Everyman's Library CHILDREN'S CLASSICS - Böcker

The story of the Spanish knight Don Quizote whose devotion to the tales of chivalry leads him into a series of bizarre adventures in the company of his faithful squire, Sancho Panza, blends fantasy, comedy and gripping narrative in a way that has appealed to children ever since it was first published. All the wisdom and humour of Cervantes' great seventeenth-century classic are to be found in Parry's very readable modern abridgement, enhanced by the delightful illustrations of Walter Crane, one of the greatest of all English children's book illustrators.

Although E. Nesbit regarded her poetry as her most important work, it is her children's books (written 'to keep the house going') that ensured her lasting fame and which are still enjoyed with such affection today. Her readers have their oen favourites, but the film version of THE RAILWAY CHILDREN, with Jenny Agutter as Roberta, the eldest daughter of the man unjustly sent to prison, and the Bernard Cribbins as the friendly railway porter, brought the book to a new generation of readers who love it for Roberta's courage and the satisfaction of the ending when her father is vindicated and restored to his family. The film is regularly shown on British Television.

Kipling's own drawings, with their long, funny captions, illustrate his hilarious explanations of How the Camel Got His Hump, How the Rhinoceros Got His Skin, How the Armadillo Happened, and other animal How's. He began inventing these stories in his American wife's hometown of Brattleboro, Vermont, to amuse his eldest daughter--and they have served ever since as a source of laughter for children everywhere.

When Heidi, a five-year-old orphan, is dumped on her reclusive grandfather who lives on a remote mountainside above a Swiss village, he is none too pleased by her arrival. But Heidi quickly wins him over with her cheerful disposition and kindness, and thoroughly enjoys her new life, spending the summer days roaming the Alpine pastures with young Peter the goatherd. Three years later, this rural idyll is cruelly interrupted when her aunt fetches Heidi away to the city as a hired companion for Clara, a rich girl who is disabled. Clara adores her new friend, but the family's strict housekeeper tries to repress Heidi's high spirits and she becomes ill, pining for her mountain home. The resolution of Heidi's dilemma transforms the lives of everyone around her and has entranced readers for generations with its vision of the joys of country life and the power of love and friendship.

Bambi, a Life in the Woods is a 1923 Austrian coming-of-age novel written by Felix Salten - now published as a beautiful hardback edition in the Everyman's Library Children's Classics series.The novel traces the life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest. It is also, in its most complete translation, seen as a parable of the dangers and persecution faced by Jews in Europe.

A must-have for every child's library: two enchanting tales by the best-selling author of Northern Lights, in a special hardcover omnibus edition with newly colourised illustrations.With a delightful and unique introduction from the author- especially for this beautiful Everyman's Library volume.In The Firework-Maker’s Daughter, young Lila has learned from her father almost all there is to know about his profession—but he insists upon holding back the final secret. With the help of her friend Chulak, Lila discovers that anyone who wants to be a true firework-maker must face down the Fire-Fiend of Mount Merapi. It is only after Lila has set off on her quest that Chulak discovers the other half of the secret—and without it, Lila will perish. In the company of Hamlet, a talking white elephant, Chulak sets off to find Lila before it's too late.Clockwork features an apprentice clockmaker who is tempted to sell his soul. As the townspeople of Glockenheim gather on the eve of the annual unveiling of a new figure for the town clock, Karl, the apprentice, confides to Fritz, a storyteller, that he has failed his task to create one. Fritz, in his turn, has no idea how to finish the new story he has begun concocting, which he calls “Clockwork.” He begins to tell it anyway, only to see its dangerous antagonist materialize in front of the two boys and offer Karl a Faustian pact.Real life and storytelling merge, and destruction must be narrowly averted, in this unusual and suspenseful tale of the power of creativity.

‘I was a rat!’ So insists a scruffy boy named Roger. Maybe it’s true, but what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of ‘Rodent Delusion’? The hospital nurse says yes. A lucrative fairground attraction? He is to Mr. Tapscrew. Or is Roger just an ordinary little boy? Only three people believe this version of the story, and it may take a royal intervention–and a bit of magic–to convince everyoneelse. A playful parody of the press, I Was a Rat! is a magical weaving of humour, fairy tale, and adventure.When, in A Scarecrow and His Servant, a bolt of lightning brings Scarecrow to life, he proves to be a courteous but pea-brained fellow with grand ideas. He meets a boy, Jack, who becomes his faithful servant and the two embark upon a terrifying series of adventures–including battles, brigands, broken hearts, and treasure islands. But little does the Scarecrow know that he is being followed by a family who desperately wishes he’d never sprung to life.Two stories of myth, magic and adventure from the master teller of tales.

