Gender Studies: Bloomsbury Academic Collections – serie

With careful reasoning supported by wide-ranging scholarship, this study exposes the fallacies of ''social constructionist'' theories within lesbian and gay studies and makes a forceful case for the autonomy of queer identity and culture. It presents evidence that queers are part of a centuries-old history, possessing a unified historical and cultural identity. The volume reviews the fundamental historiographical issues about the nature of queer history, arguing that a new generation of queer historians will need to abandon authoritarian dogma founded upon politically-correct ideology rather than historical experience. Norton offers a clear exposition of the evidence for ancient, indigenous and pre-modern queer cultural continuity, revealing how knowledge of that history has been suppressed and censored and sets out the ''queer cultural essentialist'' position on the key topics of queer history – role, identity, bisexuality, orientation, linguistics, social control, homophobia, subcultures, and kinship patterns.

With careful reasoning supported by wide-ranging scholarship, this study exposes the fallacies of ‘social constructionist’ theories within lesbian and gay studies and makes a forceful case for the autonomy of queer identity and culture. It presents evidence that queers are part of a centuries-old history, possessing a unified historical and cultural identity. The volume reviews the fundamental historiographical issues about the nature of queer history, arguing that a new generation of queer historians will need to abandon authoritarian dogma founded upon politically-correct ideology rather than historical experience. Norton offers a clear exposition of the evidence for ancient, indigenous and pre-modern queer cultural continuity, revealing how knowledge of that history has been suppressed and censored and sets out the ‘queer cultural essentialist’ position on the key topics of queer history – role, identity, bisexuality, orientation, linguistics, social control, homophobia, subcultures, and kinship patterns.

Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks’ Ray Davies to Gene’s Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself.

Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks'' Ray Davies to Gene''s Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself.

The product of many years of research, this unique book presents fascinating perspectives on contemporary lesbian life in India and unravels some of the history of lesbian desire from centuries past. Through detailed examination of mythology, cosmology, ancient art and artefacts and her exegesis of ancient Sanskrit texts, Thadani constructs a tapestry of feminine kinship, genealogy and sexual or erotic bonding between women (sakhiyani) in ancient India. The author offers an historical perspective on the effect of colonization upon lesbian identities in India, showing how women were viewed by Western imperialists either as soft victims or as sexually dangerous, possessing an overgrown clitoris and in need of heterosexual domestication.The second half of the book focuses on contemporary lesbian realities and issues, including lesbian marriages, suicide pacts, forging lesbian space, lesbian human rights, lesbophobia, sexual exile and the different construction of gender, family and possible kinship alliances.

The product of many years of research, this unique book presents fascinating perspectives on contemporary lesbian life in India and unravels some of the history of lesbian desire from centuries past. Through detailed examination of mythology, cosmology, ancient art and artefacts and her exegesis of ancient Sanskrit texts, Thadani constructs a tapestry of feminine kinship, genealogy and sexual or erotic bonding between women (sakhiyani) in ancient India. The author offers an historical perspective on the effect of colonization upon lesbian identities in India, showing how women were viewed by Western imperialists either as soft victims or as sexually dangerous, possessing an overgrown clitoris and in need of heterosexual domestication.The second half of the book focuses on contemporary lesbian realities and issues, including lesbian marriages, suicide pacts, forging lesbian space, lesbian human rights, lesbophobia, sexual exile and the different construction of gender, family and possible kinship alliances.

Focusing on British and European women, this is an accessible study of lesbian history since the 17th century. Each chapter documents and examines a woman's life and work, or the nature of a particular partnership. Some of the women featured are famous, such as Greta Garbo, Ethel Smyth, Eve Balfour and Queen Anne, while others have been forgotten or undocumented. Collis’s study raises many profound and seminal issues including the visibility of lesbians in different social contexts, the influence of social status and background on their ability to be open about their sexuality, the importance of sexuality to contemporary women, and the existence and creation of role models.

Focusing on British and European women, this is an accessible study of lesbian history since the 17th century. Each chapter documents and examines a woman''s life and work, or the nature of a particular partnership. Some of the women featured are famous, such as Greta Garbo, Ethel Smyth, Eve Balfour and Queen Anne, while others have been forgotten or undocumented. Collis''s study raises many profound and seminal issues including the visibility of lesbians in different social contexts, the influence of social status and background on their ability to be open about their sexuality, the importance of sexuality to contemporary women, and the existence and creation of role models.

