Footnote Press – serie

From Yale professor and bestselling author of How Fascism Works, a searing confrontation with the authoritarian right's attacks to undo a century of work to advance social justice action on race, gender, sexuality and class.Combining historical research with an in-depth analysis of our modern political landscape, Erasing History issues a dire warning for the world: the worst fascist movements of humanity's past began in schools; the same place so many of today's right-wing political parties have trained their most vicious attacks.Donald Trump, Ron DeSantis, Vladimir Putin, Turkey's Recip Erdogan, and Argentina's Javier Milei have all reached the same conclusion: if you want to roll back the clock on civil rights, equity and inclusion, a great place to start is in schools.Yale professor Jason Stanley exposes the true danger of the right's tactics and traces their inspirations and funding back to some of the most dangerous ideas of human history. He shows that hearts and minds are won in our schools and universities - and that governments are currently ill-prepared to do the work of uprooting fascist policies being foisted upon our children through school boards, in courtrooms, and in the boardrooms of the organisations trusted to train teachers and create the materials they'll share with their students.Deeply informed and urgently needed, this book is a vibrant call to action for lovers of democracy worldwide.

In 2015, increasing numbers of refugees and migrants, most of them fleeing war-torn homelands, arrived by boat on the shores of Greece, setting off the greatest human displacement in Europe since WWII. As journalists reported horrific mass drownings, an ill-prepared and seemingly indifferent world looked on. Those who reached land needed food, clothing, medicine and shelter, but the international aid system broke down completely.In a way that no one could have anticipated, volunteers arrived to help. Dana Sachs's compelling eyewitness account weaves together the lives of seven individuals and their families - including a British coal miner's daughter, a Syrian mother of six, and a jill-of-all-trades from New Zealand - who became part of this extraordinary effort. The story of their successes, and failures, is unforgettable and inspiring, and a clarion call for resilience and hope in the face of despair.War had shattered people's lives. This is what happened next.

'My dear, she's on fire!' DAMIAN BARR'A snappy guide to an all-conquering aesthetic' Financial Times'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a tantrum over wire coat hangers, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, and a rat underneath a silver serving platter'An essential reappraisal of camp across time and across the globe, from the author of Fabulosa! and Outrageous!Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas.Throughout its history, camp has been a place of refuge and renewal, of heroism and hedonism. This glorious celebration traces camp's journey from the fringes of society to the mainstream.

'Will burrow under your skin and live forever in your darkest dreams' BustJoyce Carol Oates assembles a spectacular cast to explore, subvert and reinvent one of horror's most visceral of subgenres. Focusing on distortions of the human body, the fifteen short stories of A Darker Shade will delight, disgust and shock you.From the metaphysical horror of a snail trapped in body of a young office worker, to a women cursed to dance endlessly, her body ravaged and torn, these are stories that confront the inextricable link between physical and mental terror.Featuring brand-new stories by: Margaret Atwood, Raven Leilani, Lisa Tuttle, Tananarive Due, Joyce Carol Oates, Megan Abbott, Aimee Bender, Cassandra Khaw, Lisa Lim, Elizabeth Hand, Valerie Martin, Sheila Kohler, Joanna Margaret and Aimee LaBrie, and Yumi Dineen Shiroma.

WINNER OF THE FOOTNOTE X COUNTERPOINTS WRITING PRIZE 2023-24 'Vivid, compassionate, captivating' Elif Shafak 'A special and original voice, one for our times' Philippe Sands 'A moving and tender story about love and identity, and a meditation on the people who make us who we are' Dina NayeriA beautiful and compelling family memoir retracing the love story between Sabrin Hasbun's Palestinian father and Italian mother, and the life of her half-Italian, half-Palestinian family from the 1960s to 2020. After the loss of her mother, Sabrin tries to renegotiate her mixed identity and understand her mother's choices which led her from an oppressive childhood in a village in Tuscany to finding love and community activism in Palestine.This is a story about overcoming grief and what it means to lose not only loved ones, but also a place in the world and a sense of belonging.

'Empathy is the currency of all music and Joe Mulhall does a great job of explaining how that quality has been used to generate solidarity for the struggle and sympathy for those who suffer injustice' Billy BraggWhile the global history of the dictatorships, oppression, racism and state violence over the last century is well known - the role that music played in people's lives during these times is less understood.This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore freedom songs in the Republic of Ireland, the Soviet Union's oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine.This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.'Illuminating, uplifting and important' James O'Brien

'A trenchant and invaluable people's history of the bottom of the pyramid in the world's most populous nation' Financial Times What does the life of an ordinary working-class, Muslim woman look and feel like in modern India? Award-winning journalist Neha Dixit traces the story of one such faceless Indian woman, from the early 1990s to the present day. What emerges is a picture of a life lived under constant corrosive tension. Syeda X left the holy city of Banaras (now Varanasi) for Delhi with her young family in the aftermath of riots and communal violence in the early '90s. In Delhi, she settled into the life of a poor migrant, juggling multiple jobs a day - from sewing soccer balls and removing the stems from raisins, to shelling almonds sold in bulk to multinationals and assisting in illegal abortions. Syeda has held over 50 different jobs in 30 years, earning paltry sums in the process. And if she ever took a day off, her job would be lost to another faceless migrant. We meet an unforgettable cast of characters: a rickshaw driver in Chandni Chowk who ends up tragically dead in a terrorist blast; a doctor who gets arrested for pre-natal sex determination; a Hindu nationalist 'cow vigilante' whose sister elopes with Syeda's son; and policemen who delight in beating up young Muslim men. Written with empathy and deep insight, The Many Lives of Syeda X is a portal to a harsh, hidden world. It is the story of untold millions and a searing account of urban life in new India.

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD