Footnote Press – serie

From Yale professor and bestselling author of How Fascism Works, a searing confrontation with the authoritarian right's attacks to undo a century of work to advance social justice action on race, gender, sexuality and class.Combining historical research with an in-depth analysis of our modern political landscape, Erasing History issues a dire warning for the world: the worst fascist movements of humanity's past began in schools; the same place so many of today's right-wing political parties have trained their most vicious attacks.Donald Trump, Ron DeSantis, Vladimir Putin, Turkey's Recip Erdogan, and Argentina's Javier Milei have all reached the same conclusion: if you want to roll back the clock on civil rights, equity and inclusion, a great place to start is in schools.Yale professor Jason Stanley exposes the true danger of the right's tactics and traces their inspirations and funding back to some of the most dangerous ideas of human history. He shows that hearts and minds are won in our schools and universities - and that governments are currently ill-prepared to do the work of uprooting fascist policies being foisted upon our children through school boards, in courtrooms, and in the boardrooms of the organisations trusted to train teachers and create the materials they'll share with their students.Deeply informed and urgently needed, this book is a vibrant call to action for lovers of democracy worldwide.

NEW YORK TIMES BESTSELLER 'Madness, though ostensibly the story of Crownsville, is really about the continued lack of understanding, treatment and care of the mental health of a people, Black people, who need it most' New York TimesIn the tradition of The Immortal Life of Henrietta Lacks, a page-turning 93-year history of Crownsville Hospital, one of the United States' last segregated asylums.On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks and harvest tobacco. When construction finished, they became the first twelve patients of the state's Hospital for the Negro Insane. In Madness, Peabody and Emmy award-winning journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital. She blends the intimate tales of patients and employees whose lives were shaped by Crownsville with a decade-worth of investigative research and archival documents. As Crownsville Hospital grew from an antebellum-style work camp to a tiny city sitting on 1,500 acres, it became a microcosm of America's evolving battles over slavery, racial integration and civil rights. During its peak years, the hospital's wards were overflowing with almost 2,700 patients. By the end of the 20th-century, the asylum faded from view as prisons and jails became America's new focus.

War changes every part of human culture: art, education, music, politics. Why should food be any different?For nearly twenty years, Michael Shaikh's job was investigating human rights abuses in conflict zones. Early on, he noticed how war not only changed the lives of victims and their societies, it also unexpectedly changed the way they ate, forcing people to alter their recipes or even stop cooking altogether, threatening the very survival of ancient dishes.A groundbreaking combination of travel writing, memoir, and cookbook, The Last Sweet Bite uncovers how humanity's appetite for violence shapes what's on our plate. Animated by touching personal interviews, original reporting, and extraordinary recipes from modern-day conflict zones across the globe, Shaikh reveals the stories of how genocide, occupation, and civil war can disappear treasured recipes, but also introduces us to the extraordinary yet overlooked home cooks and human rights activists trying to save them. From a sprawling refugee camp in Bangladesh and a brutal civil war in Sri Lanka to the drug wars in the Andes and the enduring effects of America's westward expansion, Shaikh highlights resilient diasporic communities refusing to let their culinary heritage become another casualty of war.Much of what we eat today or buy in a market has been shaped by violence; in some form, someone's history and politics is on the dinner table. The Last Sweet Bite tells us how it got there. Weaving together histories of food, migration, human rights, and recipes, Shaikh shows us how reclaiming lost cuisines is not just a form of resistance and hope but also how cooking can be a strategy for survival during trying times.

A short, blistering gut punch of a novel, Jackson Alone is at turns satirical and deadpan, angry and tender - a frank exploration of identity, race, and queerness in contemporary Japan. Nobody at the corporate offices of Athletius Japan knows much about the massage therapist, Jackson, but rumours abound. He used to work as a model. He likes to party. He's mixed race: half-Japanese, half-somewhere-in-Africa-n. He might be gay. Fuelling the gossip is the sudden appearance of a violent, pornographic video featuring a man who looks like a lot like Jackson.When Jackson serendipitously meets three other queer mixed-race guys, he learns he's not the only one being targeted. Together they concoct a plan: find out who's responsible and, in the meantime, exploit the fact that nobody can seem to tell them apart to trick people who've wronged them.From an Akutagawa prize winning author, Jackson Alone asks complex questions about how we see ourselves and how we see others, as well as what it really means to get revenge.

