Envisioning Asia – serie
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4 produkter
4 produkter
Häftad, Engelska, 1999
329 kr
Skickas inom 5-8 vardagar
Taking the Dalai Lama’s flight from Tibet in 1959 as its starting point, this book offers a unique interpretation of the ways in which the idea of Tibet has been imagined by Tibetan artists in exile in India and in the Tibetan Autonomous Region of the People's Republic of China. Based on the results of six years of fieldwork, during which Clare Harris interviewed and photographed Tibetan artists at work, this book shows how Tibet – real, remembered and imagined – came to be envisioned anew.
Häftad, Engelska, 1999
449 kr
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Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture.Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
Häftad, Engelska, 2001
230 kr
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David Clarke offers a fascinating account of art made in Hong Kong in the years leading up to and following the handover of British sovereignty to China in 1997. This process differed from post-colonial experiences elsewhere in the world in that it did not end in independence but in absorption into a much larger entity with an entirely different political system. Until now, the cultural aspects of this passage have not been given the attention they deserve, apart perhaps from the analysis of film. Clarke fills the gap by considering a wide range of media, including painting, sculpture, photography, video and installation pieces, as well as other kinds of visual production such as architecture, fashion, graphic design and graffiti. He shows how the approach of the handover heightened a sense of local identity, and how this found expression in the politicized art that became common at the time.This topical book is the first comprehensive discussion of all forms of art made in Hong Kong during the decolonization period.
Häftad, Engelska, 2002
410 kr
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This is the first book to concentrate on the visual culture of Indian cinema, specifically Bombay-based cinema since 1913. Cinema is one of India’s most vibrant cultural products, as well as a major industry, producing the largest number of films in the world. Drawing on a wide range of sources, Dwyer and Patel examine Bombay cinema’s unique styles, genres and themes, tracing its roots in early photography, theatre and chromolithography and its development as a visual regime that dominates Indian popular culture.The authors consider mise-en-scène, looking at sets, locations and costumes – crucial to understanding Indian fashion, lifestyle and consumption. They examine the use of hairstyles and make-up in the context of representations of the body in order to explore changing ideas of beauty and sexuality. Other crucial elements that are discussed include ethnicity and Westernization, thus highlighting issues of class, caste, regional variation and religion. Finally the authors look at publicity materials and examine the development of the imagery employed in film-advertising.