Gendering Asia – serie

In a narrative and visual tour de force, Trudy Jacobsen examines the relationship between women and power in Cambodian history. Here, she seeks to describe when and why the status of women changed and what factors contributed to these changes.

Many women in Asia engage in full-time work and continue to shoulder home and familial responsibilities in accordance to social and cultural norms. As larger structural, economic, historical and social forces impinge upon the way women negotiate roles as mother and worker in everyday life, the definition of "motherhood" in Asia, as in other parts of the world, is highly nuanced and variegated.The model of the male as breadwinner, a feature of middle and upper class households, has undergone tremendous change in recent time. Increasingly, women (particularly those who are better-educated) have entered the job market owing to rising costs of living and a desire to work. This book examines how Asian women negotiate, contest and reconfigure motherhood in a region characterised by different cultures, societies, ethnic, religious and class groupings.This book reveals recurrent themes on patriarchy, labour and relationship, strategies of accommodation, conflict and emotion management, the role of fathers, socio-cultural definitions of "good mothering", and the political meanings of "maternity" and "family", and last but not least, it provides an important counterpoint to studies based on white middle-class North Americans, which is the focus of much of the earlier research on this subject.

Why is it that, although Burmese women historically enjoyed relatively high social status and economic influence, for the most part they remained conspicuously absent from positions of authority in formal religious, social and political institutions?This is the starting point of a fascinating study that explores the relationship between gender and power in Burmese history from pre-colonial times to the present day and which aims to identify the sources, nature and limitations of women's power. It thus examines the concept of 'family' in Burmese political culture, how various influences like Buddhism shaped Burmese concepts of gender and power, and how the effects of prolonged armed conflict, economic isolation and political oppression have constrained opportunities for women to attain power in contemporary Burma.

This book brings together some of the most exciting, original and cutting-edge work being conducted on contemporary queer China. The volume includes original essays by some of the most prolific and central queer activists and artists in the PRC, placing their writing alongside work by emergent and established scholars from a variety of disciplines and backgrounds.The book offers unique perspectives by presenting primary accounts of the creative and multi-faceted strategies that activists and community organizers have developed in their various activities. The volume also presents rich, empirical evidence of every-day queer lives across China, offering a unique record not only of cosmopolitan community and activist perspectives but also of voices and experiences from a broad range of locations and identifications.As a whole it offers invaluable insights into sexual and gender diversity in China today. Queer/Tongzhi China thus breathes as it speaks, providing through its diverse approaches a different understanding of queer China than standard mono-ethnographies or social-scientific documentaries.

The overall objective of this volume is to revisit gender as a concept that can engage simultaneously with change and continuity in today's Asia, but with greater intellectual reflexivity to examine multiple, intersecting, and complex dimensions of identity and difference, and formerly unacknowledged sources of social power from institutions and their emerging discourses.Individual chapters, written by gender scholars from Europe and Asia, critically examine the concept of gender in the context of emerging development issues relating to four broad thematic areas: 'Gender over Time', 'Power, Policy and Practices', 'Environment and Resources', and 'Justice and Human Rights'.In so doing, they also address how gender has been changed, both as a normative process influencing social roles and relations and as an object and/or a concept of research.

This fascinating study unveils the workings of the Indonesian migration regime, one that sends hundreds of thousands of women abroad as domestic workers each year.Drawing on extended ethnographic research since 2007, the book literally follows migrant women from one particular village in Central Java and tracks the moral, social, economic and legal processes by which they are turned into 'maids'. From recruitment by local brokers to the 'training' received in secluded camps in Jakarta, employment in gated middle-class homes in Malaysia and back home again, Olivia Killias highlights the implications of the migration process on gendered practices of labour mobility (and immobilisation). She also reveals the disciplinary power that states, recruitment agencies and employers exercise over migrant domestic workers as well as highlighting frictions within the system.Killias's analysis demonstrates that ironically, the "legalisation" of the migration industry, under the joint pressures of the Indonesian migration bureaucracy and international humanitarian agencies, does not automatically improve the situation of the women who embark on the migration adventure. Rather, Killias unmasks the gendered moralizing discourses on "illegal" migration and "trafficking" as legitimizing indentured labour and constraining migrant mobility.By exploring the workings of the Indonesian state's overseas legal labour migration regime for migrants, she brings the reader directly into the nerve-racking lives of migrant village women, and reveals the richness and ambiguity of their experiences, going beyond stereotypical representations of them as "victims of trafficking".