WINNER OF THE GORDON BOWKER VOLCANO PRIZE (SoA Award) 2024WINNER OF THE LAMBDA AWARD IN TRANSGENDER FICTION 2024Soula is the most exciting new voice in Irish writing' Barry Pierce, i-D'One of my favourite books so far this year' Shahed Ezaydi, Stylist'Soula Emmanuel is a phenomenal talent' Laura Kay'Searingly sharp, deliciously funny, profound' Danielle McLaughlinNew home, new name and newly thirty: Phoebe Forde has stepped into emigrant life in Copenhagen with her anxious dog, Dolly. Almost three years into her gender transition, she has learned to move through the world carefully, savouring small moments of joy. A woman without a past can be anyone she wants - that is, until an unexpected visit from Grace, her first love, brings memories of Dublin and a life she thought she'd left behind. Over the course of a single weekend, as their old romance kindles something sweet and radically unfamiliar, Grace helps Phoebe to navigate the jagged edges of migration, nostalgia and hope.'The must-read trans book of the summer' Pink News

In 2015, increasing numbers of refugees and migrants, most of them fleeing war-torn homelands, arrived by boat on the shores of Greece, setting off the greatest human displacement in Europe since WWII. As journalists reported horrific mass drownings, an ill-prepared and seemingly indifferent world looked on. Those who reached land needed food, clothing, medicine and shelter, but the international aid system broke down completely.In a way that no one could have anticipated, volunteers arrived to help. Dana Sachs's compelling eyewitness account weaves together the lives of seven individuals and their families - including a British coal miner's daughter, a Syrian mother of six, and a jill-of-all-trades from New Zealand - who became part of this extraordinary effort. The story of their successes, and failures, is unforgettable and inspiring, and a clarion call for resilience and hope in the face of despair.War had shattered people's lives. This is what happened next.

'Utterly brilliant - engaging, thrilling, disturbing, revelatory, explosive' GEORGE MONBIOT'This extraordinary book, written with startling honesty and vulnerability, traces Charlie's remarkable journey from deep despair to resistance, reconnection and remedy. If you are ready to channel grief within into action in the world, read on.' KATE RAWORTH, author of Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist'Spinning Out is a salve, weaving together the intricacies of madness underscored by the backdrop of a changing climate. It's an essential and insightful resource in the fight for climate justice.' TORI TSUI, author of It's Not Just You'Heart-rendingly, heart-stoppingly glorious' MANDA SCOTT, author of bestselling Boudica seriesHumanity is driving the earth mad. Now, the earth is driving us mad in return. Charlie Hertzog Young became a climate activist in his early teens. His journey led him onto airport runways and into the halls of power, but also to a serious mental health breakdown. He had to rebuild himself physically and psychologically, before focusing his efforts on collective mental recovery in response to a planet in crisis.Spinning Out explores how climate chaos and the failure of those in power to tackle it are causing an inevitable mental health crisis across the globe. The relationship between the climate and our emotional wellbeing goes far deeper than eco-anxiety. It goes to he roots of our civilisation - its principles, its practices and its false solutions.With testimony from dozens of activists, organisers and researchers across every habitable continent, Spinning Out is a celebration (of other ways to be) and a manual for anyone who wants to fight for a better world, while avoiding burnout and despair.Wedding the needs of the earth with the needs of the human mind, Spinning Out offers a powerful, collective vision for change.

'My dear, she's on fire!' DAMIAN BARR'A snappy guide to an all-conquering aesthetic' Financial Times'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a tantrum over wire coat hangers, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, and a rat underneath a silver serving platter'An essential reappraisal of camp across time and across the globe, from the author of Fabulosa! and Outrageous!Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas.Throughout its history, camp has been a place of refuge and renewal, of heroism and hedonism. This glorious celebration traces camp's journey from the fringes of society to the mainstream.

'My dear, she's on fire!' DAMIAN BARR'A snappy guide to an all-conquering aesthetic' Financial Times'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a tantrum over wire coat hangers, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, and a rat underneath a silver serving platter'An essential reappraisal of camp across time and across the globe, from the author of Fabulosa! and Outrageous!Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas.Throughout its history, camp has been a place of refuge and renewal, of heroism and hedonism. This glorious celebration traces camp's journey from the fringes of society to the mainstream.

