Criticism and Analysis of Early Music – serie
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11 produkter
Language of the Modes
Studies in the History of Polyphonic Modality
Häftad, 2015
817 kr
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The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students …
Counterpoint and Compositional Process in the Time of Dufay
Perspectives from German Musicology
Inbunden, 1997
2586 kr
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During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence …
Language of the Modes
Studies in the History of Polyphonic Modality
Inbunden, 2001
2197 kr
Lägg i varukorg
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students …
Gender, Sexuality, and Early Music
Inbunden, 2002
2586 kr
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This collection addresses questions of gender and sexuality as they relate to music from the middle ages to the early seventeenth century. These essays present a body of scholarship that considers music as part of the history of sexuality, stimulating conversation within musicology as well as …
Counterpoint, Composition and Musica Ficta
Inbunden, 2002
2826 kr
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Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction …
Early Musical Borrowing
Av Honey Meconi
Inbunden, 2003
2586 kr
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A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the …
Tonal Structures in Early Music
Häftad, 1999
1057 kr
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Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.
Gender, Sexuality, and Early Music
Häftad, 2015
832 kr
Lägg i varukorg
This collection addresses questions of gender and sexuality as they relate to music from the middle ages to the early seventeenth century. These essays present a body of scholarship that considers music as part of the history of sexuality, stimulating conversation within musicology as well as …
Counterpoint and Compositional Process in the Time of Dufay
Perspectives from German Musicology
Häftad, 2016
847 kr
Lägg i varukorg
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music. Despite the considerable potential these ideas hold for analysis and criticism of early music, they have hitherto exerted little influence …
Counterpoint, Composition and Musica Ficta
Häftad, 2015
847 kr
Lägg i varukorg
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction …
Early Musical Borrowing
Av Honey Meconi
Häftad, 2015
832 kr
Lägg i varukorg
A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the …
