Field Notes – serie

With COVID-19 comes a heightened sense of everyday risk. How should a society manage, distribute, and conceive of it?As we cope with the lengthening effects of the global COVID-19 pandemic, considerations of everyday risk have been more pressing, and inescapable. In the past, everyone engaged in some degree of risky behaviour, from mundane realities like taking a shower or getting into a car to purposely thrill-seeking activities like rock-climbing or BASE jumping. Many activities that seemed high-risk, such as flying, were claimed basically safe. But risk was, and always has been, a fact of life. With new focus on the risks of even leaving the safety of our homes, it’s time for a deeper consideration of risk itself. How do we manage and distribute risks? How do we predict uncertain outcomes? If risk can never be completely eliminated, can it perhaps be controlled? At the heart of these questions—which govern everything from waking up each day to the abstract mathematics of actuarial science—lie philosophical issues of life, death, and danger. Mortality is the event-horizon of daily risk. How should we conceive of it?

A Winnipeg Free Press Top Read of 2021What if David Bowie really was holding the fabric of the universe together?The death of David Bowie in January 2016 was a bad start to a year that got a lot worse: war in Syria, the Zika virus, terrorist attacks in Brussels and Nice, the Brexit vote—and the election of Donald Trump. The end-of-year wraps declared 2016 “the worst … ever.” Four even more troubling years later, the question of our apocalypse had devolved into a tired social media cliché. But when COVID-19 hit, journalist and professor of public policy Andrew Potter started to wonder: what if The End isn’t one big event, but a long series of smaller ones?In On Decline, Potter surveys the current problems and likely future of Western civilization (spoiler: it’s not great). Economic stagnation and the slowing of scientific innovation. Falling birth rates and environmental degradation. The devastating effects of cultural nostalgia and the havoc wreaked by social media on public discourse. Most acutely, the various failures of Western governments in their responses to the COVID-19 pandemic. If the legacy of the Enlightenment and its virtues—reason, logic, science, evidence—has run its course, how and why has it happened? And where do we go from here?

Nominated for the Heritage Toronto Book Award • Longlisted for the Toronto Book Awards • A Globe and Mail Book of the Year • A CBC Books Best Canadian Nonfiction of 2021From plantation rebellion to prison labour's super-exploitation, Walcott examines the relationship between policing and property.That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.

In this compelling whodunnit, Elaine Dewar reads the science, follows the money, and connects the geopolitical interests to the spin.When the first TV newscast described a SARS-like flu affecting a distant Chinese metropolis, investigative journalist Elaine Dewar started asking questions: Was SARS-CoV-2 something that came from nature, as leading scientists insisted, or did it come from a lab, and what role might controversial experiments have played in its development? Why was Wuhan the pandemic's ground zero—and why, on the other side of the Atlantic, had two researchers been marched out of a lab in Winnipeg by the RCMP? Why were governments so slow to respond to the emerging pandemic, and why, now, is the government of China refusing to cooperate with the World Health Organization? And who, or what, is DRASTIC?Locked down in Toronto with the world at a standstill, Dewar pored over newspapers and magazines, preprints and peer-reviewed journals, email chains and blacked-out responses to access to information requests; she conducted Zoom interviews and called telephone numbers until someone answered as she hunted down the truth of the virus’s origin. In this compelling whodunnit, she reads the science, follows the money, connects the geopolitical interests to the spin—and shows how leading science journals got it wrong, leaving it to interested citizens and junior scientists to pull out the truth.

Shortlisted for the 2024 Speaker's Book Award • Nominated for the 2024 Heritage Toronto Book Award • A Hamilton Review of Books Best Book of 2023Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class—and what will happen when we do.Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply affected: the working class and poor.On Class is an exploration of the ways in which we talk about class: of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the question: What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?

Nominated for the 2023 Heritage Toronto Book AwardA defense of the dying art of losing an afternoon—and gaining new appreciation—amidst the bins and shelves of bricks-and-mortar shops.Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing’s essays chronicle what we’ve lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacks.

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them. Less a guide to writing and more a guide to what you need to continue existing as a writer, On Writing and Failure: Or, On the Peculiar Perseverance Required to Endure the Life of a Writer describes the defining role played by rejection in literary endeavors and contemplates failure as the essence of the writer’s life. Along with his own history of rejection, Marche offers stories from the history of writerly failure, from Ovid’s exile and Dostoevsky’s mock execution to James Baldwin's advice just to endure, where living with the struggle and the pointlessness of writing is the point.

Finalist for the 2024 Firecracker Award in Creative Nonfiction • Shortlisted for the 2024 Lambda Literary Award for Transgender Nonfiction • Finalist for the 2024 Leslie Feinberg Award for Trans and Gender-Variant Literature • One of CBC Books' Canadian Nonfiction to Read in the Fall • A Tyee Best Book of 2023 • A CBC Books Best Nonfiction Book of 2023 • A Hamilton Review of Books Best Book of 2023 • An Autostraddle Best Queer Book of 2023We need community to live. But what does it look like? Why does it often feel like it's slipping away?We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a conversation about the larger implications of community as a word, an idea, and a symbol. With each thread a cumulative definition of community, and what it has come to mean to Plett, emerges.Looking at phenomena from transgender literature, to Mennonite history, to hacker houses of Silicon Valley, and the rise of nationalism in North America, Plett delves into the thorny intractability of community's boons and faults. Deeply personal, authoritative in its illuminations, On Community is an essential contribution to the larger cultural discourse that asks how, and to what socio-political ends, we form bonds with one another.