'A must read...!!!' will.i.am'Each encounter is framed and presented with enormous literary skill and grace' David OlusogaWITH A FOREWORD FROM BERNARDINE EVARISTOConversations with some of the most extraordinary Black minds of our age, discussing race, decolonisation, systemic inequalities and the climate crisis.In a series of incisive and intimate encounters, Sarah Ladipo Manyika introduces some of the most distinguished Black thinkers of our times, including Nobel Laureates Toni Morrison and Wole Soyinka, and civic leaders first lady Michelle Obama and Senator Cory Booker.She searches for truth with poet Claudia Rankine and historian Henry Louis Gates, Jr. She discusses race and gender with South African filmmaker Xoliswa Sithole and American actor and playwright Anna Deavere Smith. She interrogates the world around us with pioneering publisher Margaret Busby, parliamentarian Lord Michael Hastings and civil rights activist Pastor Evan Mawarire - who dared to take on President Robert Mugabe and has lived to tell the tale. We also meet the living embodiment of the many threads, ideas and histories in this book through the profile of her fabulous 102-year-old friend, Mrs Willard Harris.In journeys that book-end the collection, Sarah Ladipo Manyika reflects on her own experience of being seen as 'oyinbo' in Nigeria, African in England, Arab in France, coloured in Southern Africa and Black in America, while feeling the least Black and most human among her fellow travellers, explorers all, against the sharp white relief of the South Pole.

Life is complicated, comparisons are easy. We consume enormous quantities of information every day from sources that are reliable, and those less trustworthy, including journalists, politicians, friends and social media. One of the most commons tools we use to communicate is comparison. Are we suffering a 'hurricane' of migrants? Do dogs look like their owners? Is Oxford better than Harvard? Metaphors, models and metrics are used to compare anything from schools, to wars, to iconic people. But how helpful are they? What truths do they hide and what bullsh*t do comparisons propagate?Looking across a fascinating range of situations both familiar and unfamiliar, serious and light-hearted, Bullsh*t Comparisons is a ground-breaking guide to the role of could-be-true but misleading comparisons. It is illuminated by examples spanning the globe from university league tables, to childhood rivalries, politicians' tawdry analogies, the FIFA World Footballer of the year award and Chinese neo-colonialism in Africa. Ideal for anyone interested in critical thinking or who simply wants to be able to spot bullsh*t at twenty paces, this thought-provoking, intelligent and often amusing book will challenge you to think critically about the use of comparison.

'Will burrow under your skin and live forever in your darkest dreams' BustJoyce Carol Oates assembles a spectacular cast to explore, subvert and reinvent one of horror's most visceral of subgenres. Focusing on distortions of the human body, the fifteen short stories of A Darker Shade will delight, disgust and shock you.From the metaphysical horror of a snail trapped in body of a young office worker, to a women cursed to dance endlessly, her body ravaged and torn, these are stories that confront the inextricable link between physical and mental terror.Featuring brand-new stories by: Margaret Atwood, Raven Leilani, Lisa Tuttle, Tananarive Due, Joyce Carol Oates, Megan Abbott, Aimee Bender, Cassandra Khaw, Lisa Lim, Elizabeth Hand, Valerie Martin, Sheila Kohler, Joanna Margaret and Aimee LaBrie, and Yumi Dineen Shiroma.

New edition with a brand new chapter!'At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter.' Candice Frederick, Huffington Post'One of the smartest pop culture commentators out there.' Toby Moses, GuardianThe leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen's representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in.A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences - from episodes of messy sex and introspection to the time when actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - to offer a critical eye on the screen's representation of women and ethnic minorities. Divided into sections 'Origin Story', 'Coming of Age', 'Adult Material', 'Workplace Drama' and 'Strong Female Character', the book ponders how the creative industries could better reflect our multicultural society.Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.

'It was not the Baby Boomers who ushered in the first era of widespread drug experimentation. It was their parents.'The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth.At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age.

'This blistering story puts you in mind of last year's blockbuster hit, Yellowface . . . Enjoyable, riotously mischievous and gleefully direct, without losing nuance or lapsing into caricature' Daily MailMeet Relebogile Naledi Mpho Moruakgomo. Or, for short, Eddie: an aspiring playwright who dreams of making it big in London's theatre world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem.Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and . . . very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe.Together they devise a plan which will see Eddie's play on stage and Hugo's name in lights and expose the theatre world for its racism and hollow clout-chasing. But as their plan spins wildly out of control, Eddie and Hugo find themselves wondering if their reputations, and their friendship, can survive.

WINNER OF THE FOOTNOTE X COUNTERPOINTS WRITING PRIZE 2023-24 'Vivid, compassionate, captivating' Elif Shafak 'A special and original voice, one for our times' Philippe Sands 'A moving and tender story about love and identity, and a meditation on the people who make us who we are' Dina NayeriA beautiful and compelling family memoir retracing the love story between Sabrin Hasbun's Palestinian father and Italian mother, and the life of her half-Italian, half-Palestinian family from the 1960s to 2020. After the loss of her mother, Sabrin tries to renegotiate her mixed identity and understand her mother's choices which led her from an oppressive childhood in a village in Tuscany to finding love and community activism in Palestine.This is a story about overcoming grief and what it means to lose not only loved ones, but also a place in the world and a sense of belonging.

