Critical Issues – serie

Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.

Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley's major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.

Joseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad''s fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels.First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad''s fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen''s work and an idea of the current state of critical debate.

Virginia Woolf has emerged from recent scholarship as a less inward-looking and other-worldly writer than she was depicted for more than half a century. However, this is the first book to address the cryptographic nature of her writings about politics and history. Approaching each of her novels in turn through theoretical frameworks provided by Michel Foucault, Mikhail Bakhtin and contemporary social theorists, Linden Peach argues that Woolf is a more sophisticated political thinker than has been commonly recognised, interested in historiography, engaged by the coded nature of social 'reality' and interrogating the cryptic meanings within public discourse.

From the earliest reviews of his poetry, readers were deeply divided on the merits of William Wordsworth's work. John Williams looks in detail at the major poems and discusses the critical issues that have dominated discussions of Wordsworth's compositions since they first began to appear in print after 1798.Beginning with a fresh assessment of the controversies that developed around Lyrical Ballads, the chapters trace the evolution of both Wordsworth's poetry and his reputation through to his death in 1850. At each stage, Williams investigates the possible reasons why critics and readers responded as they did: enraged by his revolutionary 'Jacobinism' at the turn of the eighteenth century; insulted by the 'simplicity' of the Poems in Two Volumes of 1807; reassured by his commitment to Nature and his reverence for Church and State in the early Victorian period.In the twentieth century, Wordsworth has been subjected to a series of extensive critical reappraisals. With reference to a wide range of the poetry, Williams goes on to discuss the way Wordsworth has been variously reconstructed as a consequence of the main critical and theoretical initiatives of the last one hundred years. He also examines the Wordsworth we have inherited for the twenty-first century: a poet many still feel has important things to say to the contemporary reader about human relationships, nature, the environment, and our imaginative life.

George Eliot was one of the great thinkers of her time, a figure central to the main currents of thought and belief in the nineteenth century. Yet when this distinguished public intellectual turned to fiction writing at the age of thirty-six, she regarded it not as a lesser pursuit, but as the distillation of all of her knowledge and ideas. For Eliot, fiction enabled the consideration of life 'in its highest complexity', and had the capacity not merely to elicit, but actually to create, moral sentiment by surprising readers into the recognition of realities other than their own.In this new study, Pauline Nestor offers a challenging reassessment of Eliot's contribution to the critical debates, both of her age and of her own era. In particular, she examines the author's literary expolration of ethics, especially in relation to the negotiation of difference. Nestor argues compellingly that, through a reading of their sophisticated drama of otherness, Eliot's novels can be seen as freshly relevant to contemporary theoretical debates in feminism, moral philosophy, post-colonial studies and psychoanalysis.Covering the writer's complete body of major fiction, this is an indispensable voume for anyone studying the work of one of the most important and influential novelists of the nineteenth century.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen's work and an idea of the current state of critical debate.

To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world.This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian 'man of letters', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer's alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century.Each chapter of this text analyses the work of a particular decade in Dickens's career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.

To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world.This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian 'man of letters', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer's alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century.Each chapter of this text analyses the work of a particular decade in Dickens's career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.

The writings of Charlotte Brontë - a member of one of the great literary families - have inspired, fascinated and moved readers ever since their first publication in the mid-nineteenth century. In this new study, Carl Plasa elaborates a series of textually focused, historically grounded and theoretically informed analyses of the full range of the author's texts. As well as providing original readings of Brontë's four best known novels - The Professor, Jane Eyre, Shirley and Villette - attention is given to less familiar and critically neglected areas of Brontë's work, such as the Ashanti narratives, the poetry and the Belgian essays of the early 1840s. Charlotte Brontë's work has undergone a significant reassessment from a postcolonial critical perspective in recent years. By examining Brontë's textual production from its exuberant and experimental beginnings to the formal complexity of Villette, her last completed novel, Plasa offers what is the most comprehensive exploration to date of the shifts in the writer's engagement with the question of colonialism. In so doing, he brings to light the subtle relationships of continuity and transformation between the earlier and later stages of Brontë's literary career and demonstrates the extent to which that career was sparked and driven by her 'colonial imagination'.