This collection of eight French contes collected by Charles Perrault in the last decade of the seventeenth century, contains perhaps the most famous fairy stories of all time - 'Cinderella', 'The Sleeping Beauty', 'Puss in Boots', 'Blue Beard' and of couse the eponymous 'Little Red Riding Hood'. It quickly became the standard version of stories on these themes, was translated into innumerable languages and then re-entered the oral tradition of most European countries, particularly England. The Everyman edition contains the classic Heath Robinson illustrations from 1921.

‘Am dining at Goldini’s Restaurant, Gloucester Road, Kensington. Please come at once and join me there. Bring with you a jemmy, a dark lantern, a chisel, and a revolver – S. H.’ The game's afoot for the most famous amateur detective of all time in this collection of eight of Sir Arthur Conan Doyle's classic tales.‘The Speckled Band’, a Victorian melodrama in a country house, comes complete with murderous villain, murdered heroine, and a very unpleasant snake; ‘Silver Blaze’ tells of a missing race horse on Dartmoor which turns out not to be missing at all, and a murder that never was. In ‘The Redheaded League’ a pawnbroker answers an advertisement for a red-headed man and bizarrely finds himself copying out the Encyclopedia Britannica; in ‘The Bruce Partington Plans’ Holmes is skulking in the London Underground with a dead body when his patriotic services are called upon to find some stolen state secrets in the run-up to World War I. Sidney Paget was the original illustrator and helped to form the image of Sherlock Holmes which exists to this day - in fact, it was he who created the famous deer-stalker!

Dumas' most popular novel, The Three Musketeers, has long been a favourite with children, and its heroes are well-known from many a film and TV adaption. Set in France in the seventeenth century, it follows the fortunes of D'Artagnan, a poor Gascon gentleman, who arrives in Paris to join the Kings Musketeers and is befriended by three of them, Athos, Portos and Aramis, with whom he embarks upon a career of adventure and romance. Dumas is a brilliant story-teller: inexhaustively inventive, a master of dialogue and with a fine sense of drama and of historical period, he seizes the readers attention on the first page and holds it to the last. Everyman's Library Children's Classics reprints the first, and the best, English translation, by William Barrow.

The exotically named Baroness Orczy was the daughter of a Hungarian aristocrat who came to London at the age of fifteen. first published in 1905, her historical novel The Scarlet Pimpernel became almost as famous as the French Revolution itself. It tells of the escapades of Sir Percy Blakeney, whose mission is to help the innocent victims of the Reign of Terror escape the guillotine. Assuming ever more daring and ingenious disguises he suceeds in both outwitting his opponents and in keeping his activities a secret from his English friends. Everyman's Library Children's Classics publishes the novel in a new and up-to-date edition to tie in with the BBC production to be screened this Christmas.

Richard Hannay''s ennui comes to an abrupt end when a murder is committed in his flat. Only a few days before the dead man had revealed to him an assassination plot which would have terrible consequences for international peace.'

The story of Jack, the intrepid little boy whose courage and ingenuity defeated a host of many-headed giants several times his size, is an English folk-tale that must have been told often in the Victorian nursery of the Doyle family. Growing up in the 1830s, they were all gifted children, especially Richard, whose natural talent for draughtsmanship was matched by imaginative invention and a passion for legend and the grotesque. In 1842, when only eighteen, he created for his own delight a picture-book version of Jack The Giant Killer, writing the text by hand, and carefully placing on each page a water-colour illustration within a pictorial border. The new everyman edition has typeset the text for greater legibility and redesigned the book for contemporary appeal, while retaining Doyle's vivid and characterful illustrations, enlarged and enhanced by modern colour printing techniques. The result is a book that will satisfy the modern child's appetite for bloodthirsty exploits of wonder and magic, yet is at the same time a true collector's item for anyone interested in the history of children's book illustration.

Seventeenth-century Frenchman Jean de La Fontaine happily plundered Aesop and other classical writers as a source for his witty, elegant fables, as well as inventing a number of his own. Seeking to expose the weaknesses of human nature, he offered vivid perspectives on greed and flattery, envy and avarice, love and friendship, old age and death. The sixty fables collected here – from 'The Crow and the Fox' and 'The Cock and the Pearl' to 'The Grasshopper and the Ant' and 'The Town Mouse and the Country Mouse' – are illustrated with more than a hundred drawings by R. de La Nezière which which charmingly capture La Fontaine’s unforgettable cast of animal personalities.