'A fascinating, passionate and political case for art's world-changing power, by a fizzingly good writer' Robert Macfarlane | 'Everyone interested in social change should read it' Brian EnoIn Acts of Resistance, Amber Massie-Blomfield writes about the artists who have treated the protest site as their canvas and contributed to movements that have transformed history - from the musicians in Auschwitz to the four-year Siege of Sarajevo, from the to ACT UP's 1989 invasion of the New York Stock Exchange, to the Niger Delta and indigenous communities in Bolivia.Including stories and artists from across the globe, alongside collectives, communities, amateurs and anonymous creators who have used their art as an expression of resistance - this fascinating book asks what is the purpose of art in a world on fire? Why are artists compelled to paint, write, dance and make music, even when the odds are stacked against them? And how can artistic creation be a genuine form of political resistance?

Life is complicated, comparisons are easy. We consume enormous quantities of information every day from sources that are reliable, and those less trustworthy, including journalists, politicians, friends and social media. One of the most commons tools we use to communicate is comparison. Are we suffering a 'hurricane' of migrants? Do dogs look like their owners? Is Oxford better than Harvard? Metaphors, models and metrics are used to compare anything from schools, to wars, to iconic people. But how helpful are they? What truths do they hide and what bullsh*t do comparisons propagate?Looking across a fascinating range of situations both familiar and unfamiliar, serious and light-hearted, Bullsh*t Comparisons is a ground-breaking guide to the role of could-be-true but misleading comparisons. It is illuminated by examples spanning the globe from university league tables, to childhood rivalries, politicians' tawdry analogies, the FIFA World Footballer of the year award and Chinese neo-colonialism in Africa. Ideal for anyone interested in critical thinking or who simply wants to be able to spot bullsh*t at twenty paces, this thought-provoking, intelligent and often amusing book will challenge you to think critically about the use of comparison.

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

'Empathy is the currency of all music and Joe Mulhall does a great job of explaining how that quality has been used to generate solidarity for the struggle and sympathy for those who suffer injustice' Billy BraggWhile the global history of the dictatorships, oppression, racism and state violence over the last century is well known - the role that music played in people's lives during these times is less understood.This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore freedom songs in the Republic of Ireland, the Soviet Union's oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine.This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.'Illuminating, uplifting and important' James O'Brien

'A landmark work on perhaps the essential question of our time' - David Wallace-Wells, author of The Uninhabitable Earth In this ground-breaking book, environmental journalist, Peter Schwartzstein, takes the reader on the first on-the-ground exploration of climate change's contribution to global conflict. From the ravaged villages of Iraq, where ISIS has used drought as a recruiting tool and weapon of terror, to the pirate-ridden waters of Bangladesh - and drawing on more than a decade of reporting from dozens of countries - Schwartzstein writes about the unexpected ways in which climate change is feeding global unrest and conflict. Through the stories of the soldiers, farmers, spies and others affected around the world, he makes sense of a form of conflict that remains poorly understood, even as it devastates the lives of so many millions of people.While researching this book, Schwartzstein was chased by kidnappers, detained by police and told, in no uncertain terms, that he was no longer welcome in certain countries. Yet, as he recounts, these personal brushes with violence are simply a hint of the conflict simmering in our warming world. As Schwartztein's unparalleled reporting shows, there's nothing inevitable about climate violence. In fact, as he sets out, the same stresses that are pitching people against one another can even help bring them back together.

'A trenchant and invaluable people's history of the bottom of the pyramid in the world's most populous nation' Financial Times What does the life of an ordinary working-class, Muslim woman look and feel like in modern India? Award-winning journalist Neha Dixit traces the story of one such faceless Indian woman, from the early 1990s to the present day. What emerges is a picture of a life lived under constant corrosive tension. Syeda X left the holy city of Banaras (now Varanasi) for Delhi with her young family in the aftermath of riots and communal violence in the early '90s. In Delhi, she settled into the life of a poor migrant, juggling multiple jobs a day - from sewing soccer balls and removing the stems from raisins, to shelling almonds sold in bulk to multinationals and assisting in illegal abortions. Syeda has held over 50 different jobs in 30 years, earning paltry sums in the process. And if she ever took a day off, her job would be lost to another faceless migrant. We meet an unforgettable cast of characters: a rickshaw driver in Chandni Chowk who ends up tragically dead in a terrorist blast; a doctor who gets arrested for pre-natal sex determination; a Hindu nationalist 'cow vigilante' whose sister elopes with Syeda's son; and policemen who delight in beating up young Muslim men. Written with empathy and deep insight, The Many Lives of Syeda X is a portal to a harsh, hidden world. It is the story of untold millions and a searing account of urban life in new India.