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

To understand masculine and feminine social and political history in the second half of the 20th century, one must first understand the lexical history of the term gender, which did not become an attribute of human beings until 1955 when John Money introduced the concept of gender role to refer to the masculine or feminine presentation of individuals whose genital organs, by reason of birth defect, were anatomically neither completely male or completely female, but hermaphroditic. In this book, Money explores the history of gender differentiation and its impact on contemporary, postmodern social constructionist explanations of male and female. He argues that the nature vs nurture dichotomy should be abandoned in favour of a paradigm of nature/critical period/nurture. The book further discusses how some gender differences are phylogenetically shared by all people and others are ontologically unique to an individual.

To understand masculine and feminine social and political history in the second half of the 20th century, one must first understand the lexical history of the term gender, which did not become an attribute of human beings until 1955 when John Money introduced the concept of gender role to refer to the masculine or feminine presentation of individuals whose genital organs, by reason of birth defect, were anatomically neither completely male or completely female, but hermaphroditic. In this book, Money explores the history of gender differentiation and its impact on contemporary, postmodern social constructionist explanations of male and female. He argues that the nature vs nurture dichotomy should be abandoned in favour of a paradigm of nature/critical period/nurture. The book further discusses how some gender differences are phylogenetically shared by all people and others are ontologically unique to an individual.

In What Is She Like? Rosa Ainley looks in depth at how lesbians see themselves and at the questions of identity that have defined and divided the lesbian community. Covering the period from the 1950s, with its repressive influence on sexuality in general, through so-called sexual liberation in the 1960s, to the freedoms and limitations of (lesbian) feminism in the 1970s, she brings exciting and illuminating perspectives to bear on lesbian lives in the 1990s, when lipstick lesbians were the darlings of the mainstream media. Ainley deconstructs the bizarre popular myths and stereotypes which often surround the twilight world of lesbianism, substituting for them a celebration of the multifarious nature of the lesbian subculture which evolved during the late 20th century. In a series of fascinating interviews interspersed with the text, over 20 women, of varying ages, races and backgrounds, talk frankly about their lives and lifestyles as lesbians, focusing on their own identity in terms of politics, leisure pursuits, fashion and affiliations.

In What Is She Like? Rosa Ainley looks in depth at how lesbians see themselves and at the questions of identity that have defined and divided the lesbian community. Covering the period from the 1950s, with its repressive influence on sexuality in general, through so-called sexual liberation in the 1960s, to the freedoms and limitations of (lesbian) feminism in the 1970s, she brings exciting and illuminating perspectives to bear on lesbian lives in the 1990s, when lipstick lesbians were the darlings of the mainstream media. Ainley deconstructs the bizarre popular myths and stereotypes which often surround the twilight world of lesbianism, substituting for them a celebration of the multifarious nature of the lesbian subculture which evolved during the late 20th century. In a series of fascinating interviews interspersed with the text, over 20 women, of varying ages, races and backgrounds, talk frankly about their lives and lifestyles as lesbians, focusing on their own identity in terms of politics, leisure pursuits, fashion and affiliations.

This title traces the lives of individual lesbians against the background of the politics and history of the 20th century, and shows the infinite variety of ways in which lesbians made their lives in Britain. This history has relevance to contemporary life and politics within the lesbian community. British lesbians have a long tradition of diversity, of action, of success and of pride, which is documented here.

This title traces the lives of individual lesbians against the background of the politics and history of the 20th century, and shows the infinite variety of ways in which lesbians made their lives in Britain. This history has relevance to contemporary life and politics within the lesbian community. British lesbians have a long tradition of diversity, of action, of success and of pride, which is documented here.

This collection of essays is an interdisciplinary work bringing together an internationally acclaimed group of transgender writers. Informed by both academic and street experiences, it considers the practical issues faced in changing the world view of gender as well as the limitations of queer, feminism and post-modernism. In a wide-ranging set of contributions, it addresses our engendered places now and what we can aim for in the future. It evaluates the mechanisms we can use to galvanize both the micro theories of gender as a personal experience of oppression and the macro theories of gender as a site of social regulation. The collection aims to take identity politics and reclaim identity for the self.