* First book on gay identity and queer activism in the PRC examined from a cultural studies perspective. * An interdisciplinary project that combines historical and critical analysis of queer cultural texts and ethnographic studies of queer public culture in urban China. * Offers keen insights on identity, power and governmentality in China.This very timely, well-written and insightful exploration of gay identity and queer activism in the People's Republic of China today is more than a study of `queer China' through the lens of male homosexuality; it also examines identity, power and governmentality in contemporary China, as shaped by China's historical conditions and contemporary situations. This book offers in-depth analysis of recent queer history and contemporary cultural texts, including the processes by which queer theory and activism was introduced and received in the PRC, the transformation of Shanghai's queer spaces, leading queer filmmaker Cui Zi'en life and works, and personal diaries written by gay men receiving conversion therapies. It also presents rich ethnographic data gained from fieldwork conducted in Beijing, Shanghai and Guangzhou's urban gay communities and documents queer public cultural events such as the Shanghai LGBT Pride, the Beijing Queer Film Festival, the China Queer Film Festival Tour, as well as a clash between cruising gay men and the police over the use of public space in the People's Park, Guangzhou. This book offers a queer Marxist analysis of sexual identity and social movements in contemporary China, where ideological negotiations between socialism and neoliberalism are constantly played out in the formation of public cultures and intimate spheres. In doing so, it critically assesses the role of Marxism and China's socialist legacies in shaping sexual identity, queer popular culture and political activism. Although the first of its kind from a cultural studies perspective, this interdisciplinary study speaks to scholars working in disparate fields including anthropology, sociology, media studies, film studies, political theory, and Asian Studies.

In central Thailand, a flamboyantly turbaned gay medium for the Hindu god of the underworld posts Facebook selfies of himself hugging and kissing a young man. In Myanmar’s largest city Yangon, a one-time member of a gay NGO dons an elaborate wedding dress to be ritually married to a possessing female spirit; he believes she will offer more support for his gay lifestyle than the path of LGBTQ activism. The only son of a Chinese trading family in Bangkok finds acceptance for his homosexuality and crossdressing when he becomes the medium for a revered female Chinese deity. And in northern Thailand, female mediums smoke, drink, flaunt butch masculine poses and flirt with female followers when they are ritually possessed by male warrior deities. Across the Buddhist societies of mainland Southeast Asia, local queer cultures are at the center of a recent proliferation of professional spirit mediumship. Drawing on detailed ethnographies and extensive comparative research, Deities and Divas captures this variety and ferment. The first book to trace commonalities between queer and religious cultures in Southeast Asia and the West, it reveals how modern gay, trans and spirit medium communities all emerge from a shared formative matrix of capitalism and new media. With insights and analysis that transcend the modern opposition of religion vs secularity, it provides fascinating new perspectives in transnational cultural, religious and queer studies.

Gender and sexuality in Japan has long been a field of academic study, with gender mainly being examined either as masculinities, femininities or as deviating sexualities. In recent years, however, widespread interest in manga, anime and cosplay among the world’s youth has aroused popular interest in the Japanese approach to gender and sexuality. In a sense, this engaging volume brings these two worlds together. It builds on earlier scholarly work and discusses normative and non-normative gender and sexualities in one volume. The chapters deftly bring together and engage with theories of gender presentation, performance and performativity. However, they are also solid ethnographic studies, extensively researched and clearly argued. Through careful attention to lived realities, they allow readers to understand not only how gender is constructed and commodified in contemporary Japan but also how it is presented and performed in different contexts. At the same time, youth culture resonates through the volume, which is mainly written by early-career scholars with a largely undergraduate and postgraduate readership in mind. With compelling studies, evocatively presented, this volume may well go on to become an important resource on gender and sexuality in Japan. Moreover, with its many insights into how ethnographic methodologies might best be employed, the book has much to offer students and scholars working outside of Japanese studies as well.

Gender and sexuality in Japan has long been a field of academic study, with gender mainly being examined either as masculinities, femininities or as deviating sexualities. In recent years, however, widespread interest in manga, anime and cosplay among the world’s youth has aroused popular interest in the Japanese approach to gender and sexuality. In a sense, this engaging volume brings these two worlds together. It builds on earlier scholarly work and discusses normative and non-normative gender and sexualities in one volume. The chapters deftly bring together and engage with theories of gender presentation, performance and performativity. However, they are also solid ethnographic studies, extensively researched and clearly argued. Through careful attention to lived realities, they allow readers to understand not only how gender is constructed and commodified in contemporary Japan but also how it is presented and performed in different contexts. At the same time, youth culture resonates through the volume, which is mainly written by early-career scholars with a largely undergraduate and postgraduate readership in mind. With compelling studies, evocatively presented, this volume may well go on to become an important resource on gender and sexuality in Japan. Moreover, with its many insights into how ethnographic methodologies might best be employed, the book has much to offer students and scholars working outside of Japanese studies as well.