'Superb. An incandescent, charged and propulsive work. I inhaled this collection. It's a testament to Sunny Singh's considerable talents as a writer' Irenosen OkojieNur and Abid relearn to love after they escape from war. Marie, who keeps the women of the village from giving birth to children borne of war, finds herself in a situation she hasn't faced before. In a London park, an ageing MI-6 official discovers that the woman he meets every day may not be what she seems. Lyndsey's bouquets of twenty-seven tulips hold the secret of her dark past and a soldier adorns herself in jewels as she prepares for a final mission.Spanning both decades and continents, Refuge turns its lens on those who are often overlooked in stories about war: women and children, civilians forced out of their homes in terror, those who wait for their brave soldiers to come home, and soldiers who commit unspeakable violence. this powerful collection simultaneously delves into the darkest parts of the human psyche whilst being an ode to humanity's ability to endure, love and retain dignity and compassion.

At a banquet hall, at the onset of war, Adam Weizmann's bar mitzvah party turns into a glorious disaster. On the cusp of manhood - and the verge of a nervous breakdown - Adam has been bracing for his special day, mired in family neuroses and national dysfunction.In a chorus of voices, a fractious cast of well-wishers narrates Adam's coming-of-age in Israel: his newly devout father and the mystic rituals he practiced on his young son; his best friend, Abbie, who points the way to joyful transgression; Khalil, a Palestinian poet, who offers a glimpse of a different way to be; and Adam himself, filled with shame and desire as he faces the brokenness of his world.At once tender and lustful, a work of scathing satire and piercing insight, MAZELTOV is a truly original vision of a young man's quest to know his own heart.

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

Rooted in the unsettling familiarity of a suburban shopping mall and the halo of childhood nostalgia, DON'T LEAVE HER ALONE is both an eerie and witty portrait of what happens when fear is left unchecked - festering within us until it consumes us from the inside out.'A darkly enchanted expedition into the eviscerating oblivion of motherhood. de Fez writes with her sharpest knife' Rachel Yoder, author of Nightbitch Alba has spent her life unable to be alone, clinging to the presence of others to silence the anxieties she refuses to face. But when she wakes up on the floor of a shopping mall, covered in blood and with only fragmented memories of how she got there, she is forced to confront the truth she has long avoided. Meanwhile, her sister Diana struggles to balance the pressures of motherhood and work, while their mother, Carmen, remains trapped in an endless cycle of sacrifice and duty, caring for her daughters and grandchildren.As Christmas Eve approaches, the tension between them becomes unbearable and what once seemed like ordinary family struggles transforms into a surreal nightmare. As the tensions the three women have long held in explode, they're finally forced to confront the terror that connects them. Haunting, cinematic, and strikingly visceral, Desiree's novel is an incisive exploration of motherhood that interrogates women's struggle for autonomy and identity and ultimately forces the question: what does it take to finally break free?'Full of tenderness and delirium, moving between suburban realism and fairy tale' Mariana Enriquez, author of Our Share of Night

WINNER of both the MILES FRANKIN LITERARY AWARD and the VICTORIAN PREMIER AWARD'An impressive, urgent novel by a talented and courageous writer' Mohsin HamidAfter many years abroad, Harun and Roz return to Malaysian Borneo for the funeral of their palm-oil baron father, Yusuf - and to reckon with their inheritance. Yusuf might be a hero to many, but his children know that not only has he built the family's immense wealth by destroying huge tracts of rainforest, but also that he was involved in the violent disappearance of a man who stood in his way.Harun is a successful tech entrepreneur in Los Angeles while Roz is an artist struggling to stay afloat in Sydney, and both are determined to return something their father stole from the forests of their homeland. In their quest for redemption they grapple with the legacy of power and corruption and are haunted - by the ghosts of colonialism, the ghosts of family, the ghosts of language, and the ghosts of the forest itself. A trailblazing journey across the globe, Fierceland is a language-bending story that weaves the past and the present into an emotionally powerful family saga that plays out at a mythical scale.'The forest may be disappearing, but in Musa's words it still grows: fierce, alive, untameable' Guardian Australia