and place are as winding and sumptuous as the legendary maze of its title. Originally published in 1935 in the midst of great countrywide political and social upheaval, these stories are a mirror, a grotesque mirror, held up to Catalan and Spanish society. Infused with a deep sense of mythic power, blending social realism with lush modernist experiment, " Ariadne in the Grotesque Labyrinth" is a triumph of style. Perhaps best known for his poetry, Espriu's rich lyricism and highly evocative use of the Catalan language are here brought to life in the poet Rowan Ricardo Phillips's remarkable English-language translation of a classic of world literature.