With 13 children of his own clamouring for bedtime stories it isn't surprising that author George MacDonald discovered he had a gift for composing fairy tales. But these were fairy tales with a difference. At the Back of the North Wind, the first to be published, became a Victorian favourite and marked something of a milestone in children's fiction. While owing a debt to Hans Andersen, Dickens and Kingsley, MacDonald created a distinctive imaginary world existing in parallel with the grim social realities of mid-19th-century England. "A fairy tale is not al allegory," he once remarked. It is, of course, but the trick was to disguise it, to entertain the reader as well as instruct, leaving them to draw a moral if they pleased, or else simply to enjoy the fantasy. Children for over a hundred years have been enchanted and moved by the story of Nanny the crossing sweeper, her lame friend Jim, and above all Diamond, the poor coachman's son, whose life is transformed by a brief glimpse of a beautiful country "at the back of the north wind". The first edition (1871) was illustrated by the pre-Raphaelite artist Thomas Hughes, whose romantic and highly individualistic drawings are reproduced in the Everyman edition.

When Kay gets a splinter of the wicked troll's magic mirror in his heart it becomes hard and cold - just like a lump of ice. Kay is abducted and bewitched by the chillingly beautiful Snow Queen and his loyal sister, Gerda is prepared to face anything to find her brother and bring him home. So, she undertakes the nightmarish journey to the Snow Queen's icy labyrinth. . . .

Wonderful collection of nonsense verse, from Chesterton to Dahl, Lear to Carroll. With beautitul, original illustrations, both full colour and black & white.

A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer understands or desires. Despairing and defiant, he manages a dangerous escape only to find himself painfully unsure of where he belongs. Beautifully written, sensitively told, and emotionally compelling, The Light in the Forest is an American classic that has sold more than one million copies in the last ten years in paperback.

Everyone knows Pinocchio, the walking, talking wooden puppet carved from a table leg. Pinocchio, an endearing scamp, is always getting himself into trouble. But it isn't the sort of trouble most kids get into. Skiving off school, he is kidnapped by a puppeteer, robbed by a Cat and Fox, and persuaded to visit an earthly paradise where naughty children have perpetual fun - and turn into donkeys. Sold to a circus, then to a man who tries to drown him for his donkey-skin, he miraculously turns back into a puppet and goes in search of his 'father' (whom he must rescue from the belly of a giant dogfish ...). Throughout these manic adventures he is haunted by the ghost of a Talking Cricket he has crushed to death for giving good advice, and watched over by his personal guardian fairy. All the while, Pinocchio dreams of becoming a real boy. Told with wit and humour, his story is also a moral fable about making the right choices, and what it is to be a loving human being.Pinocchio is an astonishing work of fantasy which has been toned down and sentimentalized over the years, not least by the Walt Disney film. Everyman returns to a beautifully illustrated early translation of 1916 which captures the vivid inventiveness of Collodi's original.

Baron Munchausen’s absurd adventures have entertained adults and children alike for more than two centuries. First published in England in 1785, his traveller’s tales soon became as well known as those of his near contemporaries, Gulliver and Robinson Crusoe – but are a great deal funnier! The real Baron Münchhausen was a German aristocrat whose colourful military career and sporting experiences provided ample material for the after-dinner stories for which he became notorious. One of the guests at the Baron’s table was Rudolf Erich Raspe, librarian, scientist and writer, who later, hard-up in London, turned the Baron’s astonishing life-story to good account. Raspe’s fictional Baron adopts the same tone of nonchalant exaggeration apparently characteristic of the original as he tells how he turned a wolf inside out in Russia, rode on a Turkish cannon ball, danced a hornpipe in the stomach of large fish which had swallowed him alive, mended his horse which had been severed in two by a portcullis, lent his friend General Elliot a hand at the siege of Gibraltar by nipping into the enemy camp and destroying all their cannon, and even visited the moon – twice. The more preposterous the subject, the more earnest and deadpan the narrator’s manner. Though many artists have been inspired by the Baron’s fantastic escapades, Gustave Doré’s illustrations (1862) are by far the best

Auntie Katusha has just come from the Old Country, bringing poppy seeds to make cakes for a mischievous four-year-old boy named Andrewshek. A little neighbour, Erminka, who wears red boots which are too big for her, joins Andrewshek for a series of adventures with talking animals, including a greedy goose who steals the cakes; a naughty white goat who hides on the roof; and a kitten, a dog and two chickens who are determined to gatecrash the children’s tea party. There is art on every page, featuring cheeky animals, gooseberry tarts, colourful shawls and Russian dolls, and cheerful Auntie Katusha in her kerchiefed and aproned splendour.

