Critical Perspectives on Theory, Culture and Politics – serie

Günther Anders’s prolific philosophy of technology is undergoing a major revival but has never been translated into English. Prometheanism mobilises Anders’s pragmatic thought and current trends in critical theory to rethink the constellations of power that are configuring themselves around our increasingly “smart” machines. The book offers a comprehensive introduction to Anders’s philosophy of technology with an annotated translation of his visionary essay ‘On Promethean Shame’, part of The Obsolescence of Human Beings 1 published in 1956.The essay analyses feelings of curtailment, obsolescence and solitude that become manifest whilst we interact with machines. When technological solutions begin to make humans look embarrassingly limited and flawed, new emotional vulnerabilities are exposed. These need to be thought, because our wavering confidence leaves us unprotected in an ever more (un)transparent, connected yet fractured world.

This book rethinks the history of colonisation by focusing on the formation of the European aesthetic ideas of indigeneity and blackness in the Caribbean, and how these ideas were deployed as markers of biopolitical governance. Using Foucault’s philosophical archaeology as method, this work argues that the European formation of indigeneity and blackness was based on aesthetically casting Aboriginal and African peoples in the Caribbean as monsters yet with a similar degree of Western civilisation and ‘culture’. By focusing on the aesthetics of the first racial imageries that produced indigeneity and blackness this work takes a radical departure from the current Social Darwinian theorisations of race and racism. It reveals a new connection between the global origins of colonisation and local post-Enlightenment histories.

This book occurs at the intersection of philosophy, critical theory, psychoanalysis and the visual arts. Each chapter looks at art produced in various traumatogenic cultures: detention centres, post-Holocaust film, autobiography and many more.Other chapters look at the Juarez femicides, the production of collective memory, of makeshift memorials, acts of forgiveness and contemporary forms of trauma. The book proposes new ways of 'thinking trauma', foregrounding the possibility of healing and the task that the critical humanities has to play in this healing. Where is its place in an increasingly terror-haunted world, where personal and collective trauma is as much of an everyday occurrence as it is incomprehensible?What has become known as the 'classical model of trauma' has foregrounded the unrepresentability of the traumatic event. New, revisionist approaches seek to move beyond an aporetic understanding of trauma, investigating both intersubjective and intrasubjective psychic processes of healing. Traumatic memory is not always verbal and 'iconic' forms of communication are part of the arts of healing.

This book broadens understandings of dissident sexualities in Africa through examining new representations of same-sex desire emerging in recent francophone autofictional writing from the Maghreb.Long-established traditions pertaining to gender and sexuality are brought into contact with new forms of gender and sexual dissidence, resulting from the inflection of globally circulating discourses and embodiments of queerness in North Africa, and from the experience of emigration and settlement by the writers concerned in France. The book analyses specifically how Franco-Maghrebi writers Rachid O., Abdellah Taïa, Eyet-Chékib Djaziri, and Nina Bouraoui foreground translation and narrative reflexivity around incommensurable spaces of queerness in order to index their crossings and negotiations of multiple languages, histories and cultures. By writing in French, Spurlin demonstrates that the writers are not merely mimicking the language of their former coloniser but inflecting a European language with discursive turns of phrase indigenous to North Africa, thus creating new possibilities of meaning and expression to name their lived experiences of gender and sexual alterity—a form of (queer) translational praxis that destabilises received gender/sexual categories both within the Maghreb and in Europe.

The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.

The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.

The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.

Günther Anders’s prolific philosophy of technology is undergoing a major revival but has never been translated into English. Prometheanism mobilises Anders’s pragmatic thought and current trends in critical theory to rethink the constellations of power that are configuring themselves around our increasingly “smart” machines. The book offers a comprehensive introduction to Anders’s philosophy of technology with an annotated translation of his visionary essay ‘On Promethean Shame’, part of The Obsolescence of Human Beings 1 published in 1956.The essay analyses feelings of curtailment, obsolescence and solitude that become manifest whilst we interact with machines. When technological solutions begin to make humans look embarrassingly limited and flawed, new emotional vulnerabilities are exposed. These need to be thought, because our wavering confidence leaves us unprotected in an ever more (un)transparent, connected yet fractured world.

