Classic Folk and Fairy Tales – serie

An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis.For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"—their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others.In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance.The first English translations of Italian folktales, now available after more than a century of neglectCritical analysis and notes by the original editor, 19th-century folklorist Thomas Crane

The first compilation of the full first-edition texts of the classic fairy tale collections by Joseph Jacobs, with Jacobs' original prefaces and annotations.In these two classic collections, first published in 1890 and 1894, Joseph Jacobs combined folklore, children's literature, and the eclectic scholarship of the Victorian era to create a storehouse of tales that inhabited the imaginations of children and adults for generations. Here readers first met Tom Tit Tot, Molly Whuppie, and Jack the Giant-Killer, and first read the stories of the Three Little Pigs, the Three Bears, and Henny-Penny.Jacobs' daring collections challenged conventional thinking about the meaning of "folk," the individual artistry behind folktales, and the boundaries between folklore and literature, anticipating modern developments in folklore studies. His original editions of these 87 classic tales, along with the original illustrations, are reprinted in this new volume, offering readers an unsurpassed understanding of the development of the classic fairy tale in late Victorian England.

The first compilation of the full first-edition texts of the classic fairy tale collections by Joseph Jacobs, with Jacobs' original prefaces and annotations.In these two classic collections, first published in 1890 and 1894, Joseph Jacobs combined folklore, children's literature, and the eclectic scholarship of the Victorian era to create a storehouse of tales that inhabited the imaginations of children and adults for generations. Here readers first met Tom Tit Tot, Molly Whuppie, and Jack the Giant-Killer, and first read the stories of the Three Little Pigs, the Three Bears, and Henny-Penny.Jacobs' daring collections challenged conventional thinking about the meaning of "folk," the individual artistry behind folktales, and the boundaries between folklore and literature, anticipating modern developments in folklore studies. His original editions of these 87 classic tales, along with the original illustrations, are reprinted in this new volume, offering readers an unsurpassed understanding of the development of the classic fairy tale in late Victorian England.

An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis.For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"—their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others.In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance.

Clouston's classic study of international folktales, their common origins, and their cultural variations is updated with new research.This classic study of popular tales and fictions is a global map of human imagination reaching back to a time that the author calls "the childhood of the world."First published in two volumes more than a century ago, the book traces familiar themes from strikingly different times, places, and cultures: invisible caps and cloaks, shoes of swiftness, inexhaustible purses, gold-producing animals, life tokens, bird maidens, forbidden rooms, fairy hinds, magic barks, thankful beasts, and magical transformations. The author investigates their origins, examines their variations, and follows their migration from one culture to another. Editor Christine Goldberg brings this classic up to date with an introduction that evaluates and expands the original work in the light of current scholarship.Takes a thematic approach to the study of folktales, exploring topics like gold-producing animals, invisible caps and cloaks, and bird maidensAn introduction by contemporary folklorist Christine Goldberg places W. A. Clouston's classic work in historical and scholarly context

Clouston's classic study of international folktales, their common origins, and their cultural variations is updated with new research.This classic study of popular tales and fictions is a global map of human imagination reaching back to a time that the author calls "the childhood of the world."First published in two volumes more than a century ago, the book traces familiar themes from strikingly different times, places, and cultures: invisible caps and cloaks, shoes of swiftness, inexhaustible purses, gold-producing animals, life tokens, bird maidens, forbidden rooms, fairy hinds, magic barks, thankful beasts, and magical transformations. The author investigates their origins, examines their variations, and follows their migration from one culture to another. Editor Christine Goldberg brings this classic up to date with an introduction that evaluates and expands the original work in the light of current scholarship.

Makes available a difficult-to-find folkloric scholarship classic and illuminates it with contemporary commentary from a preeminent authority on Egyptian folktales.Gaston Maspero is a towering figure in Egyptology. Popular Stories of Ancient Egypt offers a wealth of primary data and authoritative commentaries on ancient Egyptian culture, language, history, society, and ethnic groups as depicted in Egyptian and Greek–Egyptian narratives. The work provides the contextual data necessary for understanding the tale-texts and reflects Maspero's deep knowledge of many fields, from the classics to life in modern Egypt.This new edition includes a contemporary foreword, which introduces Maspero and describes his scholarship. It also provides, for the first time, extensive identification of the ancient stories in terms of international tale-types and motifs. The new information places the anthology in a broader academic context and is a valuable resource for students of Egyptology, folklore, literature, history, and social and cultural anthropology.