The writings of Charlotte Brontë - a member of one of the great literary families - have inspired, fascinated and moved readers ever since their first publication in the mid-nineteenth century. In this new study, Carl Plasa elaborates a series of textually focused, historically grounded and theoretically informed analyses of the full range of the author's texts. As well as providing original readings of Brontë's four best known novels - The Professor, Jane Eyre, Shirley and Villette - attention is given to less familiar and critically neglected areas of Brontë's work, such as the Ashanti narratives, the poetry and the Belgian essays of the early 1840s. Charlotte Brontë's work has undergone a significant reassessment from a postcolonial critical perspective in recent years. By examining Brontë's textual production from its exuberant and experimental beginnings to the formal complexity of Villette, her last completed novel, Plasa offers what is the most comprehensive exploration to date of the shifts in the writer's engagement with the question of colonialism. In so doing, he brings to light the subtle relationships of continuity and transformation between the earlier and later stages of Brontë's literary career and demonstrates the extent to which that career was sparked and driven by her 'colonial imagination'.

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy's novels and with reference to his poetry.

This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the 'feminine' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats's writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships.Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats's exploration of poetry, gender and desire, and provides an extended analysis of Keats's quest for poetic fame in the face of the often conflicting forces of love and sexuality.Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.

This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the 'feminine' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats's writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships.Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats's exploration of poetry, gender and desire, and provides an extended analysis of Keats's quest for poetic fame in the face of the often conflicting forces of love and sexuality.Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.

George Eliot was one of the great thinkers of her time, a figure central to the main currents of thought and belief in the nineteenth century. Yet when this distinguished public intellectual turned to fiction writing at the age of thirty-six, she regarded it not as a lesser pursuit, but as the distillation of all of her knowledge and ideas. For Eliot, fiction enabled the consideration of life ''in its highest complexity'', and had the capacity not merely to elicit, but actually to create, moral sentiment by surprising readers into the recognition of realities other than their own.In this new study, Pauline Nestor offers a challenging reassessment of Eliot''s contribution to the critical debates, both of her age and of her own era. In particular, she examines the author''s literary expolration of ethics, especially in relation to the negotiation of difference. Nestor argues compellingly that, through a reading of their sophisticated drama of otherness, Eliot''s novels can be seenas freshly relevant to contemporary theoretical debates in feminism, moral philosophy, post-colonial studies and psychoanalysis.Covering the writer''s complete body of major fiction, this is an indispensable voume for anyone studying the work of one of the most important and influential novelists of the nineteenth century.

Graham Allen provides both an introduction to and review of the critical responses to Mary Shelley''s major fictions, from the Romantic period to the present day, while also pushing debates forward. The book moves beyond Frankenstein, presenting new readings of other texts such as Matilda, Valperga, The Last Man and Lodore.

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy''s novels and with reference to his poetry.

From the earliest reviews of his poetry, readers were deeply divided on the merits of William Wordsworth''s work. John Williams looks in detail at the major poems and discusses the critical issues that have dominated discussions of Wordsworth''s compositions since they first began to appear in print after 1798.Beginning with a fresh assessment of the controversies that developed around Lyrical Ballads, the chapters trace the evolution of both Wordsworth''s poetry and his reputation through to his death in 1850. At each stage, Williams investigates the possible reasons why critics and readers responded as they did: enraged by his revolutionary ''Jacobinism'' at the turn of the eighteenth century; insulted by the ''simplicity'' of the Poems in Two Volumes of 1807; reassured by his commitment to Nature and his reverence for Church and State in the early Victorian period.In the twentieth century, Wordsworth has been subjected to a series of extensive critical reappraisals. With reference to a wide range of the poetry, Williams goes on to discuss the way Wordsworth has been variously reconstructed as a consequence of the main critical and theoretical initiatives of the last one hundred years. He also examines the Wordsworth we have inherited for the twenty-first century: a poet many still feel has important things to say to the contemporary reader about human relationships, nature, the environment, and our imaginative life.

George Eliot was one of the great thinkers of her time, a figure central to the main currents of thought and belief in the nineteenth century. Yet when this distinguished public intellectual turned to fiction writing at the age of thirty-six, she regarded it not as a lesser pursuit, but as the distillation of all of her knowledge and ideas. For Eliot, fiction enabled the consideration of life ''in its highest complexity'', and had the capacity not merely to elicit, but actually to create, moral sentiment by surprising readers into the recognition of realities other than their own.In this new study, Pauline Nestor offers a challenging reassessment of Eliot''s contribution to the critical debates, both of her age and of her own era. In particular, she examines the author''s literary expolration of ethics, especially in relation to the negotiation of difference. Nestor argues compellingly that, through a reading of their sophisticated drama of otherness, Eliot''s novels can be seen as freshly relevant to contemporary theoretical debates in feminism, moral philosophy, post-colonial studies and psychoanalysis.Covering the writer''s complete body of major fiction, this is an indispensable voume for anyone studying the work of one of the most important and influential novelists of the nineteenth century.

