Counterpoint, Composition and Musica Ficta

AvMargaret Bent

Häftad, Engelska, 2015

Del i serien Criticism and Analysis of Early Music

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Beskrivning

Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.

Produktinformation

Utgivningsdatum:2015-11-24
Mått:152 x 229 x 21 mm
Vikt:453 g
Format:Häftad
Språk:Engelska
Serie:Criticism and Analysis of Early Music
Antal sidor:348
Förlag:Taylor & Francis Ltd
ISBN:9781138966871

Utforska kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur

Mer om författaren

Margaret Bent is a Fellow of All Souls College, Oxford, and has been a key figure in the debates about late medieval and Renaissance music for nearly thirty years.

Innehållsförteckning

I. Musica Recta and Musica Ficta II. Pycard's Credo No. 76 III. Renaissance Counterpoint and Musica Ficta IV. Diatonic Ficta V. Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica Dicatonic ficta Revisited: Josquion's Ave Maria in Context VII. Editing Early Music: The Dilemma of Translation VIII. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus tenor IX. Pycard's Double Canon: Evidence of Revision? X. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications XI. Resfacta and Cantare super librum