This book explores the many interdependencies and crossovers between living and writing, or, in more specific terms, between writers’ lives on the one hand and their literary output on the other. Thematically divided into four major parts, the book focuses on different literary concerns and discusses literary works from the 17th century to the present day. The first part approaches the issue of autobiography and biography, the second part takes a close look at travel writing, while the third discusses various lives in fiction and the fourth deals with confessional writing.

Ever since John Arbuthnot published The History of John Bull in 1712, the figure of John Bull has stereotypically personified the best and the worst traits of the British (or English) national character. The present work takes the eponymous juxtaposition as an incentive to study the variety of multi-faceted contacts between the two sides. Given the recent attempts at a re-definition of the relationship between Britain and the Continent best visible in the turmoil over Britains EU membership the results of the research will hopefully stimulate discussion about John Bulls ever-changing presence within or without the Continent.

The book presents post-war British historical drama not only as a phenomenon within literature and theatre, but also as an alternative form of representing the past, not as much competing with historiography as complementing it. The author shows how some of the central concerns of late twentieth-century methodology of history were also crucial for the historical drama of that time by applying Hayden White’s classification of categories determining the shape of historical writing to the plays of Robert Bolt, David Hare, Howard Barker and Tom Stoppard. The plays discussed in the book offer not only different visions of past events, but also different visions of historiography itself.

The study presents a chronotope of linguistic and cultural changes that took place in England and Wales between the 4th and 8th centuries. It encompasses the areas of South Wales and Eastern England and describes the cultural practices of preliterate Anglo-Saxon and Celtic speech communities and their adaptation of runic, ogham and Latin scripts. The study is based on the concepts of anthropological linguistics, ethnography of communication and discourse analysis. It incorporates 23 selected ogham- and Latin-inscribed stones from Wales, and 10 rune-inscribed everyday objects from England. The presented inscriptions were designed as text occurrences with well-planned, graphical content distribution, intentionally placed in the public space to increase the range of their potential audience.

This book explores the many interdependencies and crossovers between living and writing, or, in more specific terms, between writers’ lives on the one hand and their literary output on the other. Thematically divided into four major parts, the book focuses on different literary concerns and discusses literary works from the 17th century to the present day. The first part approaches the issue of autobiography and biography, the second part takes a close look at travel writing, while the third discusses various lives in fiction and the fourth deals with confessional writing.

Ever since John Arbuthnot published The History of John Bull in 1712, the figure of John Bull has stereotypically personified the best and the worst traits of the British (or English) national character. The present work takes the eponymous juxtaposition as an incentive to study the variety of multi-faceted contacts between the two sides. Given the recent attempts at a re-definition of the relationship between Britain and the Continent best visible in the turmoil over Britains EU membership the results of the research will hopefully stimulate discussion about John Bulls ever-changing presence within or without the Continent.

The book presents post-war British historical drama not only as a phenomenon within literature and theatre, but also as an alternative form of representing the past, not as much competing with historiography as complementing it. The author shows how some of the central concerns of late twentieth-century methodology of history were also crucial for the historical drama of that time by applying Hayden White’s classification of categories determining the shape of historical writing to the plays of Robert Bolt, David Hare, Howard Barker and Tom Stoppard. The plays discussed in the book offer not only different visions of past events, but also different visions of historiography itself.

The study presents a chronotope of linguistic and cultural changes that took place in England and Wales between the 4th and 8th centuries. It encompasses the areas of South Wales and Eastern England and describes the cultural practices of preliterate Anglo-Saxon and Celtic speech communities and their adaptation of runic, ogham and Latin scripts. The study is based on the concepts of anthropological linguistics, ethnography of communication and discourse analysis. It incorporates 23 selected ogham- and Latin-inscribed stones from Wales, and 10 rune-inscribed everyday objects from England. The presented inscriptions were designed as text occurrences with well-planned, graphical content distribution, intentionally placed in the public space to increase the range of their potential audience.