Foundations of Fashion Studies – serie

When Adorned in Dreams was first published in 1985, Angela Carter described the book as ‘the best I have read on the subject, bar none.’From haute couture to haberdashery, and ‘deviant’ dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the ‘dress reform’ movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it.Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion’s pivotal role in modern society.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as ‘the best I have read on the subject, bar none.’From haute couture to haberdashery, and ‘deviant’ dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the ‘dress reform’ movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it.Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion’s pivotal role in modern society.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as 'the best I have read on the subject, bar none.' From haute couture to haberdashery, and 'deviant' dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the 'dress reform' movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it. Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion's pivotal role in modern society.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as 'the best I have read on the subject, bar none.' From haute couture to haberdashery, and 'deviant' dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. From the 'dress reform' movement to certain strands of feminism, Wilson delights in the power of fashion to mark out identity - or subvert it. Explore topics including fashion and city life, feminism and fashion, and oppositional dress in this authoritative scholarly text on fashion's pivotal role in modern society.

Over the past three centuries, London has established itself as one of the world’s most inventive fashion capitals. Drawing on a range of sources, including paintings, street photography, maps, tourist guides, literature, and stage and press representations, Fashioning London paints a vivid and definitive portrait of London's iconoclastic style.Explore how particular styles of dress became emblematic of this leading international city, ultimately challenging the fashion dominance of Paris, Milan, and New York. Christopher Breward constructs an original history of clothing in London, through its manufacture, promotion, and cultural significance, while examining how issues of space, architecture and performance impinge on notions of fashionability.You will come away from this text understanding that although city life and fashion have always been intertwined, nowhere has this relationship been more excitingly expressed than on the streets of London.

Over the past three centuries, London has established itself as one of the world’s most inventive fashion capitals. Drawing on a range of sources, including paintings, street photography, maps, tourist guides, literature, and stage and press representations, Fashioning London paints a vivid and definitive portrait of London's iconoclastic style.Explore how particular styles of dress became emblematic of this leading international city, ultimately challenging the fashion dominance of Paris, Milan, and New York. Christopher Breward constructs an original history of clothing in London, through its manufacture, promotion, and cultural significance, while examining how issues of space, architecture and performance impinge on notions of fashionability.You will come away from this text understanding that although city life and fashion have always been intertwined, nowhere has this relationship been more excitingly expressed than on the streets of London.

Over the past three centuries, London has established itself as one of the world's most inventive fashion capitals. Drawing on a range of sources, including paintings, street photography, maps, tourist guides, literature, and stage and press representations, Fashioning London paints a vivid and definitive portrait of London's iconoclastic style. Explore how particular styles of dress became emblematic of this leading international city, ultimately challenging the fashion dominance of Paris, Milan, and New York. Christopher Breward constructs an original history of clothing in London, through its manufacture, promotion, and cultural significance, while examining how issues of space, architecture and performance impinge on notions of fashionability. You will come away from this text understanding that although city life and fashion have always been intertwined, nowhere has this relationship been more excitingly expressed than on the streets of London.

Over the past three centuries, London has established itself as one of the world's most inventive fashion capitals. Drawing on a range of sources, including paintings, street photography, maps, tourist guides, literature, and stage and press representations, Fashioning London paints a vivid and definitive portrait of London's iconoclastic style. Explore how particular styles of dress became emblematic of this leading international city, ultimately challenging the fashion dominance of Paris, Milan, and New York. Christopher Breward constructs an original history of clothing in London, through its manufacture, promotion, and cultural significance, while examining how issues of space, architecture and performance impinge on notions of fashionability. You will come away from this text understanding that although city life and fashion have always been intertwined, nowhere has this relationship been more excitingly expressed than on the streets of London.

In 747, Saint Boniface declared that wide stripes and scarlet borders in dress were a dangerous incitement of lust and ruination of the soul. A thousand years later the Jesuit Father Bernard Vaughan, in his book The Sins of Society, claimed that immodest dress led to paganism, while the popular v-shaped necklines of fashionable tops (referred to by some doctors as 'pneumonia necklines') were denounced as immoral by religious critics, along with short skirts.For many years dress and morality have been intertwined, while moralists throughout history have raged against fashions for being too short, too long, too tight, too loose, or too costly.In this enlightening and entertaining book, Aileen Ribeiro looks at fashion extremes over the centuries – from codpieces to corsets – revealing how dress has functioned as a vehicle of righteousness or turpitude, and as an expression of sexuality, class or social status.With sharp wit and lavish illustrations, Dress and Morality offers an in-depth exploration of the comical vanities and social etiquettes associated with dress in the past. This foundational fashion classic has been re-issued with a new preface, afterword and further reading list – remaining an essential and entertaining read.