Günther Anders’s prolific philosophy of technology is undergoing a major revival but has never been translated into English. Prometheanism mobilises Anders’s pragmatic thought and current trends in critical theory to rethink the constellations of power that are configuring themselves around our increasingly “smart” machines. The book offers a comprehensive introduction to Anders’s philosophy of technology with an annotated translation of his visionary essay ‘On Promethean Shame’, part of The Obsolescence of Human Beings 1 published in 1956.The essay analyses feelings of curtailment, obsolescence and solitude that become manifest whilst we interact with machines. When technological solutions begin to make humans look embarrassingly limited and flawed, new emotional vulnerabilities are exposed. These need to be thought, because our wavering confidence leaves us unprotected in an ever more (un)transparent, connected yet fractured world.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have?Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging.This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in ‘extreme cultures’. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body’s immanent vulnerability in involuntary conditions of torture or deprivation, the encounter with extreme situations where the body is rendered incapacitated from performing routine functions due to structural conditions or in a voluntary embracing of risk in sporting events wherein the body pits itself against enormous forces and conditions.The Extreme in Contemporary Culture studies vulnerability across various conditions: torture, disease, accident. It studies spaces of vulnerability and helplessness, the aesthetics and representations of vulnerability, the extreme in the everyday and, finally, the witnessing of (in)human extremes. Extreme cultures suggest shared precarity as a foundational condition of humanity. A witness culture emerges through the cultural discourse of vulnerability, the representations of the victim and/or survivor, and the accounts of witnesses. They offer, in short, an entire new way of speaking about and classifying the human.

This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in ‘extreme cultures’. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body’s immanent vulnerability in involuntary conditions of torture or deprivation, the encounter with extreme situations where the body is rendered incapacitated from performing routine functions due to structural conditions or in a voluntary embracing of risk in sporting events wherein the body pits itself against enormous forces and conditions.The Extreme in Contemporary Culture studies vulnerability across various conditions: torture, disease, accident. It studies spaces of vulnerability and helplessness, the aesthetics and representations of vulnerability, the extreme in the everyday and, finally, the witnessing of (in)human extremes. Extreme cultures suggest shared precarity as a foundational condition of humanity. A witness culture emerges through the cultural discourse of vulnerability, the representations of the victim and/or survivor, and the accounts of witnesses. They offer, in short, an entire new way of speaking about and classifying the human.

This is a study of vulnerability as a dominant cultural discourse today, especially as it manifests in ‘extreme cultures’. These are cultural practices and representations of humans in risky, painful or life-threatening conditions where the limits of their humanity are tested, and producing heightened sensations of pain and pleasure. Extreme cultures in this book signal the social ontology of humans where, in specific conditions, vulnerability becomes helplessness. We see in these cultures the exploitation of the body’s immanent vulnerability in involuntary conditions of torture or deprivation, the encounter with extreme situations where the body is rendered incapacitated from performing routine functions due to structural conditions or in a voluntary embracing of risk in sporting events wherein the body pits itself against enormous forces and conditions.The Extreme in Contemporary Culture studies vulnerability across various conditions: torture, disease, accident. It studies spaces of vulnerability and helplessness, the aesthetics and representations of vulnerability, the extreme in the everyday and, finally, the witnessing of (in)human extremes. Extreme cultures suggest shared precarity as a foundational condition of humanity. A witness culture emerges through the cultural discourse of vulnerability, the representations of the victim and/or survivor, and the accounts of witnesses. They offer, in short, an entire new way of speaking about and classifying the human.

Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, ‘I’ believe) and the systems into which it is bound (credit, ‘it’ believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.

Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, ‘I’ believe) and the systems into which it is bound (credit, ‘it’ believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.

Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, ‘I’ believe) and the systems into which it is bound (credit, ‘it’ believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.

When “revolution” becomes a recurring theme in mainstream culture, where do we look for the tools for a critical engagement with the present? Addressing the link between allegory and cultural critique in contemporary culture and resisting the thematic abstraction of sexy, fast, revolutionary content, this book suggests that one way is to pay attention not so much to content as to form. Culture Control Critique provides an analysis of how representations of political systems in contemporary mainstream culture may be understood not so much by looking at their apparent critical message but by shifting our critical gaze to an underlying and recurring political logic that controls the desire for political change.

When “revolution” becomes a recurring theme in mainstream culture, where do we look for the tools for a critical engagement with the present? Addressing the link between allegory and cultural critique in contemporary culture and resisting the thematic abstraction of sexy, fast, revolutionary content, this book suggests that one way is to pay attention not so much to content as to form. Culture Control Critique provides an analysis of how representations of political systems in contemporary mainstream culture may be understood not so much by looking at their apparent critical message but by shifting our critical gaze to an underlying and recurring political logic that controls the desire for political change.

When “revolution” becomes a recurring theme in mainstream culture, where do we look for the tools for a critical engagement with the present? Addressing the link between allegory and cultural critique in contemporary culture and resisting the thematic abstraction of sexy, fast, revolutionary content, this book suggests that one way is to pay attention not so much to content as to form. Culture Control Critique provides an analysis of how representations of political systems in contemporary mainstream culture may be understood not so much by looking at their apparent critical message but by shifting our critical gaze to an underlying and recurring political logic that controls the desire for political change.

