Debates on Islam & Society – serie

After violent protests across the country had forced President Suharto to step down in 1998, Indonesia successfully made the transition from an authoritarian state to a democracy. For the first time in forty years Islamic parties and organizations – including some inspired by the Egyptian Muslim Brotherhood – were free to propagate their ways of thinking. The new government also succeeded in negotiating an end to a separatist rebellion in Aceh, making the province the only region in Indonesia permitted to draft its own Islamic legislation. In this book Indonesian scholars affiliated with Islamic universities as well as Dutch researchers investigate what has happened since the transition. They explore what the consequences are of the growing influence of orthodoxy and radicalism, which – while already visible prior to 1998 – has only grown stronger. How did political and religious relations change? How were the lives of women and their legal position affected? Furthermore, what are the ramifications for religious minorities?

The proclamation of Jihad by the Sultan-Caliph in Constantinople, after the Ottoman Empire's entry into World War I, made the headlines. This book investigates the background and nature of the Ottoman Jihad proclamation in addition to its effects in the wider Middle East - both among the Arabs and the Turks, and among Sunni Muslims as well as Shi'ites. It brings to light the German hopes for and British fears of a worldwide uprising of Muslims in the colonial empires at that time. Moreover, it scrutinises the fierce academic debates caused by the Jihad proclamation, in which the 1915 manifesto of Leiden Islam scholar Christiaan Snouck Hurgronje ("Holy War Made in Germany") played a key role.

"Islam exists in global history with its richly variegated cultural and social realities. When these specific cultural contexts are marginalized, Islam is reduced to an ahistorical religion without the ability to contribute to humanity. This limited understanding of Islam has been a contributing factor in many of the violent conflicts in the present day. Reflecting on Islam in Indonesia, the world’s third largest democracy, supporting the largest Muslim population, Ahmad Syafii Maarif argues for an understanding that is both faithful to Islam’s essential teachings and open to constantly changing social and cultural contexts. Building on this, he then addresses critical contemporary issues such as democracy, human rights, religious freedom, the status of women, and the future of Islam. Through this book the breadth and depth of the ideas of one of Indonesia’s foremost Muslim scholars are made accessible for English language readership."

How Muslims in Indonesia consider their religious practices, politics and culture as Islamic is described in this volume. By examining the various ways Bima Muslims constitute their Islamic identities and agencies through rituals and festivals, this book argues that religious practice is still vigorous in present Bima. It explores the reproduction of religious meanings among various local Muslims and the differences between social groups. Islam is represented as divided between the traditionalist Muslims and the reformist Muslims, between the royal family and the ordinary Muslims, and between Muslim clerics and lay people. Consequently, there is no single picture of Islam. As Bima Muslims construe their Islam in response to their surroundings, what it means to be a Muslim is constantly being negotiated. The complexity of religious life has been a result of the duality of socio-political settings in Bima which stems from the early period of the Islamization of Bima to the present.

How do images provoke? And why? This volume aims to inspire thought by examining the relationship between images and Islam in a variety of social, political, and geographic settings. Perhaps, the cover image of this book provokes you, the reader of this book. Does an image of a mural on the wall of Marcus Books in Oakland, California, represent contemporary images of Islam? Does the iconic image of El-Hajj Malik El-Shabazz, aka Malcolm X, photographed while holding a rifle in defense of his home, contribute to or complicate images in and of Islam? Does the cover unduly sensationalize the image or does it, rather, arouse pride in particular Muslim legacies of knowledge and liberation? To what extent does it confirm normative narratives? To what extent does it disrupt such narratives, allowing new imaginaries to take hold? Moving beyond a common visual concern within Religious Studies with art, aesthetic value, and perceptions of beauty or coherence, this volume shows how, when, and why images dare, shock, terrorize, confront, challenge, mock, shame, taunt, or offend, either intentionally or unintentionally, and as such lead to both confrontation and affective religious engagement. Exploring and experimenting with the relationship between text and image, the contributions draw attention simultaneously to the messiness of everyday life and to highly targeted, disruptive interventions that mark religious contestation in an era of escalating mobility and digital multiplicity. The volume thus illuminates an insight that has received little attention so far: provocation is among religion’s most significant mediations.