In 2025, threats made by Donald Trump and his government resulted in a surge of nationalism in Canada. Canadian nationalism isn’t without precedent, we’ve seen it before, off and on, going back to Confederation, but this moment is unique in that it comes because of outside aggressors who’ve inadvertently rallied a fractious country to (more or less) unite and assert Canadian sovereignty.In On Nationalism, political columnist and commentator David Moscrop examines the recent phenomenon of Canadian nationalism, its complex construction, uses and abuses, and its intersection with history, identity, ideology, and capitalism, in an attempt to put the current moment into perspective and explore his own newfound “reluctant” nationalism.

What are sports, really? What do we love about them? And what, in our digital age, have they become?On Sports reads like a conversation between friends at the ballpark in those golden days before the kiss cam and college co-eds with T-shirt cannons spoiled the fun; a book that feels like the sun on your forehead and the breeze in your hair, beer and laughter on your lips; a book that celebrates communion and friendship and the beauty of these games—whether it be baseball or football  or soccer or tennis or cricket—that we’ve designed to distract ourselves from the end of the world. It’s about what 7Up tastes like when drunk from the Grey Cup, how much work it takes for talent to shine, and the near impossibility of language to properly capture athletic excellence. It’s about the beauty of good sports copy, the ephemerality of even the biggest sports story, and how sport remains perpetually powered by the eleven-year-old in all of us. It’s a book about rediscovering the spirit of sport, before online gambling and the manufactured spectacle of today’s professional sports suffocates the last of it; and it’s about where that spirit today is best found.

On Death explores our complicating and changing relationship with death.There used to be a time when death was everywhere about us, inescapable, back when we had higher infant mortality and a lower life expectancy, and before vaccines, when diseases would ravage populations. Funerals happened in people's houses, families sat with and prepared their loved one's corpses; they understood the feel of death, and how it affected all the senses. But with advancements in science and medicine, we've almost been able to shunt death off to an attic, making us believe that we can cheat death, at least for a very long time, and that death is somehow a failure.In On Death, Sandra Martin explores our complicating and changing relationship with death. From our fear of death and how we seek more invasive ways to get around it, to how medical assistance in dying has given us both the reality and illusion of control, to the importance of rituals for how we grieve.

Since 2010 Greece’s social and economic conditions have been irreversibly transformed, a result of austerity measures imposed by the European troika and successive Greek governments. These stringent restructuring programmes were intended to make it possible for Greece to avoid default and improve its debt position, and to reconfigure its economy to escape forever the burden of past structural deficiencies. Eight years later, none of these targets have been met. If the programmes were doomed to fail from the start, as many claim, what were the real objectives of such devastating austerity?Pavlos Roufos answers this key question by setting the story in its historical context. Analysing the creation of the Eurozone, its ‘glorious’ years, and today’s threat to its existence, he locates the development and management of the Greek crisis in terms of both the particularities of Greek society and economy and the overall architecture of the monetary union. He also illuminates the social movements that emerged in Greece in response to the crisis, focusing on what both the crisis managers and many of their critics presented as a given: that a happy future is a thing of the past.

Over the last forty years, the landscape of the USA has been fundamentally transformed. It is partially visible in the ascendance of glittering coastal hubs for finance, infotech and the so-called ‘creative class’. But this is only the tip of an economic iceberg, the bulk of which lies in the darkness of the declining heartland or on the dimly lit fringe of sprawling cities. This is America’s hinterland.Drawing on his direct experience of recent popular unrest, Phil A. Neel provides a close-up and intimate view of this landscape in all its grim but captivating detail.

In recent decades digital devices have reshaped daily life, while tech companies’ stock prices have thrust them to the forefront of the business world. In this rapid, global development, the promise of a new machine age has been accompanied by worries about accelerated joblessness thanks to new forms of automation. Jason E. Smith looks behind the techno-hype to lay out the realities of a period of economic slowdown and expanding debt: low growth rates and an increase of labour-intensive jobs at the bottom of the service sector. He shows how increasing inequality and poor working conditions have led to new forms of workers’ struggles. Ours is less an age of automation, Smith contends, than one in which stagnation is intertwined with class conflict.

Globalization as we know it is over. Industrial policies dismissed as obsolete for decades have been embraced by governments worldwide, geopolitical tensions are reminiscent of those at the height of the Cold War, and a resurgent far-right challenges the very foundations of contemporary democracy.In this book Jamie Merchant examines the roots of this significant shift in the global landscape, reaching further back than the commonly blamed failures post-Cold War. Instead, reviewing the global economy over the entire previous century, he shows that the great political and economic changes of the last decade are due not to a failed ideology of globalization, but to the long-term decay of the modern, market-based economic order. Endgame offers a historical perspective on the period of globalization, illuminating the future path of the global economy and world politics.

In the depths of winter in 1705 the young Johann Sebastian Bach, then unknown as a composer and earning a modest living as a teacher and organist, set off on a long journey by foot to Lubeck to visit the composer Dieterich Buxterhude, a distance of more than 250 miles. This journey and its destination were a pivotal point in the life of arguably the greatest composer the world has yet seen. Lubeck was Bach's moment, when a young teacher with a reputation for intolerance of his pupils' failings began his journey to become the master of the Baroque. More than three hundred years later, the writer Horatio Clare set off to recreate this walk, following in Bach's footsteps. The result of this journey is Something of his Art, an imaginative evocation of what the twenty-year-old composer would have seen and felt on his long journey is a sustained visualisation of the landscape, light and wildlife of early eighteenth century northern Germany. Bach becomes Clare's walking companion, a vestigial but real presence, as he acutely observes the season and places he passes through.