The attention economy is a notion that explains the growing value of human attention in societies characterised by post-industrial modes of production. In a world in which information and knowledge become central to the valorisation process of capital, human attention becomes a scarce and hence increasingly valuable commodity. To what degree is the attention economy a specific form of capitalist production? How does the attention economy differ from the industrial mode of production in which Marx developed his critique of capitalism? How can Marx’s theory be used today despite the historical differences that separate industrial from post-industrial capitalism?The Attention Economy argues that human attention is a new form of labour that can only be understood through a systematic reinterpretation of Marx. It argues that the attention economy belongs to a general shift in capitalism in which subjectivity itself becomes the territory of production and exploitation of value as well as the territory of the reproduction of capitalist power relations.

The attention economy is a notion that explains the growing value of human attention in societies characterised by post-industrial modes of production. In a world in which information and knowledge become central to the valorisation process of capital, human attention becomes a scarce and hence increasingly valuable commodity. To what degree is the attention economy a specific form of capitalist production? How does the attention economy differ from the industrial mode of production in which Marx developed his critique of capitalism? How can Marx’s theory be used today despite the historical differences that separate industrial from post-industrial capitalism?The Attention Economy argues that human attention is a new form of labour that can only be understood through a systematic reinterpretation of Marx. It argues that the attention economy belongs to a general shift in capitalism in which subjectivity itself becomes the territory of production and exploitation of value as well as the territory of the reproduction of capitalist power relations.

The attention economy is a notion that explains the growing value of human attention in societies characterised by post-industrial modes of production. In a world in which information and knowledge become central to the valorisation process of capital, human attention becomes a scarce and hence increasingly valuable commodity. To what degree is the attention economy a specific form of capitalist production? How does the attention economy differ from the industrial mode of production in which Marx developed his critique of capitalism? How can Marx’s theory be used today despite the historical differences that separate industrial from post-industrial capitalism?The Attention Economy argues that human attention is a new form of labour that can only be understood through a systematic reinterpretation of Marx. It argues that the attention economy belongs to a general shift in capitalism in which subjectivity itself becomes the territory of production and exploitation of value as well as the territory of the reproduction of capitalist power relations.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.

How can we theorise partitions differently? How are new identities, moralities, polities and life constructed post-partition? How are gender and sexuality recalibrated after partition? How can violence be theorised? What is the relationship between identity in the diaspora and identity after partition? What is the relationship between the movement of capital and national borders that is the mark of partition?Partitions and their Afterlives engages with political partitions and how their aftermath affects the contemporary life of nations and their citizens. Using a comparative perspective, the essays seek to stretch our understanding of these conflicts and to show how elements of our day-to-day lives have been shaped by them. In juxtaposing the various partitions in a single volume the book contributes to debates on citizenship, collective memory, nation-building, and borders and boundaries. Such a focus also reveals how local communities as well as nations use their knowledge of the past and history. This ground-breaking multi-disciplinary and multi-region volume will analyse the various convergences and departures between the different partitions and draw out lessons for the present. In so doing, this work will also examine methodological challenges and the imperatives for scholars working on individual countries.

Contemporary feminist theory has moved into posthuman terrains as feminist theorists utilise human/nonhuman relations and a motley crew of nonhuman entities to reinvigorate feminist critique of nature/culture dichotomies. But what place is left for sex/gender relations in this move beyond the human? Materialities of Sex in a Time of HIV is written on the cusp of feminist theory of materiality and the analysis of an object at the heart of various sex/gender manifestations – the vaginal microbicide. Vaginal microbicides are female-initiated HIV prevention methods (currently tested in clinical trials) designed as creams, rings, gels and sponges that women can insert vaginally before having sex to protect themselves against HIV infection. The microbicide is developed as a tool for women’s empowerment in the HIV epidemic, but what happens to feminist ideals when they materialise through biomedical practice? This book provides an analysis of the field of microbicide development to articulate the complexity of its promise and material effects; and utilises the microbicide as an analytical ally in a provocative debate with contemporary feminist theory.

Contemporary feminist theory has moved into posthuman terrains as feminist theorists utilise human/nonhuman relations and a motley crew of nonhuman entities to reinvigorate feminist critique of nature/culture dichotomies. But what place is left for sex/gender relations in this move beyond the human? Materialities of Sex in a Time of HIV is written on the cusp of feminist theory of materiality and the analysis of an object at the heart of various sex/gender manifestations – the vaginal microbicide. Vaginal microbicides are female-initiated HIV prevention methods (currently tested in clinical trials) designed as creams, rings, gels and sponges that women can insert vaginally before having sex to protect themselves against HIV infection. The microbicide is developed as a tool for women’s empowerment in the HIV epidemic, but what happens to feminist ideals when they materialise through biomedical practice? This book provides an analysis of the field of microbicide development to articulate the complexity of its promise and material effects; and utilises the microbicide as an analytical ally in a provocative debate with contemporary feminist theory.