The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond Hadrian's Wall to find out what happened to the discredited legion in which his father served, and to salvage, if he can, its Eagle and its honour.All the essential elements of a classic adventure are here - the daring quest, the uncovering of the secrets of the past, and a nerve-racking escape across the mountains, pursued by vengeful tribesmen. But it is the human element which triumphs, and one of the most memorable scenes in the book is Marcus appealing to a crowd baying for blood to save a young British gladiator from certain death during the Saturnalia Games. Proud son of a Brigantian chieftain, Esca becomes his slave, then his freedman, and the indispensable companion of his travels. The Eagle of the Ninth is partly the story of their growing friendship, crossing the divide created by conquest and colonialism; and partly Marcus's journey of self-discovery as he learns of his father's fate and comes to terms with the end of his own military career. At the end he embraces a different, more hopeful future - not in Rome but 'under the pale and changeful northern skies' - acquiring a farm in the Downs, and marrying the girl next door.The Eagle of the Ninth has all its author's hallmark qualities - a mature and complex story, a wealth of historical detail, cultural sensitivity, wit and compassion. Above all, Sutcliff is able to conjure up the atmosphere of a distant age in a totally convincing way. It is hardly surprising that her work would set the standard for all historical fiction to come.

Arthur Rackham (1867-1939) was one of the leading illustrators from the golden age of British book illustration. Fairy-tale and fantasy were his forte and in later life he responded to the dark stimulus of Poe's gothic tales with gleeful appreciation of their macabre and otherworldly qualities, claiming afterwards that he had quite succeeded in frightening himself! For lovers of the thrilling and chilling, young and old, Poe's sensational stories cannot fail to hit the spot. This collection contains the best of his prose works, including of course the well-known masterpieces 'The Fall of the House of Usher' (the ultimate haunted house story), 'The Pit and the Pendulum', 'The Tell-Tale Heart' and 'The Murders in the Rue Morgue' (the very first detective story in fiction). First published in 1935 it has been redesigned, re-typeset and republished in a handsome edition which features all Rackham's original colour and black and white illustrations. A perfect gift - though not for the faint-hearted!

Written during World War II, The Little Prince tells of the friendship between the narrator, an aviator stranded in the Sahara desert, and a mysterious boy whom he encounters there. Ruler of a tiny asteroid of which he is the only inhabitant, the Little Prince chats disarmingly about his curious adventures in space and since arriving on earth; of his distant home and of his love for a beautiful and capricious rose, to whom he longs to return. A moving and deceptively simple tale, it was described by Saint-Exupéry as a children's story for adults, and it works on several levels as an allegory of his own life, or of the human condition. Children love it for its deadpan fantasy, for its sense of amused bafflement at the grown-up world and for the author's attractive watercolour illustrations which are an integral part of the book.

Aesop is believed to have lived in the sixth century B.C., a slave on the Greek island of Samos. His ability to teach lessons in morality through story has made his name synonymous with the genre of 'fable'. In the witty and entertaining tales attributed to him sly foxes, wicked wolves, industrious ants, and others, provide a commentary on human behaviour while the storyteller recommends the virtues of common sense and worldly wisdom. The Fables had already been popular for centuries before Roger L'Estrange published a new English translation in 1692, with the declared intention of making a comprehensive selection addressed to children. Everyman reprints his text, together with Stephen Gooden's superb engravings which were first published in 1936 in a limited edition.

Hans Christian Andersen's fairy tales originally appeared in batches each Christmas in the mid-19th century, and Spink's English translation was first published in 1960. This edition has Heath Robinson's illustrations, dating from 1899.

Barrie's classic tale of the boy who wouldn't grow up. It started life as a series of stories made up for the five Llewelyn Davies boys, who were virtually adopted by Barrie after being orphaned. This edition has F.D. Bedford's illustrations, which first appeared in the author's own day.

Frank Baum set out to write 'a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nighmares are left out'. Published in May 1900, The Wonderful Wizard of Oz had sold 100,000 copies by the following January, proving that this was exactly what his young readers wanted. The story of Dorothy, carried by a cyclone from a her uncle's Kansas farm to the Land of Oz, and her adventures on the yellow brick road with the Tin Man, the Scarecrow and the Cowardly Lion, has been an firm favourite with children ever since. The original illustrations by W. W. Denslow, which are reflected in the film and stage versions, have often been imitated but never surpassed.

Lewis Carroll's Alice has been enchanting children for over 150 years. Head strong Alice, the impatient White Rabbit, the fearsome Queen of Hearts and the hilarious Mad Hatter are among the best loved literary creations.This beautiful collectable illustrated edition has the original illustrations and is cloth bound.