In 747, Saint Boniface declared that wide stripes and scarlet borders in dress were a dangerous incitement of lust and ruination of the soul. A thousand years later the Jesuit Father Bernard Vaughan, in his book The Sins of Society, claimed that immodest dress led to paganism, while the popular v-shaped necklines of fashionable tops (referred to by some doctors as 'pneumonia necklines') were denounced as immoral by religious critics, along with short skirts.For many years dress and morality have been intertwined, while moralists throughout history have raged against fashions for being too short, too long, too tight, too loose, or too costly.In this enlightening and entertaining book, Aileen Ribeiro looks at fashion extremes over the centuries – from codpieces to corsets – revealing how dress has functioned as a vehicle of righteousness or turpitude, and as an expression of sexuality, class or social status.With sharp wit and lavish illustrations, Dress and Morality offers an in-depth exploration of the comical vanities and social etiquettes associated with dress in the past. This foundational fashion classic has been re-issued with a new preface, afterword and further reading list – remaining an essential and entertaining read.

In 747, Saint Boniface declared that wide stripes and scarlet borders in dress were a dangerous incitement of lust and ruination of the soul. A thousand years later the Jesuit Father Bernard Vaughan, in his book The Sins of Society, claimed that immodest dress led to paganism, while the popular v-shaped necklines of fashionable tops (referred to by some doctors as 'pneumonia necklines') were denounced as immoral by religious critics, along with short skirts.For many years dress and morality have been intertwined, while moralists throughout history have raged against fashions for being too short, too long, too tight, too loose, or too costly. In this enlightening and entertaining book, Aileen Ribeiro looks at fashion extremes over the centuries from codpieces to corsets revealing how dress has functioned as a vehicle of righteousness or turpitude, and as an expression of sexuality, class or social status. With sharp wit and lavish illustrations, Dress and Morality offers an in-depth exploration of the comical vanities and social etiquettes associated with dress in the past. This foundational fashion classic has been re-issued with a new preface, afterword and further reading list remaining an essential and entertaining read.

In 747, Saint Boniface declared that wide stripes and scarlet borders in dress were a dangerous incitement of lust and ruination of the soul. A thousand years later the Jesuit Father Bernard Vaughan, in his book The Sins of Society, claimed that immodest dress led to paganism, while the popular v-shaped necklines of fashionable tops (referred to by some doctors as 'pneumonia necklines') were denounced as immoral by religious critics, along with short skirts.For many years dress and morality have been intertwined, while moralists throughout history have raged against fashions for being too short, too long, too tight, too loose, or too costly. In this enlightening and entertaining book, Aileen Ribeiro looks at fashion extremes over the centuries from codpieces to corsets revealing how dress has functioned as a vehicle of righteousness or turpitude, and as an expression of sexuality, class or social status. With sharp wit and lavish illustrations, Dress and Morality offers an in-depth exploration of the comical vanities and social etiquettes associated with dress in the past. This foundational fashion classic has been re-issued with a new preface, afterword and further reading list remaining an essential and entertaining read.

Expand your understanding of the development and history of gay men’s dress with Shaun Cole’s groundbreaking work – from the subcultural world of the early 20th century to the clubs and bars of the 80s and 90s.Drawing upon first-hand interviews conducted with men across the UK and US, Cole analyzes the trends in dress adopted by gay men as well as the challenge gay style has posed to mainstream men’s fashion. Other sources such as contemporary magazines shed further light on the culture and discourse influencing gay men’s dress and, in the newly extended reading list, the author situates his own work among the landscape of recent writing on queer and gay men’s style. A new preface and afterword also reflect on the value of the research methodology employed by the text, as well as the changes in studies related to the central focus of Cole’s work.Whether you’re approaching it from a fashion studies, LGBTQ+ studies or sociology perspective, this re-issued text is a vital introduction for anyone interested in gay men’s fashion over the last 100 years.