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy''s novels and with reference to his poetry.

Joseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad''s fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels.First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad''s fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.

This book offers a one-volume study of Jane Austen that is both a sophisticated critical introduction and a valuable contribution to the study of one of the most popular and enduring British novelists. Darryl Jones provides students with a coherent overview of Austen''s work and an idea of the current state of critical debate.

To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world.This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian ''man of letters'', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer''s alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century.Each chapter of this text analyses the work of a particular decade in Dickens''s career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.

From the earliest reviews of his poetry, readers were deeply divided on the merits of William Wordsworth''s work. John Williams looks in detail at the major poems and discusses the critical issues that have dominated discussions of Wordsworth''s compositions since they first began to appear in print after 1798.Beginning with a fresh assessment of the controversies that developed around Lyrical Ballads, the chapters trace the evolution of both Wordsworth''s poetry and his reputation through to his death in 1850. At each stage, Williams investigates the possible reasons why critics and readers responded as they did: enraged by his revolutionary ''Jacobinism'' at the turn of the eighteenth century; insulted by the ''simplicity'' of the Poems in Two Volumes of 1807; reassured by his commitment to Nature and his reverence for Church and State in the early Victorian period.In the twentieth century, Wordsworth has been subjected to a series of extensive critical reappraisals. With reference to a wide range of the poetry, Williams goes on to discuss the way Wordsworth has been variously reconstructed as a consequence of the main critical and theoretical initiatives of the last one hundred years. He also examines the Wordsworth we have inherited for the twenty-first century: a poet many still feel has important things to say to the contemporary reader about human relationships, nature, the environment, and our imaginative life.

This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the ''feminine'' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats''s writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships.Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats''s exploration of poetry, gender and desire, and provides an extended analysis of Keats''s quest for poetic fame in the face of the often conflicting forces of love and sexuality.Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.

To many of his contemporaries, Charles Dickens was the greatest writer of his age; a one-man fiction industry who produced fourteen massive novels, and numerous sketches, essays and stories, many of which appeared in the two magazines which he founded and edited. Today the work of one of the first and most successful mass-circulation authors continues to enthrall readers around the world.This wide-ranging book examines the writings of Dickens, not only in his time but also in ours. It looks at the author as a Victorian ''man of letters'', and explores his cultural and critical impact both on the definition of the novel in the nineteenth century and the subsequent development of the form in the twentieth. Lyn Pykett focuses on Dickens as journalist, literary entrepreneur, the conductor of magazines, the shaper of the serial novel, the manipulator of the multiple plot, and the creator of eccentric characters. She also assesses the modernity of the writer''s alienated protagonists and their social environments, as well as reassessing his representations of the vivid, bleak and at times menacing spectacle of the metropolis, from the late modern/postmodern perspective of the twenty first century.Each chapter of this text analyses the work of a particular decade in Dickens''s career, providing a lively contextual study which places his writings in relation to the worlds that made him, and the literary worlds which he made. It is essential reading for all those with an interest in one of the most popular, and enduring, British novelists of all time.

Joseph Conrad is one of the great figures in the tradition of the novel. This clear and well-written study provides a critically-informed introduction to Conrad and his work, placing him in his political, social and literary context, and examining his relationship to Modernism, England and Empire. Organised thematically - broaching the leading themes of race, the sea and nationalism - Allan H. Simmons covers the range of Conrad's fiction, from the early Malay novels, through such key works as Heart of Darkness, Lord Jim, Nostromo, The Secret Agent and Under Western Eyes, to his later novels.First-time readers of Conrad are provided with in-depth contexts for appreciating a writer whose work is often challenging, while readers already familiar with Conrad's fiction will find new perspectives with which to view it. Approachable and authoritative, this introductory guide is essential for anyone with an interest in a master of twentieth-century fiction whose work variously altered the English and European literary landscape.