Makes available a difficult-to-find folkloric scholarship classic and illuminates it with contemporary commentary from a preeminent authority on Egyptian folktales.Gaston Maspero is a towering figure in Egyptology. Popular Stories of Ancient Egypt offers a wealth of primary data and authoritative commentaries on ancient Egyptian culture, language, history, society, and ethnic groups as depicted in Egyptian and Greek–Egyptian narratives. The work provides the contextual data necessary for understanding the tale-texts and reflects Maspero's deep knowledge of many fields, from the classics to life in modern Egypt.This new edition includes a contemporary foreword, which introduces Maspero and describes his scholarship. It also provides, for the first time, extensive identification of the ancient stories in terms of international tale-types and motifs. The new information places the anthology in a broader academic context and is a valuable resource for students of Egyptology, folklore, literature, history, and social and cultural anthropology.

A long-lost collection of Indian fairy tales transcribed by the daughter of the British governor of Bombay.In the cold months of 1865, young Mary Frere and her father, Bartle Frere, British governor of Bombay, set out in a caravan across the Deccan province of south central India. During their journey Mary transcribed 24 popular Hindu folktales told to her by her nursemaid. That collection of tales, which she published as Old Deccan Days, not only became the first Indian folklore collection in English, it established a new genre of writing about British India.These marvelously imaginative tales from the Indian oral tradition are peopled with beautiful, smart, outspoken women; restless, adventuresome men; gods who take on human form; and animals who know the secrets of human destinies. Evil magicians cast spells on humans, changing them to plants, and demonic, ogre-like Rakshases savor human flesh.Includes Mary Frere's original introduction to the first published editionUpdated by folklorist Kirin Narayan with an introduction discussing the oral tradition, the British Colonial period, and the relationship between Frere and her nursemaid, Anna DeSouza

A long-lost collection of Indian fairy tales transcribed by the daughter of the British governor of Bombay.In the cold months of 1865, young Mary Frere and her father, Bartle Frere, British governor of Bombay, set out in a caravan across the Deccan province of south central India. During their journey Mary transcribed 24 popular Hindu folktales told to her by her nursemaid. That collection of tales, which she published as Old Deccan Days, not only became the first Indian folklore collection in English, it established a new genre of writing about British India.These marvelously imaginative tales from the Indian oral tradition are peopled with beautiful, smart, outspoken women; restless, adventuresome men; gods who take on human form; and animals who know the secrets of human destinies. Evil magicians cast spells on humans, changing them to plants, and demonic, ogre-like Rakshases savor human flesh.

The first single volume collection of classic Hindi folktales by translators William Crooke and Pandit Ram Gharib Chaube.In 1891, at a time when the study of India was primarily based on ancient texts, coins, and material remains, William Crooke dared to focus on living India—its everyday culture, age-old customs, and fictional narratives. With Pandit Ram Gharib Chaube, he recorded and published, over a period of six years, a remarkable collection of folktales from northern India.The tales reflect the tapestry of social and personal lives of this region, the epicenter of a revolt against British rule in 1857. Although many of the tales were published in British ethnographic journals, a number of the manuscripts, in Chaube's handwriting, were unpublished; others existed only as old microfilm in a New Delhi library. Never before have they appeared as a single volume or been available in any one library or archive.Includes the original versions of over 350 Indian folktales collected in colonial India during the 1890sIntroduction by Sadhana Naithani provides an overview of William Crooke's methodology and translation practices

The first single volume collection of classic Hindi folktales by translators William Crooke and Pandit Ram Gharib Chaube.In 1891, at a time when the study of India was primarily based on ancient texts, coins, and material remains, William Crooke dared to focus on living India—its everyday culture, age-old customs, and fictional narratives. With Pandit Ram Gharib Chaube, he recorded and published, over a period of six years, a remarkable collection of folktales from northern India.The tales reflect the tapestry of social and personal lives of this region, the epicenter of a revolt against British rule in 1857. Although many of the tales were published in British ethnographic journals, a number of the manuscripts, in Chaube's handwriting, were unpublished; others existed only as old microfilm in a New Delhi library. Never before have they appeared as a single volume or been available in any one library or archive.

The remarkably accurate original translations of Native American myths from one of 19th-century America's foremost linguists.Native American mythology shows vestiges of religious concepts already old when the Egyptians evolved their form of worship. This volume offers an unusual collection of myths from two Native American cultures, the Wintu and Yana, recorded and translated in the 1880s by Jeremiah Curtin, one of the outstanding American linguists of the later 19th century. Because Curtin sought out storytellers who were not influenced by other cultures, his translations offer remarkably accurate accounts of the fundamental beliefs of Native Americans.In his introduction, Curtin explains the profound antiquity of these myths of creation, which preserve some of the earliest religious expression. He also provides an unflinching account of the appalling genocidal attacks on the peaceful Yana by white Californians in the 1860s. Because the Yana became extinct, Curtin's rendering of some of their important myths is an especially valuable contribution to contemporary understanding of Native American mythology.Introduction by scholar Karl Kroeber offers new insight into the significance of Curtin's collection for understanding the creation myth system of Native AmericaContains original translations of the system of creation myths as told to Curtin by members of the Yana and Wintu tribes