Expand your understanding of the development and history of gay men’s dress with Shaun Cole’s groundbreaking work – from the subcultural world of the early 20th century to the clubs and bars of the 80s and 90s.Drawing upon first-hand interviews conducted with men across the UK and US, Cole analyzes the trends in dress adopted by gay men as well as the challenge gay style has posed to mainstream men’s fashion. Other sources such as contemporary magazines shed further light on the culture and discourse influencing gay men’s dress and, in the newly extended reading list, the author situates his own work among the landscape of recent writing on queer and gay men’s style. A new preface and afterword also reflect on the value of the research methodology employed by the text, as well as the changes in studies related to the central focus of Cole’s work.Whether you’re approaching it from a fashion studies, LGBTQ+ studies or sociology perspective, this re-issued text is a vital introduction for anyone interested in gay men’s fashion over the last 100 years.

Expand your understanding of the development and history of gay men's dress with Shaun Cole's groundbreaking work from the subcultural world of the early 20th century to the clubs and bars of the 80s and 90s. Drawing upon first-hand interviews conducted with men across the UK and US, Cole analyzes the trends in dress adopted by gay men as well as the challenge gay style has posed to mainstream men's fashion. Other sources such as contemporary magazines shed further light on the culture and discourse influencing gay men's dress and, in the newly extended reading list, the author situates his own work among the landscape of recent writing on queer and gay men's style. A new preface and afterword also reflect on the value of the research methodology employed by the text, as well as the changes in studies related to the central focus of Cole's work. Whether you're approaching it from a fashion studies, LGBTQ+ studies or sociology perspective, this re-issued text is a vital introduction for anyone interested in gay men's fashion over the last 100 years.

Expand your understanding of the development and history of gay men's dress with Shaun Cole's groundbreaking work from the subcultural world of the early 20th century to the clubs and bars of the 80s and 90s. Drawing upon first-hand interviews conducted with men across the UK and US, Cole analyzes the trends in dress adopted by gay men as well as the challenge gay style has posed to mainstream men's fashion. Other sources such as contemporary magazines shed further light on the culture and discourse influencing gay men's dress and, in the newly extended reading list, the author situates his own work among the landscape of recent writing on queer and gay men's style. A new preface and afterword also reflect on the value of the research methodology employed by the text, as well as the changes in studies related to the central focus of Cole's work. Whether you're approaching it from a fashion studies, LGBTQ+ studies or sociology perspective, this re-issued text is a vital introduction for anyone interested in gay men's fashion over the last 100 years.

By the 1940s the New York fashion industry had come into its own. Sportswear, which had evolved from its origins to include simple casual wear for travel, leisure, town and country, was at the centre of this shift.Drawing on an array of sources, this book examines how New York sportswear evolved during the 1930s and 1940s to become the definitive American style. It reveals how designers such as Claire McCardell, Clare Potter and Tina Leser created a fashion identity for New York that was as dynamic and modern as the city itself.Author Rebecca Arnold interrogates the American ideal of athletic, long-limbed women and looks for the first time at how sportswear impacted and was impacted by ideas of patriotism and democracy, as well as its links to notions of cleanliness and hygiene, and to 1930s theories of body image and contemporary dance.As part of the Foundations of Fashion Studies series, this classic text now includes a new foreword by Emma McClendon and a new afterword and further reading list by the author.

By the 1940s the New York fashion industry had come into its own. Sportswear, which had evolved from its origins to include simple casual wear for travel, leisure, town and country, was at the centre of this shift.Drawing on an array of sources, this book examines how New York sportswear evolved during the 1930s and 1940s to become the definitive American style. It reveals how designers such as Claire McCardell, Clare Potter and Tina Leser created a fashion identity for New York that was as dynamic and modern as the city itself.Author Rebecca Arnold interrogates the American ideal of athletic, long-limbed women and looks for the first time at how sportswear impacted and was impacted by ideas of patriotism and democracy, as well as its links to notions of cleanliness and hygiene, and to 1930s theories of body image and contemporary dance.As part of the Foundations of Fashion Studies series, this classic text now includes a new foreword by Emma McClendon and a new afterword and further reading list by the author.

Clothes take the ordinary human body and fashion it into something remarkable. Born to the same anatomical legacy, each generation has used garments to shape itself in the image of its own desires.Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past. Arguing that analysis needs to aspire to the proliferation and playfulness of fashion itself, Susan Vincent explores different bodily presentations and examines their wider, and often surprising, implications.In its provocative conclusion, this authoritative text turns its attention to dress practices today. Reassembling the anatomical parts, the text places the contemporary body in the historical view and reveals the strangeness that lies at the heart of our own normality.